| Photos (Voir toutes les 14 | Diaporama) | Videos (see all 16) |
Skip Woods (written by)
21 novembre 2007 (USA) suite
A gun-for-hire known only as Agent 47 hired by a group known only as 'The Organization' is ensnared in a political conspiracy, which finds him pursued by both Interpol and the Russian military as he treks across Russia and Eastern Europe. full summary | add synopsis
1 win suite
Hit-man Movie Review plus de (314 total)
| Timothy Olyphant | ... | Agent 47 | |
| Dougray Scott | ... | Mike Whittier | |
| Olga Kurylenko | ... | Nika Boronina | |
| Robert Knepper | ... | Yuri Marklov | |
| Ulrich Thomsen | ... | Mikhail Belicoff | |
| Henry Ian Cusick | ... | Udre Belicoff | |
| Michael Offei | ... | Jenkins | |
| Christian Erickson | ... | General Kormarov | |
| Eriq Ebouaney | ... | Bwana Ovie | |
| Joe Sheridan | ... | Captain Gudnayev | |
| James Faulkner | ... | Smith Jamison | |
| Jean-Marc Bellu | ... | Hitman #2 | |
| Nicky Naude | ... | Hitman #3 | |
| Abdou Sagna | ... | Hitman #4 | |
| Ilya Nikitenko | ... | Hitman #5 | |
| Loïc Molla | ... | Hitman #6 | |
| Youssef Diawara | ... | Hog-Tied Prisoner | |
| Patrick Ligardes | ... | Another Buyer | |
| Anca Radici | ... | The Sad Girl (as Ancuta Radici) | |
| Peter Hudson | ... | Mr. Price | |
| Cyril Guei | ... | Old SUV Leader | |
| Ivan Yurukov | ... | Russian John | |
| Vladimir Kolev | ... | HRT Guy | |
| Makssim Kolev Genchev | ... | Yuri's Guy #3 | |
| Kamen Ivanov | ... | Russian Captain | |
| Stefka Yanorova-Trenfafilova | ... | Belicoff's Wife | |
| Yasmine Meddour | ... | Belicoff's Daughter | |
| Iosis Shamli | ... | SWAT Team Leader #1 | |
| Desislava Bakardzhieva | ... | Female News Reporter | |
| Paul Barrett | ... | Reporter #3 | |
| Viktoria Dimova | ... | Mike's Daughter - 8 Years | |
| Svezhen Mladenov | ... | Russian Forensic (as Svejen Ivanov Mladenov) | |
| Biliana Petrinska | ... | Another Officer (as Byliana Ognyanova Petrinska) | |
| Emile Abossolo M'bo | ... | General Ajunwa | |
| Paul Bandey | ... | Director MC Ray | |
| Nikolay Valentinov Lukanov | ... | Swanky Restaurant Waiter #1 | |
| Boiko Boyanov | ... | SWAT Team Guy #3 (as Boyko Boyanov) | |
| Deyan Donkov | ... | Russian EMT (as Deyan Donkov Nikolov) | |
| Sabine Crossen | ... | June (as Sabine Camille Crossen) | |
| Assen Blatechki | ... | FSB Driver (as Asen Emiliov Blatechki) | |
| Dobrin Dosev | ... | Clergyman (as Dobrin Markov Dosev) | |
| Vili Dimitrova | ... | Terrified Maid | |
| Anatoli Nechev | ... | SWAT Team Guy #2 (as Anatolli Nachev) | |
| Blagovest Argirov | ... | Swanky Restaurant Waiter #2 | |
| Nikolay Stoyanov Ilchev | ... | Russian Soldier with Radio | |
| Milko Marinov Milanov | ... | Interpol Driver | |
| Elvis Delannay | ... | Leader Assistant | |
| Dessislava Zidarova | ... | Belicoff's Whore | |
| Lisa Jacobs | ... | Diana (voice) | |
| Atanas Mihaylov Srebrev | ... | News Correspondent | |
| Samantha Timmerman | ... | Reporter #1 (as Samantha Z. Timmerman) | |
| Patrick Albenque | ... | Reporter #2 | |
| Borislav Parvanov | ... | Young Agent 47 | |
| Velizar Binev | ... | The Priest (as Velizar Nikolaev Binev) | |
| Hristo Neykov Neykov | ... | Video Game Player #1 | |
| Nikolay Milev | ... | Video Game Player #2 |
Réalisé par | |||
| Xavier Gens | |||
Scénaristes(WGA) | ||
| Skip Woods | (written by) | |
Produit par | |||
| Daniel Alter | .... | co-producer | |
| Adrian Askarieh | .... | producer | |
| Vin Diesel | .... | executive producer | |
| Janos Flösser | .... | executive producer (as Janos Flosser) | |
| Charles Gordon | .... | producer | |
| Pierre-Ange Le Pogam | .... | producer | |
| Erhan Ozogul | .... | co-line producer | |
Musique originale | |||
| Geoff Zanelli | |||
Image | |||
| Laurent Barès | (director of photography) (as Laurent Bares) | ||
Montage | |||
| Carlo Rizzo | |||
| Antoine Vareille | |||
Distribution des rôles | |||
| Bouchra Fakhri | |||
| Christian Kaplan | |||
| Debbie McWilliams | |||
Création des décors | |||
| Jacques Bufnoir | |||
Direction artistique | |||
| Johann George | |||
Décorateur de plateau | |||
| Atanas Apostolov | |||
| Véronique Melery | |||
Création des costumes | |||
| Olivier Bériot | (as Olivier Beriot) | ||
Maquillage | |||
| Olivier Afonso | .... | special effects makeup supervisor | |
| Frédérique Arguello | .... | hair stylist (as Frederique Arguello) | |
| Sabine Fevre | .... | makeup artist | |
| Laetitia Hillion | .... | special makeup effects artist | |
| Frédéric Lainé | .... | special makeup effects artist (as Frederic Laine) | |
| Petya Simeonova | .... | makeup assistant | |
| Yana Stoyanova | .... | special makeup effects assistant | |
| Nelly Teova | .... | hair assistant (as Neli Teova) | |
| Vessela Tocheva | .... | hair assistant (as Vessela Tosheva) | |
Directeur de production | |||
| Jean-François Chaintron | .... | production manager: second unit | |
| David Deshayes | .... | unit production manager: retakes | |
| Marc Guidetti | .... | unit manager | |
| Thierry Guilmard | .... | production manager | |
| Leila Smith | .... | production supervisor: EuropaCorp | |
| Marsha L. Swinton | .... | production representative | |
| Stanislas Vart | .... | unit manager | |
Département Art | |||
| Jacques Aucomte | .... | props buyer | |
| Atanas Cherkezov | .... | assistant property master (as Atanas Tcherkezov) | |
| Jonathan Delerue | .... | storyboard artist | |
| Velina Gospodinova | .... | art department trainee | |
| Maëlig Hamard | .... | art department trainee | |
| Benedicte Joffre | .... | assistant set decorator | |
| Boriana Mintcheva | .... | set decorator: Bulgaria (as Boryana Mintcheva) | |
| Olivier Nguyen | .... | property master | |
| Christophe Niaux | .... | props | |
| Prolet Gueorguieva Polia | .... | art director: Bulgaria (as Prolet Gueorguieva) | |
| Riccardo Pugliese | .... | art director: second unit | |
| Per-Olof Renard | .... | first assistant art director | |
| Teodor Valtchev | .... | car props | |
| Tzvetana Yankova | .... | first assistant art director | |
| Maria Doicheva | .... | painter (uncredited) | |
| Orlin Grozdanov | .... | set dresser (uncredited) | |
Technicien du son | |||
| Emmanuel Angrand | .... | sound editor | |
| Antoine Baudouin | .... | dialogue editor | |
| Thomas Bernard | .... | sound recordist | |
| Derek Casari | .... | adr engineer | |
| Jonathan Chiles | .... | boom operator: Cape Town | |
| Matthieu Dallaporta | .... | sound re-recording mixer | |
| Pascal Dedeye | .... | foley artist | |
| Frederic Dubois | .... | sound designer | |
| Frederic Dubois | .... | supervising sound editor | |
| François Fayard | .... | supervising sound editor | |
| Alain Gandit | .... | adr editor | |
| Loïc Gourbe | .... | foley editor | |
| Loïc Gourbe | .... | sound recordist | |
| Daniel Gries | .... | foley artist | |
| Pierre-Yves Lavoué | .... | sound mixer: second unit | |
| Maud Lombart | .... | assistant sound editor | |
| Didier Lozahic | .... | foley recordist | |
| Didier Lozahic | .... | sound re-recording mixer | |
| Anne Maisonhaute | .... | adr editor | |
| Valentin Orlov | .... | cable person | |
| Jonathan Rimas | .... | adr mixer | |
| Jacques Sans | .... | production sound mixer | |
| Pierre Sans | .... | boom person | |
| Greg Steele | .... | adr mixer | |
| Greg Zimmerman | .... | adr recordist | |
Effets spéciaux | |||
| Kevin Carter | .... | special effects contact lenses | |
| Mathieu Cavillon | .... | special effects | |
| Hubert Devinck | .... | special effects | |
| Philippe Hubin | .... | special effects supervisor | |
| Jean-Christophe Magnaud | .... | special effects coordinator | |
| Gilbert Pelosi | .... | special effects | |
| Sylvie Rousselin | .... | special effects | |
| Rumen Stoychev | .... | special effects (as Roumen Stoychev) | |
| Jean-Yves Thoreau | .... | special effects | |
| Vencislav Yondov | .... | special effects (as Ventzislav Yondov) | |
Visual Effects | |||
| Grégory Bantze | .... | compositor | |
| Pascal Berthe | .... | matte artist | |
| Alain Bignet | .... | digital compositor | |
| Jerome Billet | .... | matte artist (as Jerome Billet-Lardux) | |
| Guy Gerard Blanc | .... | matte artist | |
| Raphael Boch | .... | 3D artist | |
| Axel Bonami | .... | digital compositor | |
| Cyrille Bonjean | .... | compositing supervisor (as Cyrille Bonjean-Rybill) | |
| Gaëlle Bossis | .... | digital compositor | |
| Brent M. Bowen | .... | digital compositor | |
| Lohengrin Braconnier | .... | assistant colorist | |
| Judith Bruneau | .... | visual effects coordinator | |
| Eric Carme | .... | 3D artist | |
| Matthieu Chatelier | .... | Flame artist | |
| Sam Dabbs | .... | international titles | |
| Nicolas Daniel | .... | data manager | |
| Stéphanie Dargent | .... | matte artist | |
| Bertrand de Saint Seine | .... | titles and credits | |
| Nicolas Dumay | .... | 3D artist | |
| Thomas Duval | .... | visual effects supervisor | |
| Loic Flamand | .... | visual effects | |
| Monteil Fredrik | .... | digital compositor | |
| Philippe Frère | .... | 2D artist | |
| John Griffith | .... | pre-visualization artist | |
| Jessica Guglielmi | .... | digital effects supervisor | |
| Rodolphe Guglielmi | .... | visual effects supervisor | |
| Philippe Huberdeau | .... | senior compositor | |
| Bourdonnay Judikael | .... | visual effects supervisor | |
| Ramesh Karthikeyan | .... | compositor: efx | |
| Pacini Kevin | .... | editor: visual effects | |
| Blaise Lacolley | .... | 2D artist | |
| Nicolas Lacroix | .... | assistant visual effects coordinator: Duboi | |
| Aurelie Lajoux | .... | 2D artist (as Aurelie Lambelin) | |
| Julien Lambert | .... | 3D supervisor | |
| Yann Larochette | .... | digital compositor | |
| Nicolas Leblanc | .... | 3D artist | |
| Emmanuel Le Courbe | .... | digital compositor | |
| Anaïs Lenea | .... | 2D artist | |
| Jérome Lionard | .... | digital compositor | |
| Sergeï Lourié | .... | digital compositor (as Sergei Lourie-Glouk) | |
| Eric Manevy | .... | 2D artist | |
| Pascal Nowak | .... | digital colorist | |
| Jean-Christophe Olivier | .... | senior compositor | |
| Frederic Ovcaric | .... | visual effects producer | |
| Benjamin Pelletreau | .... | digital compositor | |
| Cecile Peltier | .... | senior compositor | |
| Cecile Peltier | .... | sequence supervisor | |
| Alexis Peraste | .... | digital compositor | |
| Teddy Percherancier | .... | visual effects producer | |
| Florence Pernet | .... | 2D artist | |
| Carlos Perona | .... | 3D artist | |
| Siddharthan Raman | .... | roto/prep artist | |
| Isabelle Ramnou | .... | matte artist | |
| Julien Record | .... | digital compositor | |
| Nicolas Rigaud | .... | digital compositor | |
| Florian Senand | .... | digital compositor | |
| Alexandre Signoret | .... | 2D artist | |
| Annabelle Troukens | .... | visual effects producer | |
| Robert Urbanczyk | .... | 3D artist | |
| Edouard Valton | .... | visual effects production manager | |
| Delphine VanBay | .... | matte artist (as Delphine Van Bay) | |
| Morgan Varona | .... | 2D artist | |
| Yannick Waechter | .... | 3D artist | |
Cascadeur | |||
| Sedina Balde | .... | stunt performer (as Seydina Balde) | |
| Serge Crozon-Cazin | .... | stunt performer | |
| George Danailov | .... | stunt performer (as Gueorgui Danailov) | |
| Laurent Fresnais | .... | stunt driver | |
| Timothe Ghislain | .... | stunt driver | |
| Francois Grobbelaar | .... | assistant stunt coordinator | |
| Pascal Guégan | .... | assistant stunt coordinator (as Pascal Guegan) | |
| Philippe Guégan | .... | stunt coordinator (as Philippe Guegan) | |
| Christian Hening | .... | assistant stunt coordinator | |
| Benoit Lagniez | .... | stunt driver | |
| Jean-Claude Lagniez | .... | stunt supervisor: cars | |
| Gregory Loffredo | .... | fight choregrapher | |
| Frederic Makowiecki | .... | car stunt driver | |
| Parvan Parvanov | .... | assistant stunt coordinator (as Parvan Parvanov 'Tzatza') | |
| Cyril Raffaelli | .... | fight choreographer | |
| Frederick Renard | .... | stunt performer | |
| Patrick Ronchin | .... | car stunt driver | |
| Franz Spilhaus | .... | stunt coordinator south africa | |
| Astou Vedel | .... | stunt double | |
| Astou Vedel | .... | stunt double: Olga kurylenko stunt double | |
Département Casting | |||
| Tolga Dundar | .... | local casting: Turkey | |
| Reg Poerscout-Edgerton | .... | casting associate: UK | |
| Lina Todd | .... | additional casting | |
| Ilka Valcheva | .... | casting: Bulgaria (as Ilka Valtcheva) | |
Département Costume et garde-Robe | |||
| Magali Cohen | .... | costume supervisor | |
| Céline Collobert | .... | set costumer (as Celine Collobert) | |
| Margarita Dineva | .... | head wardrobe dresser | |
| Katharina Erbsloeh | .... | set costumer | |
| Ani Gelinova | .... | personal dresser: Mr. Olyphant (as Anna Guelinova) | |
| Nona Ivanova | .... | hand sewing dresser | |
| Camille Joste | .... | set costumer | |
| Lorenzo Mancianti | .... | set costumer | |
| Anguel Manov | .... | wardrobe accessories | |
| Olga Mekikchieva | .... | personal dresser: Mr. Scott and Mr. Offei (as Olga Mekektchieva) | |
| Adriyana Naydenova | .... | assistant costume designer (as Adryana Naïdenova) | |
| Vassilka Nikolova | .... | cleaner/laundry | |
| Julia Philippova | .... | set costumer | |
| Boryana Stephanova | .... | aging/dyeing | |
| Marina Yaneva | .... | set costumer | |
Dpartement Editorial | |||
| Nadia Atout | .... | dailies supervisor | |
| Guerric Catala | .... | assistant editor | |
| Reginald Gallienne | .... | dailies transfer | |
| Louise Genis-Cosserat | .... | assistant editor | |
| David Heinz | .... | first assistant editor: USA | |
| Sylvie Lager | .... | assistant editor | |
| Christophe Lucotte | .... | color timer | |
| Laure Meynet | .... | first assistant editor | |
| Pascal Nowak | .... | digital film colorist | |
Département Musique | |||
| Ryeland Allison | .... | composer: additional music | |
| Jeffrey Biggers | .... | score music mixer (as Jeff Biggers) | |
| Pierre Brien | .... | assistant music recordist | |
| John Finklea | .... | music editor | |
| Bruce Fowler | .... | orchestrator | |
| Walt Fowler | .... | orchestrator (as Walter Fowler) | |
| Matthieu Gonet | .... | conductor | |
| Steven Kofsky | .... | music production services | |
| Vincent Lebegue | .... | music legal coordinator | |
| Didier Lizé | .... | music recordist | |
| Alexandre Mahout | .... | music supervisor | |
| Yvonne S. Moriarty | .... | orchestrator (as Suzanne Moriarty) | |
| John Rodd | .... | music editor | |
| Jill Streeter | .... | music preparation (as Jill Streater) | |
| Bobby Tahouri | .... | composer: additional music | |
| Greg Vines | .... | assistant music mixer | |
| Michael Wijnen | .... | music department head | |
Divers | |||
| Laurence Auge | .... | assistant: Mr. Le Pogam | |
| Laure Auger-Robert | .... | production secretary | |
| Juliette Baumard | .... | script supervisor | |
| Ron Blecker | .... | tactical consultant | |
| Marc Cherruau | .... | assistant: Mr. Le Pogam | |
| Emre Cosar | .... | production accountant assistant | |
| Marisa Dean | .... | production coordinator | |
| Bertrand de Saint Seine | .... | title designer | |
| Krasimira Karachorova | .... | script supervisor: second unit | |
| Kalina Krasteva | .... | assistant script supervisor: second unit | |
| Gregory Loffredo | .... | choreographer | |
| Mounia Meddour Gens | .... | assistant: Mr. Gens | |
| Philippe Philipov | .... | location manager | |
| Cyril Raffaelli | .... | choreographer | |
| Elise Romestant | .... | script supervisor: reshoots | |
| Geraldine Schubert | .... | script assistant | |
| Vincent Stevenel | .... | production accountant | |
| Samantha Timmerman | .... | script supervisor (as Samantha Z. Timmerman) | |
| Xavier Wakefield | .... | production services: London | |
Merci | |||
| Nicolas De Toth | .... | thanks | |
Rated R for strong bloody violence, language and some sexuality/nudity.
89 min | 90 min (unrated version)
2,35 : 1 suite
Taiwan:R-12 | UK:15 | Finland:K-15 | Ireland:16 | Canada:14A (British Columbia/Ontario) | South Africa:16 | Hungary:18 | Canada:18A (Alberta/Manitoba) | Singapore:NC-16 | South Korea:18 | Sweden:15 | Malaysia:18PL | Philippines:R-13 (MTRCB) | Portugal:M/16 | Australia:MA | Germany:18 | France:Unrated | Switzerland:16 (canton of Vaud) | Switzerland:16 (canton of Geneva) | USA:R (certificate #43962) | Argentina:13 (re-rating) | Japan:PG-12 | New Zealand:R16 | Ireland:18 | Denmark:15 | Netherlands:16 | Austria:16 | Spain:18 | Brazil:16 | Iceland:16 | Canada:13+ (Régie du Cinéma Québec)
The movie was delayed from its October 2007 release, to late November 2007 to facilitate for re-shoots. suite
Continuité: During the scene where 47 shoots the two bodyguards in the bathroom, he shoots the fat bodyguard once, though two bullet holes can easily be seen - one on each shoulder blade. suite
[first lines]
Mike Whittier:
Fuck!
Agent 47:
It's not there. It's in the kitchen, where you left it.
Mike Whittier:
How'd you get in?
Agent 47:
You have a nice family. They're fine. Alive. Asleep.
suite
Références Dip huet seung hung (1989) suite
DVNO suite
|
|
|
|
|
| Grindhouse | Léon | Casino Royale | War | Marathon Man |
|
IMDb Note Générale:
|
IMDb Note Générale:
|
IMDb Note Générale:
|
IMDb Note Générale:
|
IMDb Note Générale:
|
| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Action section | IMDb France section | Add this title to MyMovies |
As contradictory as it may sound, finding a good mindless action movie is actually a rather challenging task. Luckily we live in a world where adapting stories and characters from mindless action video games is commonplace, and the creators of the Hit-man movie have gone to great lengths to showcase plenty of the blood, bullets, and babes requisite of a proper translation of the popular assassin adventure.
Raised to be an elite assassin, Agent 47 (Timothy Olyphant) carries out jobs for a mysterious organization and for a price. When his employer sets him up in a political assassination attempt, the hit-man must uncover the leaders behind the conspiracy while simultaneously protecting a sassy prostitute and being hunted by both the Russian Secret Police and two determined Interpol agents.
Wasting little time with a tedious back story, (and thankfully straying from contrary religious tones as suggested by several trailers), Hit-man jumps right into the plot, full of political conspiracies, secret agency machinations, police investigations, and other reasons to have a gunfight in a crowded location. While those unfamiliar with the source material may question Agent 47's origins, it's actually rather commendable (and practical) to forego such setup and just plunge directly into current events with only the accepted knowledge that our antihero is the most skilled of killers. That being said, the story does convolute itself with excessive setting changes and rehashes of political thrillers mixed with revenge mysteries, but the plot never interferes with that which is most important the action.
Several unique scenes of bloodshed find their way into Hit-man, and as expected the body count reaches an impressive sum. While not overloaded with meaningless violence, a few sequences stand out as attaining just the right amount of machismo cool, most notably the decimation of a drug lord's domicile and a four-way elite assassin duel apparently inserted to mimic the combat abilities present in the game. At a few points throughout the actioner it becomes evident that everyone involved is trying a little too hard to evoke awe, but some fast hand-held shots and a few guns pointing at the screen later, all is forgiven.
Though Timothy Olyphant is likely not the first actor to enter one's mind on hearing of a Hit-man movie, he accomplishes the surprising feat of impressing upon the audience that he is indeed Agent 47. Plus the sharp black suits with red ties don't hurt. Relative newcomer Olga Kurylenko, who exhibits an appearance resembling a cross between Catherine Zeta-Jones and Sophie Marceau, was also a wise choice, especially to tease the viewer with another staple prominent in the Hit-man games.
Hit-man successfully retains the necessary seriousness inherent in the subject matter and while it rarely covers new ground in the action-adventure genre, it also never slips into silly mockery (and it still provides plenty of references to its video game roots). Sacrificing story for style and bloodshed is much appreciated here, and entertainment of this nature is a rare treat over those that try too hard to be that which they are not. Hit-man doesn't indulge itself in such a charade and the result is a fun and sexy romp through the world of professional carnage.
- The Massie Twins