| Photos (see all 4 | slideshow) |
| Gérard Depardieu | ... | Alain Moreau | |
| Cécile De France | ... | Marion | |
| Mathieu Amalric | ... | Bruno | |
| Christine Citti | ... | Michèle | |
| Patrick Pineau | ... | Daniel | |
| Alain Chanone | ... | Philippe Mariani | |
| Christophe | ... | Himself / En personne | |
| Jean-Pierre Gos | ... | Le maire | |
| reste de la distribution par ordre alphabétique: | |||
| Camille De Pazzis | ... | Jennifer | |
| Antoine de Prekel | ... | Martin | |
| Marie Kremer | |||
| Alain Kruger | ... | The doctor | |
| Catherine Salviat | |||
| Grégory Valais | ... | Fabrice | |
Réalisé par | |||
| Xavier Giannoli | |||
Scénaristes(in alphabetical order) | ||
| Xavier Giannoli | writer | |
Produit par | |||
| Manon Baudoin | .... | assistant producer | |
| Luc Besson | .... | executive producer | |
| Jean Coulon | .... | associate producer | |
| Michel de Wouters | .... | associate producer | |
| Pierre-Ange Le Pogam | .... | producer | |
| Mehdi Sayah | .... | assistant producer | |
| Edouard Weil | .... | producer | |
Musique originale | |||
| Alexandre Desplat | |||
Image | |||
| Yorick Le Saux | |||
Montage | |||
| Martine Giordano | |||
Distribution des rôles | |||
| Antoinette Boulat | |||
Création des décors | |||
| François-Renaud Labarthe | |||
Direction artistique | |||
| Emmanuelle Cuillery | |||
Création des costumes | |||
| Nathalie Benros | |||
Directeur de production | |||
| Martin Allegaree | .... | unit manager trainee | |
| Mederic Bourlat | .... | production manager | |
| Gregory Bruneau | .... | assistant unit manager | |
| Sébastien Delepine | .... | unit manager trainee | |
| Amélie Melkonian | .... | assistant production manager | |
| Guinal Riou | .... | assistant unit manager | |
| Grégory Valais | .... | unit manager | |
Assistant réalisateur | |||
| Dominique Delany | .... | first assistant director | |
| Ludovic Giraud | .... | third assistant director | |
| Bosco Justine | .... | assistant director | |
Art Department | |||
| Stephane Condat | .... | set dresser | |
| Emmanuelle Cuillery | .... | assistant art director | |
| Fanny Stauff | .... | first assistant decorator | |
Technicien du son | |||
| Fabien Adelin | .... | foley recordist | |
| Gabriel Hafner | .... | sound | |
| Erwan Kerzanet | .... | boom operator | |
| François Musy | .... | sound | |
| Renaud Musy | .... | sound assistant | |
| Matthieu Sibony | .... | supervising sound editor | |
Camera and Electrical Department | |||
| Philippe Bordelais | .... | steadicam operator | |
| Emile Dubuisson | .... | first assistant camera | |
Editorial Department | |||
| Mathilde Delacroix | .... | color timer | |
| Marie-Julie Maille | .... | assistant editor | |
Music Department | |||
| Jean-Yves d'Angelo | .... | music arranger: songs | |
| Jérôme Lateur | .... | music supervisor | |
| Vincent Lebegue | .... | music legal coordinator | |
| Elise Luguern | .... | music production supervisor | |
| Alexandre Mahout | .... | music assistant | |
| Mehdi Sayah | .... | assistant music supervisor | |
Divers | |||
| Patrick Boshart | .... | location scout | |
| Myriam Bruguière | .... | press attache | |
| Sandie Cabrol | .... | production coordinator | |
| Nathalie Choukroun-Lacoste | .... | legal assistant | |
| Olivier Guigues | .... | press attache | |
| Clémentine Harland | .... | production coordinator | |
| Thomas Percy | .... | press attache | |
| Leila Smith | .... | production assistant | |
| Élodie Van Beuren | .... | script supervisor | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drame section | IMDb France section | Add this title to MyMovies |
Xavier Giannoli's Quand J'étais Chanteur aka The Singer isn't a great film, but it is a very good character piece that's lifted to a higher level by Gerard Depardieu in a superb return to form after years of slumming it in well paid but increasingly undemanding production line efforts.
Alain Moreau (Depardieu) is an ageing singer trading on forgotten hits to get gigs on the provincial nightclub circuit - tea dances, openings, office parties, old folks homes or restaurants where the diners don't even notice when he takes a break, he's strictly smalltime and he knows it. Singing songs with lyrics like 'You know those photos of Asia/That I shot on 200 ASA' and practising his pickup technique on bored wives and girlfriends during a break in his act for a tombola, his job is to get them to drink champagne "They don't care about the songs, so I'm often just singing for myself." That threatens to change when one-night stand Cecile De France's realtor walks out on him and he starts to pursue her, first out of wounded pride but later out of genuine need as he begins to realise what's missing from his life. Not that it's a typical romance the only way he can get close to her long enough to work his way past her defences is to spend weeks looking at houses he won't buy.
While it sounds like the setup for either a broad comedy or Le Fabuleaux Boulangere Garcon, it's rather more unexpected. De France's character is struggling to get over the collapse of her disastrous marriage and even as affection starts to grow between them, the best that's on offer is a rebound relationship based on the fact that she can't see him a serious longterm proposition. Nor, it's revealed, is it the first time that Depardieu's singer has had such a romantic epiphany, with his ex-wife and manager (Christine Citti) recognising all the signs, resenting the possibility that he wants to give another the kind of family life he denied her. Yet it's not a bitter film, more a wistful one about relations born more of quiet desperation at what's missing rather than real love. It's no accident that he falls for her when his career is increasingly under threat from karaoke, DJs and the realisation that his voice may not hold out much longer.
De France and a largely wasted Mathieu Almaric are excellent, but it's clearly Depardieu's show. It's tempting to see similarities in Depardieu's own career, having gone from working with the best directors in Europe on great films to doing the rounds of cameos in increasingly perfunctory international co-productions, but the real joy here is seeing the star rediscovering his own talent throughout the film with a performance that ranks among his very best. Unlike his character, there's not a trace of vanity in his performance as he happily chats away with De France about highlighting his hair or his tanning regime like a schoolgirl exchanging beauty tips (at one point he even sings about feeling like a girl!), managing a perfect balancing act between the singer's mediocrity and his dignity. It's a fully rounded portrait so beautifully realised that you can even overlook the fact that (perhaps deliberately) he's not much of a singer, though he's at his best in end credits with a truly delightful rendition of the title song (When I Was a Singer) when the character has reconciled himself to his life. It's almost worth the price of admission on its own, but thanks to Depardieu there's much more going for it than that. Well worth a look.