Seraphim Falls (2006)

Note des utilisateurs:

6.9/10   

Réalisateur:

David Von Ancken

Writers:

David Von Ancken (written by) &
Abby Everett Jaques (written by)

Release Date:

13 avril 2007 (Taiwan)

Genre:

Drame | Thriller | War | Western

Accroche:

Never turn your back on the past.

Plot:

At the end of the Civil War, a colonel hunts down a man with whom he has a grudge.

Plot Keywords:

Knife | Spit In The Face | Shot In The Arm | Burning House | Knife Throwing

Awards:

1 win & 1 nomination

Avis des utilisateurs:

Powerful but misdirected

US TV Schedule:

Sun. July 12

6:30 PM

HALMRK

Ensemble

Liam Neeson	...	Carver
Pierce Brosnan	...	Gideon
Michael Wincott	...	Hayes
Xander Berkeley	...	Railroad Foreman
Ed Lauter	...	Parsons
Tom Noonan	...	Minister Abraham
Kevin J. O'Connor	...	Henry
John Robinson	...	Kid
Anjelica Huston	...	Madame Louise
Angie Harmon	...	Rose
Robert Baker	...	Pope
Wes Studi	...	Charon (as Wes Studie)
Jimmi Simpson	...	Big Brother
James Jordan	...	Little Brother
Nate Mooney	...	Cousin Bill

MPAA:

Rated R for violence and brief language.

Durée:

115 min

Pays:

USA

Langue:

Anglais

Couleur:

Couleur

Aspect Ratio:

2.35 : 1

Son:

Dolby Digital

Classification:

Ireland:15A | USA:R (certificate #40880) | UK:15 | Germany:16 | Finland:K-15 | Singapore:NC-16 | Argentina:13 | Brazil:14 | New Zealand:R16 | Australia:MA | Greece:K

Emplacements De Pelliculage:

Death Valley National Park, California, USA

Company:

Icon Productions

Anecdotes:

Had a 45-day shoot.

Goofs:

Continuity: During the scene where the colonel chases the bank robbers, the weather shifts from overcast to clear blue skies.

Guillemet:

Madame Louise Fair: You men, you always choosing a gun over a remedy.

Movie Connections:

Spoofed in "Family Guy: Prick Up Your Ears (#5.6)" (2006)

Soundtrack:

Stacked Them Up in Piles

Powerful but misdirected

I think you're going to see some very mixed reviews for this film. The tragedy is that it's going to be picked up primarily by fans of westerns, who are looking for shootouts and plots that can be boiled down to "good guys" and "bad guys." Do not go into this movie expecting that.

This is ultimately a revenge story, but not a straightforward or clean-cut one; in this way I would compare it to "Memento" and "The Three Burials of Melquiades Estrada".

It's not clear who we're "supposed" to sympathize with at the beginning. We want to sympathize with the revenge-seeker; but we're told almost nothing about why he wants revenge. As he displays at least as many brutal and mercenary traits as anyone else in the film, we question why we side with him, and realize that we're only inclined to do so because our previous experience with "revenge" stories has programmed us to do so.

But the quarry is far from a sympathetic character as well, and we're torn emotionally on what we want to see happen. That is, until the original tragedy is finally revealed. And I've honestly never seen such a well-conceived scene of this type... the tragedy is heart-rending.

I won't say much more except that as the film goes on, the degree to which it will appeal to fans of literal straightforward westerns decreases significantly. You see, as the film begins, Carver's pursuit of Gideon takes them through various isolated episodes: encounters with various characters. As the film goes on, these encounters become more and more obscurely surreal; the final such encounter seems almost supernatural or fantastic. The writer and director have peeled away the internal reality of the story, and are speaking to us through the form itself. Not something that your average Western viewer is likely to accept or appreciate.

Viewers will come to this film expecting a completely realist story; and that's what they seem to be getting at the beginning of the movie. The viewer is not prepared for this realism to slowly and obscurely fall apart - and while that may be the reason that the film creates such a powerful and somehow creepy experience by the end, the same factor is likely to leave most viewers feeling robbed.

Ultimately this film is definitely worth watching, but may not have enduring appeal to lovers of the traditional Western genre. A note while viewing: pay attention to the theme of loss, and how various possessions of the characters are lost.