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Peter Straughan (screenplay)
Toby Young (book)
3 octobre 2008 (USA) suite
Brace yourselves, America. suite
A British writer struggles to fit in at a high-profile magazine in New York. Based on Toby Young's memoir "How to Lose Friends & Alienate People". full summary | add synopsis
Getting Into The 7th Room plus de (68 total)
| Kelan Pannell | ... | Young Sidney Young | |
| Janette Scott | ... | Mrs. Young | |
| Simon Pegg | ... | Sidney Young | |
| Megan Fox | ... | Sophie Maes | |
| Gillian Anderson | ... | Eleanor Johnson | |
| Kelly Jo Charge | ... | Apollo Awards Presenter | |
| Christian Smith | ... | Apollo Awards Guest | |
| Katherine Parkinson | ... | PR Woman | |
| Felicity Montagu | ... | Clipboard Nazi | |
| Thandie Newton | ... | Apollo Awards Guest | |
| John Lightbody | ... | Assistant Hotel Manager | |
| Ian Bonar | ... | Post Modern Review Staff #1 | |
| James Corden | ... | Post Modern Review Staff #2 | |
| Fenella Woolgar | ... | Post Modern Review Staff #3 | |
| Chris O'Dowd | ... | Post Modern Review Staff #4 | |
| Hugh Thompson | ... | Post Modern Review Staff #5 | |
| Emily Thorling | ... | Post Modern Review Staff #6 | |
| Jeff Bridges | ... | Clayton Harding | |
| Miquel Brown | ... | Clayton's Assistant | |
| Miriam Margolyes | ... | Mrs. Kowalski | |
| Nathalie Cox | ... | Bar Beauty | |
| Kirsten Dunst | ... | Alison Olsen | |
| Sam Douglas | ... | Barman | |
| Charlotte Devaney | ... | Bobbie | |
| Gillian King | ... | Sharp's Assistant | |
| Danny Huston | ... | Lawrence Maddox | |
| Margo Stilley | ... | Ingrid | |
| Isabella Calthorpe | ... | Anna | |
| Hannah Waddingham | ... | Elizabeth Maddox | |
| Diana Kent | ... | Rachel Petkoff | |
| Max Minghella | ... | Vincent Lepak | |
| Emily Denniston | ... | Maddox's Assistant | |
| Ashley Madekwe | ... | Vicky | |
| Lisa McAllister | ... | Sophie Maes' Assistant | |
| Julia West | ... | Mother Superior - Trailer | |
| Brona C. Titley | ... | Nun - Trailer | |
| Charles De Bromhead | ... | Young Priest - Trailer | |
| Jane Perry | ... | Mrs. Harding | |
| Connie Wheeler | ... | Harding Child #1 | |
| Lara Edmunds | ... | Harding Child #2 | |
| Allen Lidkey | ... | July 4th Party Guest #1 | |
| Robert B. Weide | ... | July 4th Party Guest #2 | |
| Nathan Nolan | ... | July 4th Party Waiter | |
| Andy Lucas | ... | Wizard / Dentist | |
| Bill Paterson | ... | Richard Young | |
| Alexandra Aitken | ... | Nightclub Girl | |
| Sarah Mennell | ... | Flight Desk Attendant | |
| Liat Baruch | ... | Couple on Blanket - Female | |
| Eivind Karlsen | ... | Couple on Blanket - Male | |
| reste de la distribution par ordre alphabétique: | |||
| Debbie Attwell | ... | Red Carpet Fan (uncredited) | |
| Michael Bennett | ... | Party Guest (uncredited) | |
| Serena Catapano | ... | Waitress (uncredited) | |
| Heather Snow Clark | ... | Beautiful Girl (uncredited) | |
| Daniel Craig | ... | Himself (uncredited) | |
| Giada Dobrzenska | ... | Fashion Party Girl (uncredited) | |
| James Fiddy | ... | Party Goer (uncredited) | |
| Tim Glanfield | ... | Bafta Awards Official (uncredited) | |
| Brian Austin Green | ... | Party Guest (uncredited) | |
| Chris Jameson | ... | Apollo Awards Guest (uncredited) | |
| Forbes KB | ... | Hotel Security (uncredited) | |
| Thor Knai | ... | Sharp's Party Celebrity (uncredited) | |
| Edward Lemont | ... | Sharps Magazine Receptionist (uncredited) | |
| Eliezer Meyer | ... | Newsstand Vendor (uncredited) | |
| Ben Morris | ... | BAFTA Crowd Member (uncredited) | |
| Tracy Redington | ... | Model (uncredited) | |
| Jenny Rieu | ... | Girl on Blanket - Female (uncredited) | |
| James Schram | ... | Doorman / Bouncer (uncredited) | |
| Robert Stone | ... | BAFTA Security (uncredited) | |
| Kate Winslet | ... | Herself (uncredited) | |
Réalisé par | |||
| Robert B. Weide | |||
Scénaristes | ||
| Peter Straughan | (screenplay) | |
| Toby Young | (book) | |
Musique originale | |||
| David Arnold | |||
Image | |||
| Oliver Stapleton | |||
Montage | |||
| David Freeman | |||
Distribution des rôles | |||
| Justine Baddeley | |||
| Kim Davis | |||
| Jina Jay | |||
Création des décors | |||
| John Beard | |||
Direction artistique | |||
| Ray Chan | (supervising art director) | ||
| Anthony Gasparro | |||
Décorateur de plateau | |||
| Sara Parks | |||
Création des costumes | |||
| Annie Hardinge | |||
Maquillage | |||
| Ursula Adelhelm | .... | daily makeup trainee | |
| Tamsin Dorling | .... | hair stylist | |
| Tamsin Dorling | .... | makeup artist | |
| Nana Fischer | .... | dailies hair stylist | |
| Nana Fischer | .... | makeup artist | |
| Mandy Gold | .... | crowd makeup supervisor | |
| Persefone Karakosta | .... | makeup artist | |
| Peter King | .... | hair designer | |
| Peter King | .... | makeup designer | |
| Flora Moody | .... | hair trainee | |
| Flora Moody | .... | makeup trainee | |
| Susan Schectar | .... | additional hair stylist | |
| Lucy Sibbick | .... | makeup dailies | |
| Colleen Wheeler | .... | hair stylist | |
Directeur de production | |||
| Polly Duval | .... | post-production supervisor | |
| Sacha Guttenstein | .... | post-production delivery supervisor | |
| Louise Lovegrove | .... | production supervisor | |
Assistant réalisateur | |||
| Ethan Anderson | .... | additional second assistant director | |
| Simon Downes | .... | second assistant director | |
| Mark Hopkins | .... | crowd third assistant director | |
| Stuart Jones | .... | daily assistant director | |
| Alex Kaye-Besley | .... | third assistant director: second unit | |
| Henry Mackintosh | .... | assistant director | |
| Michelle McGrier | .... | dga trainee | |
| Matthew Penry-Davey | .... | first assistant director | |
| Charlie Reed | .... | third assistant director | |
| Rosemary Rodriguez | .... | second unit director | |
| Lance Roehrig | .... | key second assistant director | |
| Alfonso Trinidad | .... | second assistant director: second unit | |
| Mick Ward | .... | first assistant director: second unit | |
Technicien du son | |||
| Hugo Adams | .... | foley editor | |
| Niv Adiri | .... | sound effects editor | |
| Orin Beaton | .... | boom operator | |
| Ed Colyer | .... | foley mixer | |
| James Corless | .... | sound mix technician | |
| Paul Cotterell | .... | sound re-recording mixer | |
| Norman Durance | .... | sound mixer | |
| Glenn Freemantle | .... | supervising sound editor | |
| Glen Gathard | .... | assistant foley mixer | |
| Judah Getz | .... | adr mixer | |
| Jim Greenhorn | .... | production sound mixer | |
| Lee Herrick | .... | dialog & adr editor | |
| Lawrence Loewinger | .... | sound mixer | |
| Andrew Morgado | .... | adr mixer | |
| Richard Pryke | .... | sound re-recording mixer | |
| Nadine Richardson | .... | assistant sound | |
| Jack Stew | .... | foley artist | |
| Richard Street | .... | sound re-recording mixer | |
Visual Effects | |||
| Chris Bentley | .... | digital lab operator | |
| Alberto Buron | .... | digital lab operator | |
| James Clarke | .... | digital lab supervisor | |
| Tom Collier | .... | digital compositor | |
| Neil Culley | .... | lead compositor | |
| Stefan Drury | .... | head of visual effects | |
| Yanni Goudetsidis | .... | systems engineer | |
| Scott Goulding | .... | assistant colourist | |
| Katja Hollmann | .... | producer: Lipsync Post (as Katja Lazare) | |
| Lorea Hoye | .... | visual effects producer | |
| David Margolis | .... | digital compositor | |
| Aileen McIntosh | .... | digital lab operator | |
| Andrew Morley | .... | head of 3D: Lipsync Post | |
| Kevin Phelan | .... | head of post-production: Lip Sync Post | |
| Kate Porter | .... | lead compositor | |
| Angela Rose | .... | digital compositor | |
| Abigail Scollay | .... | digital compositor | |
| Jon Stanley | .... | senior systems engineer | |
| Paul Venn Stirling | .... | digital compositor: LipSync Post | |
| Daniel Tomlinson | .... | digital lab operator | |
| Samantha Tracey | .... | visual effects coordinator | |
| Sheila Wickens | .... | visual effects supervisor | |
| Blake Winder | .... | digital compositor: LipSync Post | |
| Dylan Wyn Owen | .... | digital compositor | |
Cascadeur | |||
| Dani Biernat | .... | stunt performer | |
| Loyd Catlett | .... | stunt double | |
| Nick Chopping | .... | stunt double | |
| Jamie Edgell | .... | stunt coordinator | |
| Roy Farfel | .... | stunt driver | |
| Bradley Farmer | .... | stunt performer | |
| Paul Herbert | .... | stunt coordinator | |
| Jason Hunjan | .... | stunt performer | |
| Sid Karne | .... | stunts | |
| Jo McLaren | .... | stunt performer | |
| Manny Siverio | .... | stunt coordinator: New York | |
Département Casting | |||
| Meredith Jacobson | .... | local extras casting | |
| Erin Mayhugh | .... | extras casting associate | |
| Adam Vincentz | .... | local extras casting | |
Département Costume et garde-Robe | |||
| Michael Anzalone | .... | costume supervisor | |
| Rebecca Hofherr | .... | assistant costume designer | |
| Kate Laver | .... | costume assistant | |
| Janine Marr | .... | costume assistant | |
| Holly Smart | .... | wardrobe assistant | |
| Gabrielle Spanswick | .... | costume supervisor | |
| Aaron Timperley | .... | costume assistant | |
Dpartement Editorial | |||
| Mark Burton | .... | first assistant editor | |
| Stuart Fyvie | .... | digital colorist | |
| Sabine McDonald | .... | negative cutter | |
| Kelly Smith | .... | negative cutter | |
Département Musique | |||
| Peter Clarke | .... | music editor | |
| Chris Cozens | .... | auricle control systems | |
| Duffy | .... | performer: "Enough Love" | |
| Karen Elliott | .... | music supervisor | |
| Isobel Griffiths | .... | orchestra contractor | |
| Stephen Hilton | .... | musician: programming and keyboards | |
| Rob Playford | .... | music programmer | |
Département Transport | |||
| Jeff Hudson | .... | unit driver | |
| Nick Kenyon | .... | driver: cast | |
| Pete Newman | .... | unit driver | |
| Barrie Williams | .... | transportation captain | |
Merci | |||
| Fabrizia Dal Farra | .... | thanks | |
| Janette Scott | .... | thanks | |
Rated R for language, some graphic nudity and brief drug material.
110 min
1,85 : 1 suite
UK:15 | Ireland:15A | USA:R | South Korea:15 | Australia:M | Netherlands:12 | South Africa:16 | New Zealand:M | Germany:o.Al. | Czech Republic:U | Portugal:M/12 | Sweden:Btl | Singapore:NC-16 | Finland:K-13 | Mexico:B15 | Italy:T
Café de Paris, Coventry Street, Soho, London, England, UK suite
The scene where Sidney leaves Elizabeth Maddox alone in the hallway after she tripped and fell is based on a similar incident involving Anna Wintour and a Vanity Fair intern. suite
Erreurs dans la géographie: Sidney's limo drives westbound past B.B. King's but the next shot is of Times Square which is to the east. suite
Sidney Young: [to his father] You thought Brad Pitt was a cave in Yorkshire. suite
Références The Day of the Jackal (1973) suite
For Reasons Unknown suite
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| La hija del caníbal | Caché | Orgazmo | The Holy Mountain | Heavenly Creatures |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Comedie section | IMDb UK section | Add this title to MyMovies |
Straughan's adaptation of 'How to Lose Friends & Alienate People' is a charming and funny albeit familiar film. Yes, the story itself isn't anything new to the screen. The film also had potential of being an engaging satire but it remains rather a feel good romantic comedy. I liked the mixture of American and British humour. It is a well executed film that is rushed in the beginning and clichéd in the end. I enjoyed the mid-sections the most. Pegg, yet again, dominates the movie with his comic power. He's simply hysterical even though he isn't very different from his other films. Jeff Bridges is fantastic. A smoking Gillian Anderson is cast against type as the neurotic, stuck-up and arrogant publicist. Kirsten Dunst looks quite cute here and delivers a charming performance. Megan Fox pretty much plays herself. 'How to Lose Friends & Alienate People' has got some hilarious dialogues brilliantly delivered by the actors. It is the comedic sequences that stand out while the romantic scenes and the more dramatic ones feel rather deja-vu. Pegg proves that he can carry a film on his own and 'How to Lose Friends & Alienate People' remains, at the least, highly entertaining.