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Tony Gatlif (writer)
4 octobre 2006 (France) suite
Zingarina arrives in Transylavania, accompanied by her close friend Marie and her guide and interpreter Luminitsa... suite | add synopsis
1 win & 1 nomination suite
Comment on the Romanian lifestyle presented in the movie plus de (16 total)
| Asia Argento | ... | Zingarina | |
| Amira Casar | ... | Marie | |
| Birol Ünel | ... | Tchangalo | |
| Alexandra Beaujard | ... | Luminitsa | |
| Marco Castoldi | ... | Milan Agustin | |
| Bea Pálya | ... | La chanteuse du cabaret (as Beata Palya) | |
| reste de la distribution par ordre alphabétique: | |||
| Marina Boldizsac | ... | La chanteuse ukrainenne | |
| Rares Budelaina | ... | Le jeune musicien | |
| Nicolae Cristache | ... | Le passeur | |
| Florin Estefan | ... | Le chanteur d'opéra | |
| Gabor | ... | Gabor, le paysan au traîneau | |
| Simion Lupu | ... | Le chanteur d'opéra | |
| Cornel Reileanu | ... | Le bedeau | |
| Mariana Rus | ... | Vandana | |
| Anton Tauf | ... | Le pope | |
Réalisé par | |||
| Tony Gatlif | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Tony Gatlif | writer | |
Musique originale | |||
| Tony Gatlif | |||
| Delphine Mantoulet | |||
Image | |||
| Céline Bozon | |||
Montage | |||
| Monique Dartonne | |||
Distribution des rôles | |||
| Ève Guillou | |||
Création des décors | |||
| Brigitte Brassart | |||
Création des costumes | |||
| Rose-Marie Melka | |||
Maquillage | |||
| Laurence Grosjean | .... | key makeup artist | |
Assistant réalisateur | |||
| Hadrien Bichet | .... | second assistant director | |
| Sonia Larue | .... | first assistant director | |
Département Art | |||
| Neda Florin | .... | set dresser | |
| Ludovic Garçon | .... | assistant decorator | |
| Marian Petre | .... | property master | |
Technicien du son | |||
| Olivier Busson | .... | sound assistant | |
| Philippe Escanecrabe | .... | foley engineer | |
| Dominique Gaborieau | .... | sound re-recording mixer | |
| Philippe Penot | .... | foley artist | |
| Seppe van Groeningen | .... | boom operator | |
| Philippe Welsh | .... | sound | |
| Adam Wolny | .... | sound editor | |
Caméra et Département Electrique | |||
| Pierre Bonnet | .... | electrician | |
| Dumitru Dragut | .... | grip | |
| Alexandre Gotkovski | .... | electrician | |
| Colin Houben | .... | first assistant camera | |
| Manuel Lopes | .... | electrician | |
| David Padilla | .... | key grip | |
| Benoît Rizzoti | .... | first assistant camera (as Benoît Rizzotti) | |
| Andra Tevy | .... | second assistant camera | |
Dpartement Editorial | |||
| Célia Lafitedupont | .... | assistant editor | |
| Charlotte Mazzinghi | .... | color timer | |
| Gerard Savary | .... | color timer (as Gérard Savary) | |
Divers | |||
| Andra Barbuica | .... | script supervisor | |
| Elodie Dussoulier | .... | production assistant | |
| Patricia Guyotte | .... | script supervisor: France | |
| Istvan Hegyi | .... | production assistant | |
| Nadia Le Corre-Kissarli | .... | production administrator | |
| Irina Mateu | .... | production secretary | |
| Mircea Cristian Nicolae | .... | production assistant | |
| Mihaela Pascaru | .... | production secretary | |
| Robert Schlockoff | .... | press attache | |
Merci | |||
| Filip Alexandru | .... | thanks | |
| Yoni Tabac | .... | special thanks | |
France:103 min
2,35 : 1 suite
Switzerland:14 (canton of Vaud) | Switzerland:14 (canton of Geneva) | France:U | Australia:M | Ireland:15A | UK:15
Je t'ai cherche suite
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| Exils | The Man Who Cried | Capitaine Conan | Orlando | Titanic |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb France section | Add this title to MyMovies |
We are a group of STUDENTS in Transylvania, this is our homeland and we consider this movie an insult and a mockery of our country, people, culture and language. We know the city posted in the movie, and we invite viewers to visit it, before jumping to any conclusions of our lifestyle. I couldn't have helped but to notice the fact that the so-called "transylvanians" lack any technology and civilized means of transportation. This is not so in real life, actually one might find the traffic disturbingly crowded. The traditions pictured, such as the folk march through the center of the town have nothing to do with reality. They are simply a cheap mixture of gypsy, Romanian and Hungarian customs, with no regard to their real meaning or place. The way of dressing in our towns has never been so primitive, it actually rises to European standards and fashion. The restaurants and bars... well... let me put it this way, " Never in my 20 years of life have I seen such miserable places...". The idea of exorcism is ...far-fetched...to put it mildly. I think the director has chosen a very bad name for this movie, and that it is wrong to throw mud at our image, just to suit the scenery of his plot. Even though I doubt that was his intention, we felt deeply offended by the movie. We don't mean to offend, we only want our opinion of the movie, as Romanians to be heard.