| Photos (see all 1 | slideshow) |
| Nikki Albon | ... | Newsreader | |
| Zoey Campbell | ... | Charlotte | |
| Anne Devlin | ... | Rose Franklin | |
| Rob Dixon | ... | John Kramer | |
| Danny Dyer | ... | Larry Haydn | |
| Sam Gurney | ... | Toby | |
| Michael Howe | ... | Jonathan Abbott | |
| Ami Instone | ... | Marie | |
| Stuart Laing | ... | Stuart Reeves | |
| Mick Larkin | ... | Roy Kingsley | |
| Lesley Manville | ... | Sarah Carmichael (as Leslie Manville) | |
| Corinna McFarlane | ... | Student Teacher | |
| Charles Mnene | ... | Ben | |
| Muriaf Salman | ... | Ussef Abel | |
| Donna Shilling | ... | Alice | |
| Daniel Spencer | ... | Robert Carmichael | |
| Hilary Tones | ... | Ruth | |
| Emma Vance | ... | Marie's Friend | |
| Miranda Wilson | ... | Monica Abbott | |
| Ryan Winsley | ... | Joe |
Réalisé par | |||
| Thomas Clay | |||
Scénaristes(in alphabetical order) | ||
| Thomas Clay | writer | |
| Joseph Lang | writer | |
Produit par | |||
| Peter Allez | .... | executive producer | |
| Joseph Lang | .... | producer | |
| Corinna McFarlane | .... | assistant producer | |
| Daniel Nixon | .... | associate producer | |
Musique originale | |||
| Jonathan Henry Harvey | |||
| Amy Purcell | |||
Image | |||
| Giorgos Arvanitis | |||
Montage | |||
| David Wigram | |||
Distribution des rôles | |||
| Donna Shilling | |||
Création des décors | |||
| Attila Raczkevy | (as Attila Ráczkevy-Eötvös) | ||
Direction artistique | |||
| Emma Saunders | |||
Création des costumes | |||
| Calandra Meredith | |||
Maquillage | |||
| Alison Grant | .... | key hair stylist | |
| Alison Grant | .... | key makeup artist | |
Directeur de production | |||
| Nicky Moss | .... | production manager | |
Assistant réalisateur | |||
| Robert Cannan | .... | second assistant director | |
| Simon Rooke | .... | first assistant director | |
| Donna Shilling | .... | third assistant director | |
Art Department | |||
| Dave Cardoe | .... | set constructor | |
| Lorna Copp | .... | additional art director (as Lorna Gay Copp) | |
| Ruth Hutchinson | .... | props assistant | |
| Len Lake | .... | set builder | |
| Alex Raine | .... | assistant art director | |
| Richard Secker | .... | construction assistant | |
| Christophe Spurling | .... | additional art director | |
| Lilian Torlen | .... | stand-by art director | |
| Charlie Vellely | .... | model maker | |
Technicien du son | |||
| Will Bix | .... | foley recordist | |
| Thomas Clay | .... | sound designer | |
| Thomas Clay | .... | supervising sound editor | |
| Stan Fiferman | .... | foley artist | |
| Diane Greaves | .... | foley artist | |
| Andrew Halley | .... | sound mixer | |
| Mark Hinkley | .... | additional boom operator | |
| Dean Humphreys | .... | sound re-recording mixer | |
| Ben Livingstone | .... | additional sound recordist | |
| Gavin Marshall | .... | boom operator | |
| Bob Newton | .... | additional sound recordist | |
| Mark Sheffield | .... | foley recordist | |
| Andy Walker | .... | sound editor (as Andrew Walker) | |
| Kieran Walsh | .... | adr recordist | |
Visual Effects | |||
| Tim Baxter | .... | film recording manager | |
Camera and Electrical Department | |||
| Steve Annis | .... | assistant camera | |
| Steve Annis | .... | focus puller | |
| Ami Baker | .... | spark | |
| Richard Blackmore | .... | spark (as Richard Blackmoore) | |
| Haydn Boniface | .... | gaffer | |
| Andy Brassington | .... | camera trainee | |
| Cherry Carmen | .... | clapper loader | |
| Alex Crowe | .... | assistant grip | |
| Lauren Dark | .... | grip trainee | |
| Nicolas Duchêne | .... | additional first assistant camera | |
| Chad Harrington | .... | spark | |
| Neil Heuston | .... | grip | |
| Steve Laycock | .... | lighting assistant | |
| Maxwell Leggett | .... | spark (as Max Leggett) | |
| Ed Maddox | .... | lighting assistant | |
| Ushir Patel | .... | best boy | |
| Dave Rafferty | .... | lighting assistant | |
Casting Department | |||
| Alexia De Boyne | .... | casting assistant | |
| Alison Fry | .... | assistant casting coordinator | |
| Jo Gross | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Rose Marshall | .... | wardrobe assistant | |
Editorial Department | |||
| Nick Parker | .... | conforming editor | |
Music Department | |||
| Kieran Walsh | .... | music recordist | |
Divers | |||
| Helen Andre | .... | script supervisor | |
| Lawrence Ansell | .... | production assistant | |
| Angeliki Arvanitis | .... | additional continuity | |
| Andy Brassington | .... | production assistant | |
| Becca Ellson | .... | production coordinator | |
| Mafalda Alves Luis | .... | location manager | |
| Martin McGlone | .... | laboratory contact | |
| Ritchie Phillips | .... | production accountant | |
| Daisy Robertson | .... | location manager | |
| Carole Salisbury | .... | additional continuity | |
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| Class of 1984 | Day of the Woman | Carrie | Nu ji zhong ying | Peeping Tom |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drame section | IMDb UK section | Add this title to MyMovies |
i would like to say i think this film is soulless empty and devoid of any emotional depth, i don't know if that is the point but i thought it was stunning.
For me the whole point of it was this is what life is like for many, the uber violence of Kubrick clockwork orange was about the future, this is the same in this film but it is about the present.
Those who hate it for this, is a good thing. I personally recognise many of the characters in this film, the fact that they are emotionally underdeveloped is the point.
I thought this film was nothing short of brilliant. It was horrible to watch at times but that doesn't make it a bad film and as for people complaining about a weak supporting cast well ffs i don't think they had a Hollywood budget.
the more films like this the better
Well done Thomas Clay