| Photos (see all 43 | slideshow) | Videos (see all 8 videos ) |
| Tim Roth | ... | Dominic | |
| Alexandra Maria Lara | ... | Veronica / Laura | |
| Bruno Ganz | ... | Professor Stanciulescu | |
| André Hennicke | ... | Josef Rudolf | |
| Marcel Iures | ... | Prof. Giuseppe Tucci | |
| Adrian Pintea | ... | Pandit | |
| Alexandra Pirici | ... | Woman in Room 6 | |
| Florin Piersic Jr. | ... | Dr. Gavrila | |
| Zoltan Butuc | ... | Dr. Chirila | |
| Adriana Titieni | ... | Anetta | |
| reste de la distribution par ordre alphabétique: | |||
| Mircea Albulescu | ... | Davidoglu | |
| Dan Astileanu | ... | Professor (as Dan Astilean) | |
| Cristian Balint | ... | Grenzschutz | |
| Dragos Bucur | ... | Bartender | |
| Theodor Danetti | ... | Dr. Neculache | |
| Andrei Gheorghe | ... | Taxi Driver | |
| Roxana Guttman | ... | Gertrude | |
| Dorina Lazar | ... | Cook | |
| Rodica Lazar | ... | Teller | |
| Anamaria Marinca | ... | Hotel Receptionist | |
| Hodorog Anton Mihail | ... | Doru, The Guard | |
| Mihai Niculescu | ... | Vaian | |
| Gelu Nitu | ... | Policeman | |
| Mirela Oprisor | ... | Craita | |
| Alexandru Repan | ... | Dr. Chavannes | |
| Dan Sandulescu | ... | Nicodim | |
| Andi Vasluianu | ... | Intern | |
| Matt Damon | ... | Life Magazine Reporter (uncredited) | |
Réalisé par | |||
| Francis Ford Coppola | |||
Scénaristes(in alphabetical order) | ||
| Francis Ford Coppola | screenplay | |
| Mircea Eliade | novella | |
Produit par | |||
| Francis Ford Coppola | .... | producer | |
| Anahid Nazarian | .... | executive producer | |
| Fred Roos | .... | executive producer | |
| Masa Tsuyuki | .... | associate producer | |
Musique originale | |||
| Osvaldo Golijov | |||
Image | |||
| Mihai Malaimare Jr. | |||
Montage | |||
| Walter Murch | |||
Distribution des rôles | |||
| Florin Kevorkian | |||
| Karen Lindsay-Stewart | |||
Création des décors | |||
| Calin Papura | |||
Direction artistique | |||
| Ruxandra Ionica | |||
| Mircea Onisoru | |||
Décorateur de plateau | |||
| Adi Popa | |||
| Adrian Popa | |||
Création des costumes | |||
| Gloria Papura | |||
Maquillage | |||
| Barrie Gower | .... | prosthetic makeup sculptor | |
| Peter King | .... | hair designer | |
| Peter King | .... | makeup designer | |
| Dana Roseanu | .... | makeup artist | |
| Domnica Sava | .... | hair stylist | |
| Jeremy Woodhead | .... | hair designer | |
| Jeremy Woodhead | .... | makeup designer | |
Directeur de production | |||
| Diona Dragnea | .... | production manager (as Doina Dragnea) | |
| Adriana Rotaru | .... | production manager | |
Art Department | |||
| Gabriel Bucur | .... | set dresser: Romania | |
| Adi Iancu | .... | stand-by props: Romania | |
| Iasar Memedali | .... | property buyer: Romania | |
| Adi Popa | .... | property master: Romania | |
| Dora Somova | .... | stand-by props: Bulgaria | |
Technicien du son | |||
| Mihai Bogos | .... | sound recordist | |
| Viorel Dobre | .... | adr recordist | |
| Alex Dragomir | .... | dialogue editor | |
| Kim Foscato | .... | sound effects editor | |
| Ivan Fritz | .... | machine room operator | |
| Pete Horner | .... | sound designer | |
| Pete Horner | .... | sound re-recording mixer | |
| Robert Knox | .... | sound re-recording consultant | |
| Zach Martin | .... | sound mix technician | |
| Matei Mircea | .... | boom operator | |
| Walter Murch | .... | sound re-recording mixer | |
| John Nutt | .... | dialogue editor | |
| Victor Panfilov | .... | sound effects editor | |
| Horea Alexandru Pascu | .... | assistant sound | |
| Gene Radzik | .... | sound consultant | |
| Vadim Staver | .... | foley artist | |
Effets spéciaux | |||
| Liviu Gherghe | .... | special effects assistant | |
Visual Effects | |||
| Kevin Bailey | .... | additional visual effects (as Kevin N. Bailey) | |
| Patrik Bergman | .... | digital effects artist | |
| Ales Dlabac | .... | CG artist | |
| Roland Friedrich | .... | flame artist | |
| Miro Gal | .... | Flame artist | |
| Jan Heusler | .... | digital compositor | |
| Tomas Kalhous | .... | digital compositor | |
| Vít Komrzy | .... | visual effects producer | |
| Jirí Linhart | .... | digital effects artist | |
| Petr Masek | .... | digital compositor | |
| Peter Nemec | .... | Flame artist | |
| Peter Nemec | .... | digital effects artist | |
| Peter Nemec | .... | senior flame artist | |
| Vaclav Ondrousek | .... | digital compositor | |
| Jiri Stamfest | .... | matte artist | |
| David Vána | .... | visual effects supervisor | |
| Petr Vcelicka | .... | digital compositor | |
| Jan Vseticek | .... | visual effects coordinator | |
| Kim Wiseman | .... | digital compositor | |
Cascadeur | |||
| Octavian Golgot | .... | stunt coordinator | |
| Rasvan Puiu | .... | stunt coordinator (as Razvan Puiu) | |
Casting Department | |||
| Liliana Toma | .... | extras casting | |
Costume and Wardrobe Department | |||
| Adina Bucur | .... | costume supervisor | |
| Mariana Pall | .... | assistant costume designer | |
Editorial Department | |||
| Kevin Bailey | .... | assistant editor (as Kevin N. Bailey) | |
| Sean Cullen | .... | associate editor | |
| Andrei Dascalescu | .... | assistant editor | |
| Jim Passon | .... | color timer | |
| Mike Sowa | .... | digital intermediate colorist | |
| Corina Stavila | .... | associate editor | |
Music Department | |||
| Jeremy Flower | .... | music constructions | |
| Petru Margineanu | .... | music recording supervisor | |
| Michael Pärt | .... | music editor | |
| Mihai Suteu | .... | music recording engineer | |
| Attila Tõzsér | .... | music editor | |
| Lev Zhurbin | .... | additional orchestrator | |
| Lev Zhurbin | .... | music preparation | |
Transportation Department | |||
| Vasile Anghel | .... | transportation coordinator | |
Divers | |||
| Adrian Codoi | .... | location manager | |
| Jennifer Furches | .... | script supervisor: second unit | |
| Alexandru Iures | .... | assistant: Francis Ford Coppola | |
| Oana Marian | .... | assistant: Tim Roth | |
| James T. Mockoski | .... | archivist | |
| Marian Moldoveanu | .... | location manager | |
| Ioana Ofileanu | .... | office production assistant | |
| Iulian Pana | .... | location manager | |
| Magda Pintilie | .... | production accountant | |
| Adriana Racasan | .... | assistant: Alexandra Maria Lara | |
| Razvan Secara | .... | extras coordinator | |
| Ioana Stoica | .... | location scout manager | |
| Vasilescu Valentin | .... | horse master | |
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It's been a while since I have written anything for IMDb. "Youth Without Youth" is not only a very personal approach to a barely known novella by Mircea Eliade, but also a homage to Romanian culture and civilization. I felt really good watching a legendary filmmaker like Coppola before the special screening (in Bucharest), walking on the stage and thanking sincerely to the Romanian cast and crew, and in the end, thanking all of us "for Mircea Eliade". I read Eliade's novella some months ago, and I found it difficult and "anti-cinematic", unlike "La tiganci" or other texts of his. "Youth" is, as I saw it, a meditation on time and the relation between human memory and identity. Eliade has been concerned with the theme of "la vita est sueno" (life is dream) for a long time, and his fiction shows it. Coppola also has been preoccupied with time, dreams and memory in his late films like "Peggy Sue", "Dracula" and "Jack". It might seem strange and paradoxical, but beyond the horror clichés and the gory make-ups, one can see lots of formal similarities in "Dracula" and "Youth...". The Italian American director is definitely bound to European Romanticism, and he tried to infuse a lot of new symbols (the mirror, the moon on the bluish night sky, the skull etc) to an already symbol-heavy-loaded narrative. Tim Roth is the ideal choice for the central character (old Dominic Matei that grows young after a lightning stroke). The rest of the numerous cast is composed mainly of Romanian actors, most of which are famous in our country. Iures is known for the international public also, and handles his role elegantly, as usual. Maria Lara is a Romanian-born German actress, playing the role of Dominic Matei's lady friend and lover. The relationship between Dominic and Laura is beautifully developed by Coppola's rewriting of the initial novella. Near the end of the film, there is a moment (shot in Malta) where Dominic decides to break away from Laura, because of the dreadful effects of his supernatural youth on her physical condition. Both actors are impressive in this delicate scene.
This film was, all in all, a pleasant surprise for me. I was expecting a more Hollywood-ish speculative and commercial-oriented style. Anyway, I personally (still) think the D.P. and the photographic department in general was overwhelmed by the magnitude of this project. Coppola should of thought more deeply about his choice, because Mihai Malaimare Jr. (the D.P.) and digital imagery was simply not enough ! It took over 2 years to complete this film anyway, so why didn't he use film instead of digital mediums? Was money really a problem here? Maybe Roth asked for a big fee, I don't know. This film won't be appreciated by a wide audience, because Eliade's literature is very special and restrictive (you need to fancy Romanian folklore and oriental philosophies in order to get into this). In fact, Eliade's novella was clearly inspired (as the main title shows) by one of the most beautiful and profound fairy-tales ever: "Tinerete fara batranete si viata fara de moarte" (hard to translate into English, but it might sound like "Eternal youth and life without death"). Even if you are not Romanian, you should check it out! It will change the way you feel about time and life, the way Eliade changed Coppola from an old mainstream Hollywood director into an arty European film experimenter.