Le serpent (2006)

Note Générale:

6,5/10   

Réalisateur:

Eric Barbier

Scénaristes:

Eric Barbier (writer)
Ted Lewis (novel)

Date de sortie:

10 janvier 2007 (France)

Genre:

Thriller

Accroche:

Vincent's life is being destroyed. Now he must find out why.

Plot Keywords:

Beautiful Woman | Tattoo | Madness | Detective | Photographer

Avis des utilisateurs:

A good Noir Film

Ensemble

Yvan Attal	...	Vincent
Clovis Cornillac	...	Plender
Pierre Richard	...	Cendras
Simon Abkarian	...	Sam
Minna Haapkylä	...	Hélène
Olga Kurylenko	...	Sofia
Gérald Laroche	...	Becker
Jean-Claude Bouillon	...	Max
Veronika Varga	...	Catherine
Pierre Marzin	...	Carbona
reste de la distribution par ordre alphabétique:
Bernard Bolzinger	...	Jean-Paul
Alain Cerrer	...	Médecin Pompier
Catherine Davenier	...	Madame le juge
Ursula Deuker	...	Margritt
Ingrid Donnadieu	...	Réceptionniste Danalogic
Julien Dubois	...	Mathieu
Georges Fracass	...	Policier ami de Max
Janina Gaczol	...	Madame Kolodzé
Carole Gaessler	...	Carole Gaessler
Daniel Isoppo	...	Georges
Patrick Jacquet	...	Policier
Alain Jarrige	...	Franck
Véronique Kapoyan	...	Valérie
Katia Lewkowicz	...	Maître Leroy
Olivier Loustau	...	Policier cimetière
Michaël Moyon	...	Sertis
Eric Naggar	...	Le juge d'instruction
Jordy Serras	...	Responsable marketing
Manon Tournier	...	Juliette
Jürgen Zwingel	...	Paul

Autre(s) titre(s):

The Serpent (UK)
The Snake (International: English title)

Durée:

France:119 min

Pays:

France

Langue:

Français

Couleur:

Couleur

Rapport de forme:

1,85 : 1

Classification:

Switzerland:14 (canton of Vaud) | Switzerland:14 (canton of Geneva) | Finland:K-15 | Ireland:16 | France:U (with warning) | Singapore:M18

Lieux de tournage:

Cergy, Val-d'Oise, France

Société:

Fidélité Productions

A good Noir Film

A short comment to express all the pleasure I've had watching this film. Actors are very good; specially Cornillac who gives a disquieting credibility to his character, but Attal is impressive too in the role of the "not so good" hero. Barbier enjoys to revivify all our inner terrors (dark, death, madness ...) and sets the end of his film in a particularly spooky place. I regret I haven't read the book of which the film is inspired but I am sure the quality of the scenario is no wonder. I am pleased to see that the French can venture in a genre that we leave generally to the American cinema. I hope this film will be received worldwide with all the success it deserves.