| Karra Elejalde | ... | Héctor | |
| Candela Fernández | ... | Clara | |
| Bárbara Goenaga | ... | Chica | |
| Nacho Vigalondo | ... | Chico | |
| Juan Inciarte | ... | Héctor ocasional |
Réalisé par | |||
| Nacho Vigalondo | |||
Scénaristes(in alphabetical order) | ||
| Nacho Vigalondo | writer | |
Musique originale | |||
| Eugenio Mira | |||
Image | |||
| Flavio Martínez Labiano | |||
Montage | |||
| Jose Luis Romeu | |||
Direction artistique | |||
| José Luis Arrizabalaga | |||
| Biaffra | |||
Décorateur de plateau | |||
| Urko Aguirre | |||
| Jaime Gartzia | |||
Création des costumes | |||
| Estíbaliz Markiegi | |||
Maquillage | |||
| Oscar del Monte | .... | special makeup effects supervisor | |
| Nacho Díaz | .... | special makeup effects supervisor | |
| Susana Ibarretxe | .... | makeup artist | |
| Cristina Malillos | .... | special makeup artist | |
Directeur de production | |||
| Marta Galante | .... | assistant production manager | |
| William Welsh | .... | production manager | |
Assistant réalisateur | |||
| José Manuel Benayas | .... | assistant director | |
| Manuel Fernández Pinedo | .... | second assistant director | |
Art Department | |||
| Daniel Izar de la Fuente | .... | props | |
Technicien du son | |||
| Juan Cadenas | .... | boom operator | |
| Manuel Carrión | .... | foley artist | |
| Roberto Fernández | .... | sound designer | |
| Roberto Fernández | .... | sound editor | |
| Asier Gonzalez | .... | sound recordist | |
Effets spéciaux | |||
| Kevin Carter | .... | special effects contact lenses | |
| José M. Meneses | .... | special effects makeup | |
Visual Effects | |||
| Toni Guillen | .... | visual effects | |
| Jesús Luque | .... | visual effects | |
Cascadeur | |||
| Marina de Mendialdúa | .... | stunts | |
| José Manuel Gasca | .... | stunts | |
Camera and Electrical Department | |||
| Miguel Ángel Cárdenas | .... | gaffer | |
| Jon D. Domínguez | .... | camera operator | |
| Jon Elizegui | .... | focus puller | |
| Elías Fernández | .... | electrician | |
| Manuel Gago | .... | electrician | |
| Alberto García | .... | electrician | |
| Félix Guede | .... | electrician | |
| Lorea Méndez | .... | video assistant | |
| Cormac Regan | .... | still photographer | |
Costume and Wardrobe Department | |||
| Barbara Mingo Costales | .... | costume assistant | |
| Charo Diego | .... | costume assistant | |
| Sofía Medem | .... | assistant costume designer | |
Editorial Department | |||
| Ainara Lopez | .... | assistant editor | |
| Ximo Michavila | .... | digital film colorist | |
Divers | |||
| Mónica Acebes | .... | production secretary | |
| Aitor Basterrechea | .... | script supervisor | |
| David Fernández | .... | production assistant | |
| Nahikari Ipiña | .... | production coordinator | |
| Rosa Landaburu | .... | production secretary | |
| Valentina Morillo | .... | assistant co-producer | |
| Jose M. Ortega | .... | production accountant | |
| Miguel Angel Poo | .... | location manager | |
| Javier Rivas | .... | production assistant | |
| Víctor Vergara Luján | .... | web designer: "Los cronocrímenes - El juego" promo game | |
| William Welsh | .... | location manager | |
Thanks | |||
| Arévalo | .... | thanks | |
| Juanma Bajo Ulloa | .... | thanks | |
| Javier Echániz | .... | thanks | |
| M.A. Faura | .... | special thanks | |
| Asier Guerricachevarría | .... | thanks | |
| Álex de la Iglesia | .... | thanks | |
| Javivi | .... | thanks | |
| Alejandro Pérez Blanco | .... | thanks | |
| Koldo Serra | .... | thanks | |
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| Maquinista, El | Primer | Batoru rowaiaru | Vanilla Sky | Abre los ojos |
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IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb Spain section | Add this title to MyMovies |
While introducing the movie, director Nacho Vigalondo said that he thought this was the first ever Spanish time-travel movie. More accurately, this was the first Spanish bigger-budget variation of Sundance 2005's Primer.
Hector appears to be living a happy and contented life in their new house with his pretty and affectionate wife Clara, when one day he spies through his binoculars a woman in the woods in the act of undressing. When Clara leaves, Hector goes off to investigate. And there the fun begins, as Hector's quest thrusts him into an adventure that includes the discovery of a time machine, and a dogged quest to unravel its effects.
If you like mind game movies like Memento, Proof or the even harder to follow Primer, then Time Crimes will have some appeal. And while the movie does have some time-twisting inconsistencies, it generally ties the loose ends into a knotty, if not absurd conclusion. The story moves along briskly, requiring intellectual energy to keep up and a forgiving attitude to a few ridiculous devices. Fortunately, there is an occasional and welcome infusion of humor that makes some of the cheesier elements a little easier to swallow. But somehow, the whole thing felt more like a Twilight Zone episode stretched into a feature-length film. Fortunately, like most Twilight Zone episodes, this one had a great ending. I just loved the final shot, which is quaintly ironic, although it will leave some viewers unsatisfied, I am sure.
Sundance Moment: In the post-movie Q&A, Vigalondo said that after shooting his film, he realized what it really wasa love triangle story. My reaction was "Huh? Did I watch the right movie?"