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Jeffrey Blitz (written by)
28 septembre 2007 (UK) suite
Life is faster done than said.
Looking for answers to life's big questions, a stuttering boy joins his high school debate team. full summary | add synopsis
1 win & 6 nominations suite
A Movie Set During That Oft-Overlooked Period In Life plus de (44 total)
| Nicholas D'Agosto | ... | Ben Wekselbaum | |
| Anna Kendrick | ... | Ginny Ryerson | |
| Utkarsh Ambudkar | ... | Ram | |
| Candace Scholz | ... | Townsend Prep Debater (as Candace Burr Scholz) | |
| Margo Martindale | ... | Coach Lumbly | |
| Reece Thompson | ... | Hal Hefner (as Reece Daniel Thompson) | |
| Vincent Piazza | ... | Earl Hefner | |
| Denis O'Hare | ... | Doyle Hefner | |
| Lisbeth Bartlett | ... | Juliet Hefner | |
| Aaron Yoo | ... | Heston | |
| Virginia Frank | ... | English Teacher | |
| Marilyn Yoblick | ... | Plainsboro Lunch Lady | |
| Maury Ginsberg | ... | Mr. Lewinsky | |
| Emily Ginnona | ... | Honoria | |
| Dionne Audain | ... | Abraham Lincoln | |
| Dan DeLuca | ... | Stephen Douglas | |
| Michael Kusnir | ... | Flemming | |
| Steve Park | ... | Judge Pete (as Stephen Park) | |
| John Patrick Barry | ... | Gym Teacher | |
| Josh Kay | ... | Lewis Garrles | |
| Jane Beard | ... | Fern Garrles | |
| Herb Merrick | ... | Lewiss Dad | |
| Carol Florence | ... | Connie Ryerson (as Carol A. Florence) | |
| Jonah Hill | ... | Junior Philosopher | |
| Betsy Hogg | ... | Crystal Hamish-Steinberg | |
| Brandon Thane Wilson | ... | Phillip | |
| Zack Arrington | ... | Plainsboro Debate Team | |
| Jaime Chicas | ... | Plainsboro Debate Team | |
| Katrina Hargrave | ... | Plainsboro Debate Team | |
| Erin Loube | ... | Plainsboro Debate Team | |
| Natasha Sattler | ... | Plainsboro Debate Team | |
| Will Shaw | ... | Plainsboro Debate Team | |
| Jeffrey Wei | ... | Plainsboro Debate Team | |
| David DeBoy | ... | Frank Ryerson | |
| Andrew Collie | ... | Hazlet Timer | |
| Huong D. Nguyen | ... | Lewinsky's Girlfriend (as Huong Huyuh) | |
| Katherine Ross Wolfe | ... | Glen Rock Debater | |
| Susan Duvall | ... | Hazlet Lunch Lady (as Susan 'Tootsie' Duball) | |
| Elisabeth Noone | ... | Hazlet Coach | |
| Noah Mazaika | ... | Trophy Presenter #1 | |
| Will Parquette | ... | Trophy Presenter #2 | |
| Tara Richter-Smith | ... | Babysitter | |
| Judy Jean Berns | ... | Townsend Prep Receptionist | |
| Jeanette Brox | ... | Townsend Prep Bad Girl | |
| Roland Gomez | ... | Luis (as Roland Branford Gomez) | |
| Lee R. Sellars | ... | New Jersey Debate Official (as Lee Sellars) | |
| Joel Garland | ... | Pizza Server (as Joel Marsh Garland) | |
| Dan Cashman | ... | Narrator (voice) | |
| reste de la distribution par ordre alphabétique: | |||
| Dave Cooperman | ... | Contest Judge (uncredited) | |
| Justin Mather | ... | Morristown Debater (uncredited) | |
| Chelsea O'Toole | ... | Student (uncredited) | |
Réalisé par | |||
| Jeffrey Blitz | |||
Scénaristes(WGA) | ||
| Jeffrey Blitz | (written by) | |
Produit par | |||
| Effie Brown | .... | producer (as Effie T. Brown) | |
| Nicole Colombie | .... | line producer | |
| Sean Welch | .... | producer | |
Image | |||
| Jo Willems | (director of photography) | ||
Montage | |||
| Yana Gorskaya | |||
Distribution des rôles | |||
| Matthew Lessall | |||
Création des décors | |||
| Rick Butler | |||
Direction artistique | |||
| Halina Gebarowicz | |||
Décorateur de plateau | |||
| Jay Klein | |||
Création des costumes | |||
| Ernesto Martinez | |||
Maquillage | |||
| Ardis Cohen | .... | assistant hair stylist | |
| Janice Kinigopoulos | .... | key hair stylist | |
| Ngozi Olandu | .... | assistant makeup artist | |
| Debi Young | .... | key makeup artist | |
| Sherri Bramlett | .... | additional hair stylist (uncredited) | |
| Sandra Linn Koepper | .... | additional makeup artist (uncredited) | |
| Rosemary Lawrence | .... | key makeup artist: Los Angeles (uncredited) | |
| Janice Tunnell | .... | additional makeup artist (uncredited) | |
| Sherri Zebeck | .... | additional makeup artist (uncredited) | |
Directeur de production | |||
| Effie Brown | .... | unit production manager (as Effie T. Brown) | |
| Jean Chien | .... | production supervisor: second unit | |
| Janet Fries Eckholm | .... | post-production supervisor | |
| Scott Michael Nabat | .... | post-production supervisor (as Scott Nabat) | |
| George Norfleet | .... | production supervisor | |
| Dave Willis | .... | production supervisor | |
Assistant réalisateur | |||
| Timothy Blockburger | .... | second second assistant director | |
| Stuart B. Hagen | .... | second assistant director (as Stuart Hagen) | |
| Van Hayden | .... | first assistant director | |
| Alexander James | .... | additional second assistant director | |
| Traci M. Lewis | .... | second assistant director (as Traci Lewis) | |
| John O'Rourke | .... | first assistant director: second unit | |
| Xanthus Valan | .... | second second assistant director | |
| Dennis Burrell | .... | second assistant director: second unit (uncredited) | |
Département Art | |||
| David Beach | .... | construction coordinator | |
| Jennie Bell | .... | charge scenic (as Jennie M. Bell) | |
| Erik Boring | .... | lead man | |
| Ryan Braun | .... | storyboard artist | |
| Niamh Butler | .... | additional artwork | |
| Scott Canfield | .... | leadman: second unit | |
| Carl Catanese | .... | set decoration buyer | |
| Richard Crandall | .... | charge scenic | |
| F. Dale Davis | .... | swing | |
| Phaedra Eason | .... | swing gang: U.S. | |
| John Fulcher | .... | swing | |
| Susanna Glattly | .... | charge scenic | |
| Peter Gottlieb | .... | swing | |
| Candi Guterres | .... | production designer: second unit | |
| Autumn Jones | .... | charge scenic: second unit | |
| Wayne 'Spider' Kehs | .... | greens person (as Spider Wayne Kehs) | |
| Kristina Kilpe | .... | assistant property master | |
| Donna Kurtinecz | .... | additional props | |
| Jim McPherson | .... | on-set dresser (as James McPherson) | |
| Sayaka Nagata | .... | art department production assistant: second unit | |
| Gregory D. Neumunz | .... | set dresser: second unit (as Gregory Neumunz) | |
| Dawson Nolley | .... | art department coordinator | |
| Bobby Raber | .... | scenic | |
| Jennie Hill Robinson | .... | greens person | |
| Heather Rounds | .... | additional artwork | |
| Craig Lee Schuman | .... | scenic | |
| Claire Sharp | .... | scenic | |
| Bob Spore | .... | set dresser | |
| Lisa Tong | .... | set decorator: second unit | |
| Azhriaz Vanashta | .... | scenic | |
| Jason Wicksell | .... | swing | |
| Michael Sabo | .... | property master (uncredited) | |
Effets spéciaux | |||
| Hank Atterbury | .... | special effects coordinator (as Henry S. Atterbury) | |
| Thomas F. Lombardi | .... | effects crew (uncredited) | |
Visual Effects | |||
| Vanessa Cheung | .... | matte painter: Momentum VFX | |
| Kenneth Nakada | .... | visual effects supervisor: Momentum VFX | |
Cascadeur | |||
| Gene Harrison | .... | stunt coordinator (as Roy Eugene Harrison) | |
| Joanna Shelmidine | .... | stunt double: Reese Thompson | |
| Manny Siverio | .... | stunt coordinator | |
| Joanna Shelmidine | .... | stunt double (uncredited) | |
Département Casting | |||
| Valerie Battenfeld | .... | extras casting | |
| Kim Burns | .... | extras casting | |
| Jeffrey Gafner | .... | casting assistant | |
| Nina Henninger | .... | additional casting: San Francisco | |
| Nadia Lubbe | .... | casting associate: New York | |
| Ellyn Long Marshall | .... | additional casting: New York, Orpheus Casting Group (as Ellyn Marshall) | |
| Maria E. Nelson | .... | additional casting: New York, Orpheus Casting Group (as Maria Nrlson) | |
| Carolyn Pickman | .... | additional casting: Boston | |
| Lynn Reinstein | .... | casting associate: Los Angeles | |
| Betsy Royall | .... | additional casting: Baltimore | |
| Terri Douglas | .... | adr group voice casting (uncredited) | |
| Megann Ratzow | .... | additional casting: Oregon (uncredited) | |
Département Costume et garde-Robe | |||
| Lori Ayala-Read | .... | costume supervisor | |
| Linda M. Boyland | .... | additional costumer | |
| Donna D. Casey | .... | set costumer: second unit (as Donna Casey) | |
| Stephanie Fox | .... | additional costumer: Hawaii | |
| Amanda Johnson | .... | wardrobe assistant | |
| Joan M. Lynch | .... | additional costumer | |
| Amanda Sroka | .... | set costumer | |
| Samuel Stewart | .... | key costumer | |
Dpartement Editorial | |||
| Dan Aguilar | .... | digital intermediate editor | |
| Steve Aguilar | .... | digital intermediate senior conform artist: Encore Hollywood | |
| Jon Howard | .... | digital intermediate assistant: Encore Hollywood | |
| Jennifer Martinez | .... | assistant editor | |
| Maureen O'Connor | .... | digital intermediate producer: Encore Hollywood | |
| Steve Porter | .... | colorist: Encore Hollywood | |
| Chris Regan | .... | color timer: lab | |
| Justin Sanchez | .... | digital intermediate data i/o: Encore Hollywood | |
| Martha Shane | .... | editing intern | |
Département Musique | |||
| Roy Agee | .... | musician: trombone | |
| Eef Barzelay | .... | music producer | |
| Ray Espinola Jr. | .... | associate music supervisor | |
| Tony Harrell | .... | musician: accordion | |
| Evyen Klean | .... | music producer (as Evyn J. Klean) | |
| Evyen Klean | .... | music supervisor (as Evyen J. Klean) | |
| Bill Knopf | .... | banjo coach | |
| Janet Lopez | .... | music coordinator | |
| Benjamin Martin | .... | musician: drums | |
| Sam Matthews | .... | cello coach | |
| Mike Mehesan | .... | music editor | |
| Jennifer Reeve | .... | music coordinator | |
| Brad Segal | .... | music arranger | |
| Brad Segal | .... | music editor | |
| Brad Segal | .... | orchestrator | |
| Mike Mehesan | .... | score mixer (uncredited) | |
Département Transport | |||
| Charles E. Bauer | .... | driver | |
| Vincent J. Gargiulo | .... | driver (as Vincent J. Guariglia Jr.) | |
| Daniel A. Hirsch | .... | driver | |
| James Daniel Hubbard | .... | driver (as James Hubbard) | |
| Greg Jacobs | .... | driver | |
| Frank R. Matkins | .... | driver | |
| David Myers | .... | driver | |
| Sandra Ninham | .... | transportation coordinator | |
| Robert Phillips | .... | driver | |
| Francis Raimondo | .... | transportation co-captain (as Francis Anthony Raimond) | |
| Salvatore A. Raimond | .... | driver (as Sal Raimond) | |
| Larry Sinclair | .... | driver | |
| Ronald Smith | .... | transportation captain | |
| David G. Todd | .... | production van operator | |
| John C. Watkins Sr. | .... | driver | |
| Bruce Zamzow | .... | driver | |
| Eli Lozano | .... | driver (uncredited) | |
| Michael Luckeroth | .... | driver (uncredited) | |
Divers | |||
| Justin Ambrosino | .... | production assistant: second unit | |
| Richard Baker | .... | set intern (as Richard W. Baker) | |
| Cori Barrett | .... | set intern | |
| Denise A. Beale | .... | production office coordinator (as Denise Ann Beale) | |
| Brian Bitner | .... | debate coach | |
| Shawn Blake | .... | set production assistant | |
| Caren Bortz | .... | set intern | |
| Ryan Braun | .... | production office intern | |
| Jane Burka | .... | script supervisor (as Jane Leslie Burka) | |
| Cortney Burk | .... | first assistant accountant | |
| Jennifer M. Byrne | .... | post-production accountant | |
| Joan Devilla | .... | payroll accountant (as Joan DeVilla) | |
| Melissa Dunn | .... | production office intern | |
| Rebecca Durivage-Jacobs | .... | set intern | |
| Stephanie Jean Elmer | .... | second assistant accountant (as Stephanie Elmer) | |
| Caprice Ericson | .... | location scout | |
| Amanda Faison | .... | set production assistant | |
| Michael Faulkner | .... | location manager (as Michael R. Faulkner) | |
| Ben Feldman | .... | production legal services | |
| Chris Flynn | .... | office production assistant | |
| Christopher Geair | .... | location scout | |
| Vikki Jackson | .... | assistant: Effie Brown | |
| Jeff Johnson | .... | set medic | |
| Douglas M. Jones | .... | set production assistant (as Doug Jones) | |
| Krysten Klipa | .... | craft service assistant | |
| Donna Kurtinecz | .... | animal wrangler | |
| Candace Leake | .... | office production assistant | |
| Andre Lee | .... | clearance coordinator (as André Robert Lee) | |
| Wellington Love | .... | publicist: Baltimore | |
| Mary Ann Mack | .... | craft service assistant | |
| Wendy McAllister | .... | assistant production coordinator | |
| Asa McCall | .... | set production assistant | |
| Pleze Moore | .... | production assistant: Los Angeles (as Pleze E. Moore) | |
| Elena Moscatt | .... | craft service | |
| George Nicholis | .... | film publicist | |
| Joy Phillips | .... | electronic press kit director/producer | |
| Jennifer Quesenbery | .... | assistant location manager: second unit | |
| Emily Rice | .... | post-production accountant | |
| Dr. Tommy Robinson | .... | stuttering coach | |
| Matt Ryb | .... | assistant: Jeffrey Blitz (as Matt Rybczynski) | |
| Joan Scheckel | .... | workshop development: The Joan Scheckel Lab | |
| Catherine Schuler | .... | assistant: Effie Brown | |
| Josh Slates | .... | assistant location manager | |
| Brendan Stephan | .... | locations production assistant: second unit | |
| Shane Tunney | .... | location assistant | |
| Fiona Walsh | .... | production assistant: Los Angeles | |
| Joe Waschak | .... | production office intern | |
| Angel Williams | .... | production office intern | |
| Amy Willis | .... | location production assistant | |
| Derek Yip | .... | production accountant | |
| Rehya Young | .... | location manager | |
| Dan Carlin-Weber | .... | production assistant (uncredited) | |
| Allison Curren | .... | script supervisor (uncredited) | |
| Jacq Donegan | .... | assistant accountant: pre-production (uncredited) | |
| Thomas L. Ferguson | .... | intern (uncredited) | |
| Miriam Laurence | .... | dialect coach: pre-production (uncredited) | |
| Catherine A. McCabe | .... | production coordinator: additional photography (uncredited) | |
| Jason Neudecker | .... | set production assistant: additional photography (uncredited) | |
| Kelley Sims | .... | assistant post-production accountant (uncredited) | |
Rated R for some sexual content and language.
101 min
1,85 : 1 suite
USA:R | Ireland:15A | Norway:10 (TV rating)
The drink that Hal takes from his brothers' room and gets drunk on is Herradura Reposado tequila. suite
Erreurs dans la géographie: When Hal first enters the Luis Dry Cleaners in "Trenton," a Baltimore City Police van drives past behind him. suite
Ben Wekselbaum: The fights you fight today are the fights you fight until you die. suite
Blister In The Sun suite
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| The Ice Storm | Across the Universe | Notes on a Scandal | Starter for 10 | Mysterious Skin |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Comedie section | IMDb USA section | Add this title to MyMovies |
Rocket Science is essentially a movie about a boy who discovers his worth and abilities throughout his furious campaign for his dreams. The film's mood pushes the limit of tongue- in-cheek, and it is certainly felt as a comedy because after all, the premise is a stuttering boy joining a debate team, but despite all the hilarious non sequiturs and plot-driven laughs, I take that essential theme to heart. Hal Heffner is an innocently gawky young high school kid, portrayed in a should-be career-making performance by Reece Thompson, who has a severe stuttering problem and experiences a change of events that he finds to have had a tempestuous emotional effect on him that I'm just dying to give away but won't. From this point on, we share those emotions, because it's nearly impossible not to throw in all your chips for this kid. The reason is because growing up, frankly, is hard. Once one has done it, one doesn't feel like it was as hard as it was, but at the time, it most definitely was. Watching this film, we watch this naive stuttering boy crippled by inhibitions and shyness mature, reaching the extremes of anger, confusion, love, intellectual growth, and introspection.
There are plenty of movies about high school, and they're full of comeuppance, humor targeted for that age, discovery of sex, et cetera, but there is very very rarely a movie like Rocket Science, a movie about that particular time in your life when you were just growing into yourself and you didn't even know it, and you hardly look back at that time because of the unawareness of self at that point and, hopefully, the growth since then. This is an important little film that, though it isn't receiving the attention I feel it would and should get with a wider and longer release, time will be kind to, with great hope.