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Les témoins (2007)
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Overview
Note des utilisateurs:
Writers:
André Téchiné (scenario, adaptation and dialogue) andLaurent Guyot (scenario, adaptation and dialogue) ...
suite
Release Date:
7 mars 2007 (France) suitePlot:
Paris, 1984: A group of friends contend with the first outbreak of the AIDS epidemic. full summary | full synopsisAwards:
2 wins & 4 nominations suiteAvis des utilisateurs:
Casting agents in effect suiteEnsemble
(Interprètes principaux)| Michel Blanc | ... | Adrien | |
| Emmanuelle Béart | ... | Sarah | |
| Sami Bouajila | ... | Mehdi | |
| Julie Depardieu | ... | Julie | |
| Johan Libéreau | ... | Manu | |
| Constance Dollé | ... | Sandra | |
| Lorenzo Balducci | ... | Steve | |
| Alain Cauchi | ... | Sheriff | |
| reste de la distribution par ordre alphabétique: | |||
| David Barbas | ... | Medhi's colleague | |
| Xavier Beauvois | ... | L'éditeur | |
| Raphaëline Goupilleau | ... | La mère de Julie et Manu | |
| Jacques Nolot | ... | Le patron de l'hôtel | |
| Maïa Simon | ... | La mère de Sarah | |
| Bertrand Soulier | ... | Doctor #1 | |
Additional Details
Parents Guide:
Add content advisory for parentsDurée:
112 minPays:
FranceCouleur:
CouleurAspect Ratio:
2.35 : 1 suiteEmplacements De Pelliculage:
Marseille, Bouches-du-Rhône, FranceCuriosités
Goofs:
Anachronisms: In one of the first sequence you can see slightly blurred in the background the logo of the LCL bank (yellow letters on a blue background). The LCL name/logo was only introduced around 2005 and there did not exist yet in 1984. suiteSoundtrack:
Don't Forget the Nite suitefoire aux questions
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| Full cast and crew | Company credits | External reviews |
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Overall, this movie was OK. The male lead actors all were very good and believable in their parts. The homosexuality was presented in a natural, matter-of-fact manner, instead of pedantic or problematic. The way the start of the aids era was captured was disturbing, but it seemed very realistic. There were some things in this movie that annoyed me however. First of all, the female characters. Depardieu is your typical withdrawn, a-sexual, artistic, female French cinema archetype. I can live with that though. Far more irritating was the presence of Beart, who was totally miscast. What is a blown-up plastic Barbie doll doing in a movie that is situated in the early eighties, when plastic surgery was not even properly born yet?? Her acting is (partly due to her renovated face) very flat and expressionless and it would have been better if she had been altogether left out. An other revealing mistake is the American guy/gay, who shows up in the last part of the movie; quite confusing when a character who is so proud of his multi-lingual talents has such a strong foreign accent when he speaks his mother tongue...