| Photos (Voir toutes les 10 | Diaporama) | Videos (see all 13) |
| Jamie Bell | ... | Hallam | |
| Ruth Milne | ... | Jenny (as Ruthie Milne) | |
| John Paul Lawler | ... | Carl | |
| Claire Forlani | ... | Verity | |
| Lucy Holt | ... | Lucy | |
| Ciarán Hinds | ... | Julius | |
| Malcolm Shields | ... | Kilt Man | |
| John Comerford | ... | Grumpy Glaswegian | |
| Gerry Cleary | ... | Grumpy Glaswegian | |
| Paul Blair | ... | Raincoat Man | |
| Neil McKinven | ... | Police Officer | |
| Sophia Myles | ... | Kate | |
| Jamie Sives | ... | Alasdair | |
| Maurice Roëves | ... | Raymond (as Maurice Roeves) | |
| Stuart Hepburn | ... | Police Inspector | |
| Kirsty Shepherd | ... | Alasdair's Wife | |
| Ewen Bremner | ... | Andy | |
| reste de la distribution par ordre alphabétique: | |||
| Colin Kennedy | ... | Arty Guy (uncredited) | |
| Adam Smith | ... | Bar Customer (uncredited) | |
Réalisé par | |||
| David Mackenzie | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Peter Jinks | novel | |
| David Mackenzie | screenplay | |
| Ed Whitmore | screenplay | |
Image | |||
| Giles Nuttgens | (director of photography) | ||
Montage | |||
| Colin Monie | |||
Distribution des rôles | |||
| Kahleen Crawford | |||
| Des Hamilton | |||
Création des décors | |||
| Tom Sayer | |||
Direction artistique | |||
| Caroline Grebbell | |||
Création des costumes | |||
| Trisha Biggar | |||
Maquillage | |||
| Sarita Allison | .... | hair stylist: underwater unit | |
| Sarita Allison | .... | makeup artist: underwater unit | |
| Nikki Brannan | .... | makeup designer: Pick-up unit | |
| Konnie Daniel | .... | hair designer | |
| Konnie Daniel | .... | makeup designer | |
| Peta Dunstall | .... | hair stylist | |
| Peta Dunstall | .... | makeup artist | |
| Jacqueline Fowler | .... | hair stylist | |
| Jacqueline Fowler | .... | makeup artist | |
| Gill Little | .... | wig maker: pick-up unit | |
| Jane Logan | .... | hair stylist | |
| Jane Logan | .... | makeup artist | |
Directeur de production | |||
| Shirley Brodie | .... | unit manager | |
| Tracey Josephs | .... | head of production: Film4 | |
| Naomi Liston | .... | additional unit manager | |
| Tim Wellspring | .... | unit production manager | |
| Emma Zee | .... | post-production supervisor | |
Assistant réalisateur | |||
| Paul Bennett | .... | second assistant director: underwater unit | |
| Helen Boyd | .... | third assistant director: pick-up unit | |
| Dawn Harvey | .... | second assistant director: pick-up unit | |
| Toby Hosking | .... | second assistant director | |
| Colin Kennedy | .... | second unit director | |
| Judith Milne | .... | third assistant director | |
| Ted Mitchell | .... | first assistant director: pick-up unit | |
| Morrissa Morris | .... | third assistant director: second unit | |
| Charlie Reed | .... | additional third assistant director | |
| Deborah Saban | .... | first assistant director | |
| Dave Tarvit | .... | first assistant director: second unit | |
| Matthew Baker | .... | first assistant director: prep (uncredited) | |
Département Art | |||
| Jenny Alexander | .... | petty cash buyer: daily | |
| Bob Barclay | .... | construction manager | |
| Paul Barrie | .... | carpenter | |
| Jamie Baxter | .... | construction manager | |
| Mat Bergel | .... | stand-by props | |
| Michael 'Hagar' Cawley | .... | stage carpenter | |
| Stewart Cunningham | .... | dressing props: pick-up unit | |
| Paul Curran | .... | painter | |
| Sammy Curran | .... | painter | |
| Max Davidson | .... | stand-by chippie: pick-up unit | |
| Roddy Dolan | .... | dressing props | |
| Jake Drummond | .... | carpenter | |
| Jim Elliott | .... | property master: pick-up unit | |
| Caroline Fearon | .... | scenic artist | |
| Fiona Gavin | .... | stand-by art director | |
| Bobby Gee | .... | stand-by painter | |
| Rab Gemmill | .... | stage carpenter (as Rab Gemmell) | |
| Derek Gray | .... | storyboard artist | |
| Jane Harvey | .... | painter | |
| Roddy Hogg | .... | stand-by carpenter | |
| Fiona Hutchison | .... | art director: pick-up unit (as Fiona Hutchinson) | |
| Paul Lambie | .... | stand-by props | |
| Janice Macrae | .... | production buyer | |
| Caroline McDonald | .... | art department assistant | |
| Kevin McGuinness | .... | stage carpenter | |
| Paul McNamara | .... | stand-by props: pick-up unit | |
| Matt Mooney | .... | stand-by props: pick-up unit | |
| Dave More | .... | stage carpenter | |
| Andy Neilson | .... | dressing props | |
| Danny Oji | .... | plasterer | |
| Luke Oldale | .... | painter | |
| Carly Parris | .... | petty cash buyer | |
| David Pollok | .... | apprentice plasterer | |
| Bobby Raeburn | .... | carpenter | |
| Derek Reid | .... | painter | |
| David Richmond | .... | carpenter | |
| Dan Roberts | .... | dressing props | |
| Mark Robertson | .... | painter | |
| David Roy | .... | daily laborer: props | |
| Anna Sheard | .... | art department assistant | |
| Tony Sheridan | .... | property master | |
| Jacqueline Smith | .... | production designer: pick-up unit | |
| Johnny Smith | .... | carpenter | |
| Laurel Wear | .... | painter | |
| Dawn Youll | .... | plasterer | |
| Todd Zonderman | .... | stage carpenter | |
| Martin Kelly | .... | set dresser (uncredited) | |
Technicien du son | |||
| Iain Anderson | .... | sound assistant | |
| Peter Brill | .... | sound mixer | |
| Tony Cook | .... | sound maintenance engineer | |
| Rob Edwards | .... | adr assistant recordist | |
| Howard Halsall | .... | dialogue editor | |
| Kahl Henderson | .... | sound re-recording mixer | |
| Lorraine Keiller | .... | foley editor | |
| Louis Kramer | .... | sound recordist: pick-up unit | |
| Douglas MacDougall | .... | sound designer | |
| Matthew McKenzie | .... | adr recordist | |
| Thayna McLaughlin | .... | sound assistant | |
| Jamie Roden | .... | adr recordist | |
| Chris Sinclair | .... | sound re-recording mixer | |
| Simon Trundle | .... | foley recordist | |
| Ian Waggott | .... | foley artist | |
Effets spéciaux | |||
| Perry Costello | .... | rigging supplier | |
Visual Effects | |||
| Papavramides Alexandra | .... | digital artist: Baseblack | |
| Kieran Belshaw | .... | film recordist: MPC | |
| Matthew Bristowe | .... | digital film mastering producer: MPC | |
| Helen Clare | .... | film recordist: MPC | |
| Michael Elson | .... | head of production: MPC | |
| Stephen Elson | .... | visual effects producer: Baseblack | |
| Per Karefelt | .... | research & development: baseblack | |
| John Kozak | .... | research & development: Baseblack | |
| Toby Langley | .... | film recordist: MPC | |
| Pierson Lippard | .... | 3D technical director: Baseblack | |
| Begoña Lopez | .... | digital film mastering producer: MPC | |
| Donal Nolan | .... | digital artist: Baseblack | |
| Chris Panton | .... | visual effects supervisor: Baseblack | |
| Tristan Porter | .... | digital artist: Baseblack | |
| Caroline Rowlands | .... | film recordist: MPC | |
| Petra Schwane | .... | digital artist: Baseblack | |
| Val Wardlaw | .... | 3D supervisor: Baseblack | |
| Stephen Bearman | .... | scanning supervisor (uncredited) | |
| Elysia Greening | .... | digital compositor: Baseblack (uncredited) | |
| Paul Shore | .... | scanning supervisor (uncredited) | |
Cascadeur | |||
| Richard Carlin | .... | rope access technician | |
| Marc Cass | .... | stunt coordinator | |
| Mick Jones | .... | stunt driver: action vehicle | |
| Crispin Layfield | .... | stunt artist | |
| Grant Morrison | .... | stunt driver: action vehicle | |
| Ronnie Morrison | .... | stunt driver: action vehicle | |
| Heather Phillips | .... | stunt artist | |
| Bob Wiesinger | .... | wire man (as Bob Weisinger) | |
| Grant Wiesinger | .... | assistant wire man (as Grant Weisinger) | |
Departement Animation | |||
| Siren Halvorsen | .... | animator: Slinky Pictures | |
| Rory Lowe | .... | animator: Once Were Farmers | |
| Maria Manton | .... | animation producer: titles, SlinkyPictures | |
| James Newport | .... | animator: Slinky Pictures | |
Département Costume et garde-Robe | |||
| Karen Bertellotti | .... | costume assistant: daily | |
| F.E. Biggar | .... | costume assistant: daily | |
| Alex Carey | .... | costume painter | |
| Kathryn Donaldson | .... | costume supervisor | |
| Sophie Doncaster | .... | costume assistant: daily | |
| Harriet Edmonds | .... | costume assistant: Pick-up unit | |
| Alison Guy | .... | costume assistant: underwater unit | |
| Barbara Harrington | .... | stand-by costumer | |
| Dani Miller | .... | costume assistant: daily (as Dani Millar) | |
| Marnie Ormiston | .... | costume assistant: daily | |
| Anna Robbins | .... | costume trainee | |
Dpartement Editorial | |||
| Melissa Agate | .... | film scanner: MPC | |
| Giles Burgess | .... | first assistant editor | |
| Brian Coffey | .... | post-production coordinator | |
| Kennedy Dawson | .... | film scanner: MPC | |
| Richard Etchells | .... | on-line editor | |
| Alec Gibson | .... | color grader | |
| Ruth Hodgson | .... | post-production executive: Film Finances | |
| Max Horton | .... | colorist | |
| Beth Hourston | .... | trainee editor | |
| Katie Jackson | .... | film scanner: MPC | |
| Matthew Lee-Redman | .... | film scanner: MPC | |
| Thomas Urbye | .... | on-line film editor: MPC | |
| Jason Wheeler | .... | negative cutter | |
| Pat Wintersgill | .... | on-line editor (as Patrick Wintersgill) | |
| Greg Barrett | .... | scanning producer (uncredited) | |
| Rebecca Budds | .... | film scanning coordinator (uncredited) | |
Département Musique | |||
| Matt Biffa | .... | music researcher: piano | |
| Alice Hary | .... | musician: piano | |
| Giles Lamb | .... | music editor | |
| Stuart Young | .... | musician: piano | |
Département Transport | |||
| Tommy Bryce | .... | driver: dining bus | |
| Jim Cardy | .... | driver: costume | |
| Gerry Connely | .... | unit driver: pick-up unit | |
| Sean Deakin | .... | additional unit driver | |
| Alex Devine | .... | unit driver: daily | |
| Paul Dunphy | .... | unit driver: pick-up unit | |
| Tim Dyer | .... | driver: facilities | |
| Peter Flynn | .... | unit driver: daily | |
| Stephen Harrop | .... | unit driver (as Stephen 'Happy' Harrop) | |
| David Hutton | .... | driver: daily minibus | |
| J.J. Lowe | .... | driver: camera car (as JJ Lowe) | |
| John Malarky | .... | driver: makeup truck | |
| Ian McGreath | .... | driver: minibus | |
| Neil McLaughlan | .... | driver: camera car, pick-up unit | |
| Matthew Mooney | .... | driver: daily props | |
| Les Quinn | .... | additional driver | |
| Wayne Wright | .... | unit driver | |
Divers | |||
| Lisa Maria Baruffati | .... | floor runner | |
| Lisa Maria Baruffati | .... | stand-in | |
| Ilka Becker | .... | chef: Reel Food | |
| Nik Bower | .... | legal & business affairs: Ingenious Film Partners | |
| Mary Brehony | .... | legal affairs: Scottish Screen | |
| Katherine Butler | .... | head of development: Film4 | |
| Neil Cairns | .... | production accountant | |
| Jo Cameron Brown | .... | dialogue coach | |
| Brian Coffey | .... | production assistant | |
| Giovannina Cotroneo | .... | production coordinator | |
| Guy Cowan | .... | chef: Reel Food | |
| Anita Cox | .... | business affairs: Scottish Screen | |
| Bob Downie | .... | armorer | |
| Bob Downie | .... | safety advisor | |
| Paul Dray | .... | laboratory contact: Deluxe | |
| Anna Duffield | .... | assistant: Gillian Berrie | |
| Scott Dunlop | .... | location assistant | |
| Lloret Dunn | .... | location manager: pick-up unit | |
| Yvonne Dunn | .... | representative: Glasgow Film Finance | |
| Lisa Engelhardt | .... | product placement | |
| Lorraine Faulds | .... | side chef: Spice of Life | |
| Lorna Ferguson | .... | production coordinator | |
| Mark Fielding | .... | accountant: Ingenious Film Partners | |
| Stephen Foster | .... | representative: Glasgow Film Finance | |
| Hannah Frankham | .... | animal handler | |
| Ellen Fraser | .... | legal & business affairs: Ingenious Media Services | |
| Guv Gakhal | .... | head chef: Spice of Life | |
| Kidj Gakhal | .... | catering assistant: Spice of Life | |
| Seema Gakhal | .... | side chef: Spice of Life | |
| Jeremy Gawade | .... | legal services: Lee & Thompson | |
| Hugh Gourlay | .... | location manager | |
| Paul Grindey | .... | business affairs: Film4 | |
| Matthew Grycuk | .... | location assistant | |
| Peter Harcourt | .... | diver: underwater unit | |
| Derek Henderson | .... | location assistant: pick-up unit | |
| Derek Henderson | .... | location scout: daily | |
| Brian Horsburgh | .... | additional location manager | |
| Paul Imrie | .... | accountant trainee | |
| Chris Irvine | .... | business affairs: Film4 | |
| Paula Jalfon | .... | head of physical production: Ingenious Film Partners | |
| Tom Jenkins | .... | location assistant | |
| Karen Jones | .... | additional script supervisor | |
| Matt Jones | .... | additional location manager | |
| Colin Kennedy | .... | assistant: David Mackenzie | |
| Colin Kennedy | .... | blogger: Hallam | |
| Robbie Kirkpatrick | .... | location scout: daily | |
| Clem Leneghan | .... | health & safety supervisor (as Clement Leneghan) | |
| Richard Lever | .... | representative: Glasgow Film Finance | |
| Louise Long | .... | business affairs: Film4 | |
| Jacqui McBride | .... | assistant accountant | |
| David McKinnon | .... | production assistant: pick-up unit | |
| Gerry McLeod | .... | facilities manager | |
| Andrew McPherson | .... | location runner | |
| John McVeigh | .... | assistant to chef: Reel Food | |
| Marc Mills | .... | production runner | |
| Sheila Fraser Milne | .... | production executive: Film Finances | |
| Jane Moore | .... | distribution: Ingenious Media Services | |
| Mike Morgan | .... | diving supervisor | |
| Zoe Morgan | .... | script supervisor | |
| Amy Munro | .... | production secretary: pick-up unit | |
| Peter Murphy | .... | additional location runner | |
| Simon Nicol | .... | additional location runner | |
| John O'Sullivan | .... | insurance: Media Insurance Brokers | |
| Adam Guy Parker | .... | floor runner | |
| Adam Guy Parker | .... | stand-in | |
| Linda Pather | .... | monitoring coordinator: Film Finances | |
| Malcolm Pearce | .... | health & safety supervisor | |
| Natasha Pilbrow | .... | legal services: Lee & Thompson | |
| Norman Campbell Rees | .... | additional floor runner (as Norman Rees) | |
| Suzanne Reid | .... | production coordinator: pick-up unit | |
| Phoebe Rudomino | .... | diver: underwater unit | |
| Jonathan Rutter | .... | publicist: Prermier PR | |
| Matthew Sanders | .... | publicist: Premier PR | |
| Dave Shaw | .... | diving supervisor: underwater unit | |
| David Shrigley | .... | title designer | |
| Dilian Singh | .... | catering assistant: Spice of Life | |
| Sue Bruce Smith | .... | head of commercial development: Film4 (as Sue Bruce-Smith) | |
| Lee Stone | .... | legal services: Lee & Thompson | |
| Brian Strange | .... | production runner: underwater unit | |
| Miriam Sturdee | .... | location runner: pick-up unit | |
| Peter Swan | .... | unit nurse: underwater unit | |
| Lee Thomas | .... | assistant: Matthew Justice | |
| Shirley-Anne Tulloch | .... | production assistant | |
| Hamish Walker | .... | representative: Glasgow Film Finance | |
| Sarah Wells | .... | company accountant: Sigma Films | |
| Jenny Williams | .... | representative: Glasgow Film Finance | |
| Paul Zieleniec | .... | assistant production accountant: pick-up unit | |
| Piers Gielgud | .... | choreographer (uncredited) | |
Merci | |||
| Jessica Weetch | .... | thanks | |
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| Boy A | Bad Timing | Young Adam | The Last Picture Show | Eyes Wide Shut |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb UK section | Add this title to MyMovies |
This is one of the overlooked gems of indie cinema that make you happy to find it.
Our friend Hallam Foe is a Scottish youth, upset over the suicide of his mother and the ascendancy of his stepmother. After various confrontations in his home town, mostly brought on by spying on the locals, he flees to London and begins a stalker type of romance with a hotel worker who looks like his deceased mother.
The charm of this movie is in the witty dialog, Hallam's unexpected cleverness, and his determination to confront his own issues. Even though his actions would be somewhat creepy in an older or less charming person, you can sympathize with him and hope that he somehow manages to cope with life in the big city. The film starts out kind of slow and confused but gets together about 30 minutes in and becomes clear. The ending is especially good, being just about what you would expect to happen in real life.
There is a real overtone of romance in this movie, making it a good date film, and a couple of clever sex scenes that are graphic without being explicit: there isn't much skin on display, but what's going on is obviously no-holds-barred humping.
Guys will like this film for Hallam's cleverness and determination, girls will like it for the offbeat romance, and everyone will groove to it for the quirkiness. See it, you'll be happy you did.