"A teenage summer in a small town in the desert, a dysfunctional family, a rock band, a can full of glue, two boys, one girl, loads of tongue kisses, dry heat, wind in Patagonia, ... See full summary »
A 16-year old Icelandic boy's first kiss with another boy gives him "jitters"--feelings he can't deny. This is a well-written film that captures the confusion and excitement of being a ... See full summary »
Atli Oskar Fjalarsson,
Gísli Örn Garðarsson
Fifteen-year-old Beni falls in love with Fögi, a singer in a Rock band. As Fögi seduces him, Beni is willing to follow him where ever he takes him. But Fögi is a drug addict and pulls Beni ... See full summary »
Urs Peter Halter
Tim is a hungry little boy during the depression era. He suffers from his unemployed violent father and wishes to have a better one. One day he meets Khephir who gives him a shiny blue beetle bug which can eats his father's bad soul....
"A teenage summer in a small town in the desert, a dysfunctional family, a rock band, a can full of glue, two boys, one girl, loads of tongue kisses, dry heat, wind in Patagonia, existential angst... A teenage story in the middle of nowhere." Written by
The film's script consisted of only a 17-page storyline and the majority of acting was improvised around the plot to deliver a certain level of authenticity and youthful awkwardness. See more »
Yesterday I went for a walk to the lake. And I was thinking that the world is huge. And that human nature, the Big Bang when it all exploded, it brought tons of things: the lakes, the mountains, all the animals. And it also brought human beings -
I sound like a school book - but human beings are much more complex. While a tree is just a tree, a person is something more locked off. It's like we're stuck inside the soap opera of life. And we have to live, we don't have a choice. ...
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Although the film does drag in places and there are scenes that really don't connect to the story line (e.g. the camping trip), I'm impressed by the overall coherence of the structure given its improvisational approach. The cast were excellent in portraying the ennui of adolescents in the middle of nowhere (to steal the film's subtitle), and if anything, the acting is understated--a rarity for the form. The cinematography, though, is what really impressed me. Not radically original by any stretch (the opening sequence reminded me of Van Sant), but effective in setting the mood of the piece.
What struck me most is the impressionistic nature of the film and how the fragments coalesce into the whole, which is something that rarely works for me. I'll use this in my creative writing classes to teach this impressionistic approach, but for narrative structure, I must go back to more conventional films, like "Y Tu Mama Tambien."
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