United 93 (2006)

Note Générale:

7,9/10   

Réalisateur:

Paul Greengrass

Scénariste (WGA):

Paul Greengrass (written by)

Date de sortie:

28 avril 2006 (USA)

Genre:

Crime | Drame | Histoire

Accroche:

September 11, 2001. Four planes were hijacked. Three of them reached their target. This is the story of the fourth.

Intrigue:

A real time account of the events on United Flight 93, one of the planes hijacked on 9/11 that crashed near Shanksville, Pennsylvania when passengers foiled the terrorist plot.

Plot Keywords:

Passenger | Flight | Terrorist | September 11 2001 | Hijacker

Récompenses:

Nominated for 2 Oscars. Another 21 wins & 17 nominations

Avis des utilisateurs:

A powerful, tasteful and important film...

Ensemble

J.J. Johnson	...	Captain Jason Dahl
Gary Commock	...	First Officer LeRoy Homer
Polly Adams	...	Deborah Welsh
Opal Alladin	...	CeeCee Lyles
Starla Benford	...	Wanda Anita Green
Trish Gates	...	Sandra Bradshaw
Nancy McDoniel	...	Lorraine G. Bay
David Alan Basche	...	Todd Beamer
Richard Bekins	...	William Joseph Cashman
Susan Blommaert	...	Jane Folger
Ray Charleson	...	Joseph DeLuca
Christian Clemenson	...	Thomas E. Burnett, Jr.
Liza Colón-Zayas	...	Waleska Martinez
Lorna Dallas	...	Linda Gronlund
Denny Dillon	...	Colleen Fraser

Autre(s) titre(s):

Flight 93 (USA) (working title)
United 93 (USA)
Vol 93 (France)

MPAA:

Rated R for language, and some intense sequences of terror and violence (appeal planned).

Durée:

111 min

Pays:

France | UK | USA

Langue:

Anglais | Arabe | Allemand

Couleur:

Couleur

Rapport de forme:

2,35 : 1

Son:

Dolby Digital | DTS | SDDS

Classification:

UK:15 | Finland:K-15 | USA:R (certificate #41676) | Germany:12 | Ireland:15A | Switzerland:12 (canton of Vaud) | Switzerland:12 (canton of Geneva) | Italy:T | Singapore:M18 | Canada:13+ (Quebec) | Canada:14A (Alberta/British Columbia/Manitoba/Ontario) | Hong Kong:IIA | Sweden:15 | Norway:15 | Argentina:13 | Philippines:R-13 | Malaysia:(Banned) | Australia:M | Iceland:14 | Portugal:M/12 | Denmark:15 | South Korea:15 | Spain:13 | Brazil:14

Lieux de tournage:

Boston, Massachusetts, USA

Société:

Universal Pictures

Anecdotes:

Almost none of the passengers in the film are referred to by their names. Their identities remain anonymous, emphasizing the group effort over any individual heroics (and also portraying the fact that strangers on an airplane would not know one another's names).

Goofs:

Continuité: In the Boston ATC sequence, the radar screen shows American 11 at a flight level of 350 (35,000 ft). This alternates with a flight level of 310 between shots.

Guillemet:

[first lines]
Ahmed Al Haznawi: [subtitled Arabic] Ziad. It's time.

Connexions:

figure dans Playing Columbine (2008)

A powerful, tasteful and important film...

I saw this at a special screening. I have not stopped thinking about it since. A emotional and powerful film that I will remember forever. I can't fault anyone who doesn't want to see this film. But please put to rest any fears that this film was made purely to turn a profit and serves no purpose.

For all those who were afraid that this film would be exploitive, propaganda filled Hollywood schlock, I'm sorry to say that could not be farther from the truth.

Though for the most part I'm still at a loss for words I'll do my best to give you a short and sweet overview.

Paul Greengrass has done the seemingly impossible by making a Hollywood film about this subject everyone is afraid to touch, but made it in such a way that it's hard to find fault, despite everyone's initial misgivings. No 'rah rah' patriotism. No veiled political stances. No cartoonish villains. No making the enemy sympathetic. Just a brilliantly executed look at what did happen and what 'might' have happened on that fateful day.

What makes it more effective is that all throughout you don't recognize any of the actors. They may as well be "real people". You're never thinking to yourself, 'oh that's Nicolas Cage', conscious of the fact that it's acting. And come to find out, many of the air traffic controllers and military personnel are playing themselves! This makes it all the more real and draws you in and takes you back to that day.

And when the passengers decide to fight back? There's no swelling of violins or slow motion shots. They don't have a rallying cry or 'lets do it for Uncle Sam' type speech to motivate everyone. No, these passengers were reacting spontaneously to the situation as it played out and were acting on their survival instinct. You can't help but think how you would react in that situation and makes it all the more compelling and powerful.

I won't say this film is for everyone. It IS hard to watch at times. But I'm so glad I did see it. Very cathartic in a way. And trust me, this film couldn't have been done in a more professional, classy way. This feels genuine; of course they are going to 'profit' off it, but you get the sense that the filmmakers and everyone involved poured their hearts into this project and did this to tell a story. A more dignified and heroic story I don't think I've ever seen.