| Photos (see all 42 | slideshow) |
| Charlotte Gainsbourg | ... | Lucy Reed | |
| Vincenzo Amato | ... | Salvatore Mancuso | |
| Vincent Schiavelli | ... | Don Luigi | |
| Aurora Quattrocchi | ... | Fortunata Mancuso | |
| Francesco Casisa | ... | Angelo Mancuso | |
| Filippo Pucillo | ... | Pietro Mancuso | |
| Federica De Cola | ... | Rita D'Agostini | |
| Isabella Ragonese | ... | Rosa Napolitano | |
| Filippo Luna | ... | Don Ercole | |
| Andrea Prodan | ... | Mister Del Fiore | |
| Ernesto Mahieux | ... | Dottor. Zampino | |
| Marcelo Benassi | ... | Il Gatto (as Paride Benassai) | |
| Giuseppe Sangiorgi | ... | Uomo Olive | |
| Alessandra Fazzino | ... | Santa | |
| Giuseppe Culino | ... | Dottore (as Giuseppe Cutino) | |
| Massimo Laguardia | ... | Mangiapane (as Massimo La Guardia) | |
| Antonio Castrigano | ... | Musicista 1 | |
| Aldo Abel Perez | ... | Padre Olive | |
| Paul Perry | ... | Ufficiale d'Immigrazione | |
| Enrique Piñeyro | ... | Ufficiale Test Adulti 1 | |
| James Murray | ... | Ufficiale Test Adulti 2 | |
| Pascual Condilo | ... | Promesso di Rita | |
| Nicola Specchio | ... | Musicista 2 | |
| reste de la distribution par ordre alphabétique: | |||
| Linda Abadi | |||
| Fioreal Acosta Movia | |||
| Lihue Acosta Movia | |||
| Carolina Alfonsín | |||
| Alfredo Allende | |||
| Robert Allyn | ... | American official (voice) | |
| Adriana Angrisano | ... | Italian emigrant (voice) | |
| Antonio Angrisano | ... | Italian emigrant (voice) | |
| Cetti Arancio | ... | Italian emigrant (voice) | |
| Mariano Argento | |||
| Emilio Bardi | |||
| Tom Bocanelli | ... | American official (voice) | |
| Antonino Bruschetta | ... | Italian emigrant (voice) (as Nini Bruschetta) | |
| Oriana Celentano | ... | Italian emigrant (voice) | |
| Marcelo Chaparro | |||
| Doriana Chierici | ... | Italian emigant (voice) | |
| Nino D'Agata | ... | Italian emigrant (voice) | |
| Claudio Da Passano | |||
| Aldo De Martino | ... | Italian emigrant (voice) | |
| Paolo De Vita | ... | Italian emigrant (voice) | |
| Ezequiel Diaz | |||
| Vincenzo Diglio | ... | Italian emigrant (voice) | |
| Carlos Durañona | |||
| Uisal Elvan | ... | Foreign emigrant (voice) | |
| Gianni Fiore | |||
| Lucilia Gandolo | |||
| Tin Geber | ... | Foreign emigrant (voice) | |
| Chiara Gioncardi | ... | Italian emigrant (voice) | |
| Salvatore Gioncardi | ... | Italian emigrant (voice) | |
| Ilaria Giorgino | ... | Italian emigrant (voice) | |
| Lutfullah Gotkas | ... | Foreign emigrant (voice) | |
| Wolfram Hecht | |||
| Andrea Heinz | |||
| Monique Hindriks | ... | Foreign emigrant (voice) | |
| Carla Juncadella | |||
| Paola Lelio | ... | Italian emigrant (voice) | |
| Gaetano Lizzio | ... | Italian emigrant (voice) | |
| Steve Luotto | ... | American official (voice) | |
| Alejandro Magnone | |||
| Giancarlo Mangione | |||
| Fernando Margenet | ... | Immigration Doctor | |
| Bruce McGuire | ... | American official (voice) | |
| Theodore McNabney | |||
| Esteban Meloni | |||
| Gianfranco Miranda | ... | Italian emigrant (voice) | |
| Gabriel Molinelli | |||
| Maiorino Monica | ... | Italian emigrant (voice) | |
| Alexia Murray | ... | American official (voice) | |
| Miriam Odorico | |||
| Enrique Papatino | ... | Translator | |
| Enrique Paratino | |||
| Juan Pascarelli | |||
| Gustavo Pastorini | ... | Italian emigrant | |
| Massimiliano Plinio | ... | Italian emigrant (voice) | |
| Mimi Rivera | |||
| Natale Russo | ... | Examiner (voice) | |
| Sandra Sandrini | |||
| Giancarlo Scrocco | |||
| Martin Seldes | |||
| Joshua Stafford | ... | American official (voice) | |
| Antonio Tallura | ... | Italian emigrant (voice) | |
| Mohamed Zouai | ... | Foreign emigrant (voice) | |
Réalisé par | |||
| Emanuele Crialese | |||
Scénaristes(in alphabetical order) | ||
| Emanuele Crialese | writer | |
Produit par | |||
| Bernard Bouix | .... | executive producer | |
| Tommaso Calevi | .... | executive producer | |
| Diana Frey | .... | line producer | |
| Alexandre Mallet-Guy | .... | producer | |
| Fabrizio Mosca | .... | producer | |
| Laura Adriana Nicotra | .... | delegate producer | |
| Luc Besson | .... | associate producer (uncredited) | |
| Pierre-Ange Le Pogam | .... | associate producer (uncredited) | |
Musique originale | |||
| Antonio Castrigano | |||
Image | |||
| Agnès Godard | |||
Montage | |||
| Maryline Monthieux | |||
Distribution des rôles | |||
| Norma Angeleri | |||
Création des décors | |||
| Carlos Conti | |||
Direction artistique | |||
| Laurent Ott | |||
| Filippo Pecoraino | |||
| Monica Sallustio | |||
Création des costumes | |||
| Mariano Tufano | |||
Maquillage | |||
| Marta Blanco | .... | makeup artist | |
| Stefano Ceccarelli | .... | key hair stylist | |
| Alberto Moccia | .... | hair stylist | |
| Aniello Piscopo | .... | hair stylist: Sicily | |
| Alejandro Staricco | .... | hair stylist | |
| Michele Vigliotta | .... | hair stylist | |
Directeur de production | |||
| Alessio Angelucci | .... | unit production manager: Italy | |
| Marcantonio Borghese | .... | production manager | |
| Sean Cooney | .... | post-production executive | |
| Silvana Di Francesco | .... | unit manager | |
| Monica Giuliani | .... | administrative manager | |
| Abraham Goldblat | .... | post-production manager | |
| Laura Greco | .... | unit manager | |
| Jackie Ingberg | .... | production manager | |
| Nicoletta Maggi | .... | assistant production in charge | |
| Alejandra Marchioli | .... | assistant production manager | |
| Patrick Millet | .... | production manager | |
Art Department | |||
| Marcello Di Carlo | .... | set dresser | |
| Ana Piaggio | .... | graphic designer | |
Technicien du son | |||
| Paolo Battisti | .... | dubbing sound | |
| Nicolas Becker | .... | foley artist | |
| Angelo Bonanni | .... | boom operator | |
| Guadalupe Cassius | .... | assistant dialogue editor | |
| Boris Chapelle | .... | assistant sound editor | |
| Marc Doisne | .... | foley engineer | |
| Marc Doisne | .... | sound re-recording mixer | |
| Michel Filippi | .... | adr supervisor | |
| Jean-Paul Hurier | .... | sound re-recording mixer | |
| Florent Lavallée | .... | foley recordist | |
| Pierre-Yves Lavoué | .... | sound | |
| Johann Nallet | .... | sound recordist | |
| Christophe Penchenat | .... | first assistant sound | |
| Caroline Reynaud | .... | sound edit assistant | |
| Marco Streccioni | .... | sound engineer | |
| Jean-Alexandre Villemer | .... | sound recordist | |
| Francis Wargnier | .... | sound editor | |
Effets spéciaux | |||
| Stefano Corridori | .... | special effects technician | |
Visual Effects | |||
| Laurent Brett | .... | digital compositor | |
| Stephanie Broussaud | .... | Lustre assistant | |
| Bastien Chauvet | .... | digital compositor: L'EST | |
| Nicolas Daniel | .... | Lustre assistant | |
| Berengere Dominguez | .... | visual effects supervisor | |
| François Dupuy | .... | digital intermediate technical director | |
| Sébastien Fauchère | .... | digital compositor | |
| Justine Gasquet | .... | digital compositor | |
| Mathilde Germi | .... | digital compositor | |
| Élodie Ichter | .... | Lustre assistant | |
| Sabine Lineres | .... | digital compositor | |
| Basile Maffone | .... | digital compositor | |
| Christian Rajaud | .... | visual effects | |
| Julien Rousseau | .... | digital compositor | |
| Lee F. Sullivan | .... | pre-visualization technical director | |
| Olivier Veau | .... | digital compositor | |
Camera and Electrical Department | |||
| Aníbal Cattaneo | .... | key grip | |
| Stefano Di Pasquali | .... | grip | |
| Tommaso Lusena | .... | second assistant camera | |
| Stefano Marino | .... | gaffer: Italy | |
| Tommaso Mele | .... | key grip | |
Casting Department | |||
| Silvana Lopa | .... | casting assistant | |
| Santiago Masip | .... | casting assistant | |
| Diego Morel | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Nora Lia Alaluf | .... | assistant costume designer | |
| Soledad Cancela | .... | assistant costume designer | |
| Natalia Vacs | .... | costume assistant | |
Editorial Department | |||
| Elisa Aboulker | .... | editor trainee | |
| Aurélie Laumont | .... | color timer | |
| Charlotte Mazzinghi | .... | intermediate color grader | |
| Giulia Rodino | .... | assistant editor | |
Music Department | |||
| Davide Palmiotto | .... | music scoring mixer assistant | |
| Marco Streccioni | .... | music scoring mixer | |
Transportation Department | |||
| Leonel Armeri | .... | transportation assistant | |
| Diego Igartua | .... | transportation captain | |
Divers | |||
| Barbara Bevacqua | .... | production assistant | |
| Eugenia D'Alessio | .... | location assistant | |
| Ignacio Di Bitonto | .... | production assistant | |
| Alice Filippi | .... | set production assistant: re-shoots | |
| Fabian Gabelli | .... | animal wrangler | |
| Maria Rita Gagliano | .... | bookkeeper | |
| Laurence Granec | .... | press attache: France | |
| Marcello Lanza | .... | production accountant | |
| Jacopo Lo Faro | .... | production assistant | |
| Natalia Martin | .... | location manager | |
| Karine Menard | .... | press attache: France | |
| Silvia Menozzi | .... | assistant dubbing director | |
| Pablo Morgavi | .... | production coordinator | |
| Luca Padrini | .... | production assistant: Catania | |
| Laura Saurini | .... | production assistant | |
| Fernanda Selvaggi | .... | script supervisor: Sicily | |
| Elisabetta Tomasso | .... | production coordinator | |
| Fabrizio Corallo | .... | press and publicity (uncredited) | |
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| Big Fish | Novecento | Across the Universe | The Notebook | Andrey Rublyov |
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| Full cast and crew | Company credits | External reviews |
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THE GOLDEN DOOR (NUOVOMONDO) is for this viewer the finest film of the year to date. It is a masterpiece of concept, writing, directing, acting and cinematography. More importantly, this radiantly beautiful film is a much needed reflective mirror for us to view the history of immigration of 'foreigners' into America at a time when the very mention of the word 'borders' is a political fuse. Writer/director Emanuele Crialese has given us not only a deeply moving story, he has also provided a touchstone for viewers to re-visit the history of each of our origins: with the exception of the Native Americans, we all entered America as 'foreigners' at some point in our histories, and it is humbling to view this film with that fact in mind.
The film opens in turn of the century Sicily as poverty stricken widower Salvatore Mancuso (Vincenzo Amato) and his brother Angelo (Francesco Casisa) climb a rocky hill to present their tokens to the cross to ask for a sign as to whether they should continue to struggle for existence on the island or go to America, the land of dreams. Mancuso's deaf mute son Pietro (Filippo Pucillo) runs to the top of the hill with postcards he has found with images of America (money growing on trees, fruits and vegetables larger than people, etc), and Salvatore accepts this as the sign that he should move his family to America. After convincing his reluctant mother Fortunata (Aurora Quattrocchi) and his sisters Rita (Federica De Cola) and Rosa (Isabella Ragonese) to make the trip, he sells his only possessions (two donkeys, goats, and rabbits) and the man with the boat arranges their trip, giving the family shoes, appropriate clothing, and instructions to board an ocean liner as third class passengers. As the Mancuso family prepares to board they are asked for a photograph, and as they pose behind a painted set, an Englishwoman Lucy/Luce (Charlotte Gainsbourg) walks into the photo as though she were part of this peasant family. Lucy cannot board the boat for America without male escort.
The voyage begins and Luce in her gentle way identifies with the Mancuso family, finally solidifying her safe passage by proposing to Salvatore to marry her 'for convenience, not for love' when they arrive in America. Through a violent storm and living conditions that are appalling poor, the multitude of third class passengers survive, bond, and eventually arrive at Ellis Island, believing their dream of America has been fulfilled. But everyone must pass harsh physical tests, de-lousing, and even intelligence testing to determine if they can enter America: the officials let them know that America does not want genetically inferior people entering the new world! Each woman must be selected by a man to marry on Ellis Island before they are allowed admission. The manner in which the Mancuso family remains united until a somewhat surprising ending is the closing of the tale.
Few of us understand the strict rules and harsh treatment immigrants face (or at least faced at the turn of the century) on Ellis Island, and if we do we have elected to submerge that information. THE GOLDEN DOOR presents the case for immigrants' struggles in a manner that not only touches our hearts but also challenges our acceptance of current immigration legislation. But all political issues aside, THE GOLDEN DOOR is first and foremost a film of enormous beauty, exquisite photography, deeply felt performances by a huge cast, and a very sensitively written and directed story. The is a film that deserves wide distribution, a movie that is a must see for everyone. Highly recommended. Grady Harp