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Peter Morgan (screenplay) and
Jeremy Brock (screenplay) ...
(suite)
12 janvier 2007 (UK) suite
Biographie | Drame | Histoire | Thriller suite
Charming. Magnetic. Murderous.
Based on the events of the brutal Ugandan dictator Idi Amin's regime as seen by his personal physician during the 1970s full summary | add synopsis
Won Oscar. Another 34 wins & 21 nominations suite
Story of Idi Amin's Ugandan rule from his personal doctor's POV plus de (311 total)
Réalisé par | |||
| Kevin Macdonald | |||
Scénaristes | ||
| Peter Morgan | (screenplay) and | |
| Jeremy Brock | (screenplay) | |
| Giles Foden | (novel) | |
Musique originale | |||
| Alex Heffes | |||
Image | |||
| Anthony Dod Mantle | |||
Montage | |||
| Justine Wright | |||
Distribution des rôles | |||
| Jina Jay | |||
Création des décors | |||
| Michael Carlin | |||
Direction artistique | |||
| Lynne Huitson | (supervising art director) | ||
| Joanna Stutchbury | (as Joannah Stutchbury) | ||
Décorateur de plateau | |||
| Tina Jones | |||
Création des costumes | |||
| Michael O'Connor | |||
Maquillage | |||
| Suzanne Belcher | .... | makeup artist (as Suzy Belcher) | |
| Dianne Jamieson | .... | makeup artist: Scotland | |
| Keloy Kemigisha | .... | hairdresser | |
| Sharon Martin | .... | hair designer | |
| Sharon Martin | .... | makeup designer | |
| Irene Nabuuma | .... | hairdresser | |
| Vivienne Simpson | .... | makeup trainee: Scotland, Scottish Screen | |
| Helen Speyer | .... | makeup artist | |
Technicien du son | |||
| Courtney Bishop | .... | adr recordist | |
| Stuart Bruce | .... | sound recordist: Scotland | |
| Fiona Carlin | .... | boom operator: Scotland | |
| Christian Conrad | .... | supervising sound editor | |
| Anthony Faust | .... | adr mixer | |
| Alan Freedman | .... | adr mixer | |
| Noemi Hampel | .... | foley editor | |
| Daniel Iribarren | .... | adr editor | |
| Hosea Jemba | .... | sound assistant | |
| Joanna Lee | .... | sound trainee: Scotland | |
| Michael Miller | .... | adr mixer | |
| Fred Pietzner | .... | boom operator | |
| Carsten Richter | .... | foley artist | |
| Nele Schinz | .... | assistant foley editor (as Nele Kornrumpf) | |
| Dominik Schleier | .... | dialogue editor | |
| Fabian Schmidt | .... | adr editor | |
| Martin Steyer | .... | sound re-recording mixer | |
| Lionel Strutt | .... | adr coordinator | |
| Marcus Sujata | .... | adr mixer | |
| Marcus Sujata | .... | foley mixer | |
| Roman Volkholz | .... | re-recording mix assistant | |
| Hanse Warns | .... | adr editor | |
| Michael Wollmann | .... | sound mixer | |
Effets spéciaux | |||
| Sebastian Bulst | .... | special effects supervisor | |
| Perry Costello | .... | fire effects | |
| Dirk Lange | .... | pyrotechnician | |
| Dirk Lange | .... | special effects technician | |
| Waldo Mason | .... | corpse effects | |
| Simon Rose | .... | additional makeup effects (uncredited) | |
Visual Effects | |||
| Louie Alexander | .... | digital cleanup artist | |
| Rodrigo Bernardo | .... | systems engineer | |
| Philip Bland | .... | digital compositor: Machine, London | |
| Jason Burnett | .... | scanning and recording: Framestore CFC | |
| Andy Burrow | .... | scanning and recording manager: Framestore CFC | |
| Joe Cleave | .... | systems development: Framestore CFC | |
| Oliver Deen | .... | digital cleanup artist: Framestore CFC | |
| Paul Doogan | .... | scanning and recording: Framestore CFC | |
| Hayley Easton | .... | texture painter: Machine, London | |
| Joe Godfrey | .... | scanning and recording: Framestore CFC | |
| Charlie Habanananda | .... | digital intermediate data operator: Framestore CFC | |
| Alistair Hamer | .... | film mastering engineer: Framestore CFC | |
| Adam Hawkes | .... | digital cleanup artist: Framestore CFC | |
| Jan Hogevold | .... | production Executiveo: Framestore CFC | |
| Aaron Lear | .... | digital cleanup artist: Framestore CFC | |
| John Lockwood | .... | visual effects supervisor: Machine, London | |
| Kevin Lowery | .... | film mastering engineer: Framestore CFC | |
| Maria Michalopoulou | .... | digital intermediate data operator: Framestore CFC | |
| Mike Morrison | .... | digital grading assistant | |
| Paul Nilsson | .... | digital artist: Machine | |
| Stuart Nippard | .... | digital cleanup artist: Framestore CFC | |
| Collette Nunes | .... | digital cleanup artist: Framestore CFC | |
| Dominique Ortoli | .... | digital compositor: Machine, London | |
| Enrico Perei | .... | digital compositor: Machine | |
| Dan Perry | .... | scanning and recording: Framestore CFC | |
| Dave Robinson | .... | systems engineer | |
| Aatesh Shah | .... | systems engineer: Framestore CFC | |
| Lyndall Spagnoletti | .... | digital cleanup artist: Framestore CFC | |
| Nick Stanley | .... | digital cleanup artist: Framestore CFC | |
| Steve Street | .... | visual effects supervisor: Machine, London | |
| Stephen Willey | .... | senior systems engineer | |
| Annabel Wright | .... | digital cleanup artist: Framestore CFC | |
Cascadeur | |||
| Gary Connery | .... | stunt coordinator: Scotland | |
| Eddie Stacey | .... | stunt coordinator | |
Département Casting | |||
| Joanitta Bewulira-Wandera | .... | casting: Uganda | |
| Consodyne Buzabo | .... | casting assistant: Uganda | |
| Robin Hudson | .... | casting assistant: UK | |
| Irene Kintu | .... | casting assistant: Uganda | |
| Kaya Kagimu Mukasa | .... | casting assistant: Uganda | |
| Andy Williams | .... | casting consultant: Uganda | |
| Dixie Chassay | .... | casting assistant (uncredited) | |
Département Costume et garde-Robe | |||
| Tim Aslam | .... | costume buyer: UK | |
| Elizabeth Chepkurui | .... | wardrobe assistant | |
| Arnalie Harper Gow | .... | wardrobe assistant: Scotland (as Amelie Harper-Gow) | |
| Georgina Gunner | .... | wardrobe mistress | |
| Graham Hunter | .... | wardrobe assistant: Scotland | |
| Carol Kabatanya | .... | wardrobe assistant | |
| Shane Kingdon | .... | assistant costume designer | |
| Sandra Kyomugisha | .... | costume buyer | |
| Juliet Mbabali | .... | costume researcher | |
| Alison Mitchell | .... | costume supervisor: Scotland | |
| Phiona Mucho | .... | wardrobe assistant | |
| Ali Mutebi | .... | wardrobe assistant | |
| Tony Mutengu | .... | wardrobe assistant | |
| Farouk Myombi | .... | wardrobe assistant | |
| Elizabeth Nakawungu | .... | wardrobe assistant | |
| Janet Nalujja | .... | wardrobe assistant | |
| Brenda Nanyonjo | .... | costume assistant | |
| Craig Walker | .... | wardrobe assistant: Scotland | |
| Kevin Zziwa | .... | wardrobe assistant | |
Dpartement Editorial | |||
| Marcus Alexander | .... | digital intermediate producer: Framestore CFC | |
| Ted Guard | .... | assistant editor | |
| Stephen Haren | .... | assistant editor | |
| Neil Hurford | .... | color timer | |
| Adam Inglis | .... | colorist: Framestore CFC | |
| Mike Morrison | .... | digital grading assistant: Framestore CFC | |
| Asha Radwan | .... | post-production coordinator | |
| Donna Smith | .... | film editorial: Framestore CFC | |
| Mark Wright | .... | negative cutter | |
Département Musique | |||
| Dirk Cambell | .... | musician: nyatiti & filimbi | |
| Paul Clarvis | .... | musician: African percussion | |
| Geoff Foster | .... | music recording engineer | |
| Vic Fraser | .... | music preparation | |
| Alex Heffes | .... | conductor | |
| David Juritz | .... | orchestra leader | |
| Kawesa | .... | musician: singer | |
| Julian Kershaw | .... | orchestrator | |
| Abi Leland | .... | music supervisor | |
| Andy Richards | .... | score mixer | |
| Tom Silvester | .... | scoring assistant | |
| Hilary Skewes | .... | musician contractor: Buick Production Ltd. | |
| Sam Southwick | .... | music editor | |
| Dach Zziwa | .... | musician: African percussion | |
Divers | |||
| Captain Tinkamanyire Absolom | .... | coordinator: Ugandan army | |
| Docus Acan | .... | accounting assistant | |
| Captain Chris Bagana | .... | coordinator: Ugandan army | |
| Alistair Baggaley | .... | location assistant | |
| Carey Berlin | .... | assistant to executive producers, DNA Films | |
| Helga Binder | .... | business affairs: Germany | |
| Stefi Brachman | .... | assistant to producer (as Steffi Brachmann) | |
| Mary Brehony | .... | business affairs: Scottish Screen | |
| Livia Burton | .... | assistant to producer | |
| Katherine Butler | .... | head of development: FimFour | |
| Shanti Butteri | .... | unit runner | |
| Crispin Buxton | .... | supervising location manager | |
| Claire Chapman | .... | head of production: Scottish Screen | |
| Brian Coffey | .... | production assistant: Scotland | |
| Anita Cox | .... | business affairs: Scottish Screen | |
| Matt Curtis | .... | title designer | |
| Mark Davitt | .... | production runner: Scotland | |
| Cathy Doubleday | .... | script supervisor | |
| John Dunning | .... | unit publicist | |
| Robert Easton | .... | dialogue coach: Mr. Whitaker (as Bob Easton) | |
| Kennedy Forsyth | .... | location manager: Scotland (as Kenny Fotsyth) | |
| Clare Gerard | .... | unit nurse: Scotland (as Clare Gerrard) | |
| Fiona Gillan | .... | production runner: Scotland | |
| Bill Godfrey | .... | accountant: Slate Films | |
| Barrie Gower | .... | special make-up effects | |
| Louise Gow | .... | accountant: Cowboy Films | |
| Paul Grindey | .... | head of business affairs: FiolmFour | |
| Brigitte Harriman | .... | accountant: Germany (as Brigitte Hariman) | |
| Franziska Hoch | .... | coordinator: UK | |
| Malcolm Holt | .... | health & safety officer | |
| Tracey Josephs | .... | head of production: FilmFour | |
| Lt. Michael Kanyamunyo | .... | coordinator: presidential guard | |
| Ayuub Kasasa Mago | .... | location assistant (as Ayuub Kasasa) | |
| Richard Kawesa | .... | production liaison: Uganda | |
| Kate Lee | .... | unit publicist | |
| Emily Mabonga | .... | location manager | |
| Moses Masaba | .... | unit runner | |
| Mike Mayeku | .... | unit runner | |
| Mark McGhee | .... | assistant location manager: Scotland | |
| Sharron McGuire | .... | operations manager: GT facilities | |
| Claire Mckay | .... | floor runner: Scotland | |
| Amelia McNeil | .... | location scout | |
| Jacob Melton | .... | production assistant: DNA Films | |
| John Miles | .... | accountant: post-production | |
| Debbie Moore | .... | production accountant | |
| Natalie Moore | .... | assistant accountant | |
| Charles Mulekwa | .... | consultant: director, Uganda | |
| Neil Murray | .... | location trainee: Scotland, Scottish Screen | |
| Sara Mutamba | .... | assistant to coordinator | |
| Wilberforce Musolo Mutya | .... | location assistant | |
| Sheleena Naidoo | .... | runner: Cowboy Films | |
| Elizabeth Florence Naigaga | .... | unit nurse | |
| Chris Nsubuga-Mugga | .... | assistant to coordinator | |
| Gerardine O'Flynn | .... | production coordinator: FilmFour | |
| Louise Orr | .... | production assistant: Scotland | |
| Jeremy Page | .... | development executive: FilmFour | |
| Tanya Phegan | .... | assistant to executive producers, DNA Films | |
| Moses Baba Rukundo | .... | unit runner | |
| Dr. Stefan Rüll | .... | legal consultant: Germany (as Stefa Rüell) | |
| Christopher Sanderson | .... | production assistant trainee: Scotland | |
| Rolf Schmid | .... | catering manager | |
| Ibrahim Senfuma | .... | location assistant | |
| Samantha Sheridan | .... | production coordinator: Scotland | |
| Joanne Smith | .... | general manager: DNA Films | |
| Godfrey Ssali | .... | unit assistant | |
| Daniel Ssetaba | .... | personal assistant: Mr. Whitaker (as Daniel Ssettaba) | |
| Moyra Statham | .... | assistant accountant: Scotland | |
| Shaw Statham | .... | production accountant | |
| Hassy Tebugulwa | .... | accounting assistant | |
| Gioia von Thun | .... | coordinator: Germany | |
| Michael Wawuyo | .... | assistant location manager | |
| Michael Wawuyo | .... | location manager: second unit | |
| Sarah Wheale | .... | production coordinator (as Sarah-Jane Wheale) | |
| Walter Wißmann | .... | armorer (as Walter Wissman) | |
| Christian Wöltche | .... | assistant accountant (as Christian Woeltche) | |
| Gero Brugmann | .... | legal services (uncredited) | |
| Daniel Budd | .... | post production assistant accountant (uncredited) | |
Merci | |||
| Simon Channing Williams | .... | thanks | |
Rated R for some strong violence and gruesome images, sexual content and language.
121 min | USA:123 min | Canada:121 min (Toronto International Film Festival)
2,35 : 1 suite
USA:R | Singapore:M18 | Ireland:15A | Finland:K-15 | UK:15 | South Africa:16 | Switzerland:16 (canton of Vaud) | Switzerland:16 (canton of Geneva) | Canada:18A (British Columbia) | Australia:MA | France:-12 | New Zealand:R16 | Argentina:16 | Netherlands:16 | Germany:16 | Norway:15 | Portugal:M/16 | South Korea:18 | Malaysia:18PL (DVD) | Spain:13 | Japan:R-15 | Brazil:16
Director Kevin Macdonald and his producers met Ugandan president Yoweri Museveni to get permission to film in Uganda. "He really responded to the idea that we wanted to make a film about Ugandan history in the same way that everybody we met responded," recalls Macdonald. "They wanted this story to be told. They didn't feel prejudiced against us because we were foreigners wanting to tell their story - they were very generous, and the president gave us carte blanche and even allowed us to film in the parliament building while parliament was in session. We also had the co-operation of the army and we were allowed to close down the main street in the city." suite
Anachronismes: In the scene where the President and the Doctor travel to Entebbe airport in the soft-top Mercedes and are ambushed - two white Bedford trucks block them to the front and the rear. The trucks are AWD Bedford's with a silver AWD logo mounted on the front. AWD took over Bedford trucks only in 1989 some 10-years after Amin was removed from Uganda (in 1979) suite
[first lines]
Nicholas Garrigan:
Come on! Are youse ready?
suite
Référencé sur "The Cult of...: Hamish Macbeth (#2.8)" (2008) suite
The Bonnie Banks O' Loch Lomond suite
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| Watchmen | Rise and Fall of Idi Amin | Munich | Die Stille nach dem Schuß | 28 Days Later... |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Biographie section | IMDb UK section | Add this title to MyMovies |
I saw this movie at a free Pre-Screening in Hollywood 9-19-06. Here's the good, the bad and the ugly. THE GOOD: Forrest W. acted his butt off in this one. Amazing. In fact, all of the actor's performances were terrific. The shooting locations were beautiful. There was a lot of suspense in the film and at times I was on the edge of my seat waiting for the next scene. I must admit the story was really good. There were absolutely wonderful camera shots and angles. THE BAD: Gratuitous sex and violence. Say what you will about Alfred Hitchcock being from another era in film making, but his ideas about implied violence and sex in most of his films were good ones. THE UGLY: I would have enjoyed the film a lot more if it had been told from the POV of Idi Amin, one of his wives or a Ugandan in his cabinet. CONCLUSION: Would I pay to see this film? Yes. END