| Videos |
| Leonor Silveira | ... | Alfreda | |
| Ricardo Trêpa | ... | José Luciano / Touro Azul | |
| Luís Miguel Cintra | ... | Filipe Quinta | |
| Leonor Baldaque | ... | Vicenta / Abril | |
| Glória de Matos | ... | Nurse Hilda | |
| Isabel Ruth | ... | Celsa Adelaide | |
| Adelaide Teixeira | ... | Queta | |
| Diogo Dória | ... | Police Comissioner | |
| José Wallenstein | ... | Américo | |
| Maestro Atalaya | ... | Prof. Oboé | |
| P. João Marques | ... | Priest Feliciano (as Padre João Marques) | |
| Marisa Paredes | ... | Monja | |
| Michel Piccoli | ... | Prof. Heschel | |
| Lima Duarte | ... | Priest Clodel | |
| Eugénia Cunha | ... | Costureira (seamstress) | |
| João Alves | ... | Noémia's daughter | |
| Filipa de Almeida | ... | Alfreda (as Filipa Almeida) | |
| Pedro Lopes | ... | Musician | |
| Maria Castro | ... | Musician | |
| Vera Ferreira | ... | Musician | |
| Daniela Costa | ... | Musician | |
| Joana Costa | ... | Musician | |
| Duarte de Almeida | ... | Bahia (Alfreda's husband) | |
| Susana Sá | ... | Noémia | |
| Rogério Vieira | ... | Warden | |
| David Cardoso | ... | Flórido |
Réalisé par | |||
| Manoel de Oliveira | |||
Scénaristes | ||
| Agustina Bessa-Luís | (novel) | |
| Manoel de Oliveira | (adaptation and dialogue) | |
Produit par | |||
| Miguel Cadilhe | .... | producer | |
Image | |||
| Renato Berta | |||
Montage | |||
| Valérie Loiseleux | |||
Maquillage | |||
| Ana Ferreira | .... | hair stylist | |
| Emmanuelle Fèvre | .... | makeup artist | |
Directeur de production | |||
| Joaquim Carvalho | .... | production manager | |
| Shuki Friedman | .... | production manager | |
| Manlio Roseano | .... | production manager | |
| Teresa Sampaio | .... | assistant production manager | |
Assistant réalisateur | |||
| Paulo Guilherme | .... | first assistant director | |
| Ângela Sequeira | .... | second assistant director | |
Département Art | |||
| Fernando Areal | .... | property master | |
Technicien du son | |||
| Mikaël Barre | .... | sound editor | |
| Pascal Chauvin | .... | foley artist | |
| Eric Ferret | .... | foley mixer | |
| Jean-Pierre Laforce | .... | sound mixer | |
| Ricardo Leal | .... | boom operator | |
| Henri Maïkoff | .... | sound | |
| Frank Mettre | .... | sound re-recording mixer | |
| Franck Tassel | .... | assistant foley artist | |
Caméra et Département Electrique | |||
| Joaquim Antunes | .... | key grip | |
| José Coimbra | .... | machinist | |
| Miguel Efe | .... | key grip | |
| Hugo Espirito Santo | .... | electrician (as Hugo Santo) | |
| Fernando Gomes | .... | key electrician | |
| Francisco Oliveira | .... | assistant camera | |
| Pedro Pereira | .... | electrician | |
| Jean-Paul Toraille | .... | assistant camera | |
Département Costume et garde-Robe | |||
| Piedade Antunes | .... | costumer | |
| Arlete Campos | .... | costumer | |
Dpartement Editorial | |||
| Ana de Lurdes | .... | negative cutter (as Ana de Lourdes) | |
| Catherine Krassovsky | .... | assistant editor | |
| Loïc Lallemand | .... | supervising editor | |
| Dora Rolim | .... | colorist | |
Divers | |||
| Joana Bastos | .... | production assistant | |
| Júlia Buisel | .... | script supervisor | |
| Dorit Kfir | .... | production co-ordinator (as Dorina Kfir) | |
| Teresa Leal | .... | production assistant | |
| Luís Souto | .... | financial director | |
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| Boy A | The Notebook | Giant | Privilege | The Phantom of the Opera |
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb Portugal section | Add this title to MyMovies |
This was part of a 2 film retrospective (for lack of a better term) at the Anthology Film Archives in NYC of recent works by Manoel de Oliveira (the other film was The Fifth Empire-Yesterday as Today). This is the better of the two films. This one has one of the more surreal plots of any de Oliveira film. It concerns itself with a rich woman (played by Leonor Silveira, a mainstay in Manoel's films) who has a strong desire to witness the Virgin Mary. 2 con men (one of whom has been just released from jail and the other is trying to go "clean", but doesn't seem to be trying too hard) devise a scheme to milk her out of some money and hire a local girl to portray the Virgin Mary for her. The plot here is actually quite funny, and this is one of de Oliveira's most surreal, touching, and beguiling films. The performances are all first rate, and the film has a wonderful, languid pacing to it (like most of Manoel's films). There is even a strange, dreamlike scene that takes "place" in Venice. It looks like a projection mistake when I first saw it, but then realised it was supposed to look like that, it made a sort of unique sense. I was rather disappointed at the crowds for these films (there was only 10 people in the audience for Magic Mirror, only 6 for The Fifth Empire), but I stayed for the duration of both films. I'm glad I'm did. Much of Manoel's work is not on DVD, but if you get a chance to see any of his work, please do. Even his minor films (like Party) are pretty good.