| Photos (see all 2 | slideshow) |
| Brendan Gleeson | ... | Liam O'Leary | |
| Kim Cattrall | ... | Jane O'Leary | |
| Ciarán Hinds | ... | Father Andy | |
| Sinéad Cusack | ... | Oona O'Leary | |
| Sean McGinley | ... | Declan Murray | |
| reste de la distribution par ordre alphabétique: | |||
| Angeline Ball | ... | Ursula | |
| Cathy Belton | ... | Sally | |
| Denis Conway | ... | Bertie Brennan | |
| Moira Deady | ... | Maeve - Liam's Mother | |
| Ned Dennehy | ... | Felim | |
| Michael FitzGerald | ... | Male nurse | |
| Briain Gleeson | ... | Connor O'Leary | |
| David Herlihy | ... | Paul | |
| John Kavanagh | ... | Harry | |
| Mark Lambert | ... | District Judge | |
| Ruth Lawlor | ... | Larry's Secretary | |
| Nigel Linden | ... | Samantha's Boyfriend | |
| Eanna MacLiam | ... | The Beggar | |
| Sean Markey | ... | Drinker | |
| Aonghus Og McAnally | ... | Garda #2 (as Aonghus Óg McAnally) | |
| Ruth McCabe | ... | Large Woman | |
| Michael McElhatton | ... | Dr. Alex Loden | |
| Charlene McKenna | ... | Samantha | |
| Geoff Minogue | ... | Ambulance Driver | |
| Conor Mullen | ... | MC | |
| Martin Murphy | ... | Garda #1 | |
| Regan O'Brien | ... | Nurse | |
| Philip O'Sullivan | ... | Assistant Governor | |
| Derry Power | ... | Eddie | |
| Stanley Townsend | ... | Jim Brady - The Banker | |
| Paolo Tullio | ... | Patrick Le Say | |
| Tom Vaughan-Lawlor | ... | Larry Cooney (as Tom Vaughan Lawlor) | |
| Mary Woods | ... | Prostitute | |
| Conor Flannery | ... | Extra in Bar & Disco (uncredited) | |
Réalisé par | |||
| John Boorman | |||
Scénaristes(in alphabetical order) | ||
| John Boorman | writer | |
Produit par | |||
| Kevan Barker | .... | line producer | |
| John Boorman | .... | producer | |
| John Buchanan | .... | producer | |
| Kieran Corrigan | .... | producer | |
| John McDonnell | .... | co-producer | |
Musique originale | |||
| Stephen McKeon | |||
Image | |||
| Seamus Deasy | |||
Montage | |||
| Ron Davis | |||
Création des costumes | |||
| Maeve Paterson | |||
Maquillage | |||
| Martina Byrne | .... | assistant makeup artist | |
| Martina McCarthy | .... | hair stylist | |
| Denise Watson | .... | makeup artist | |
Directeur de production | |||
| Jan Hogevold | .... | production executive: Framestore-CFC | |
| Larry Rodriguez | .... | post-production executive | |
Assistant réalisateur | |||
| Kevan Barker | .... | assistant director | |
| Paul Barnes | .... | second assistant director | |
| Conor Gibbons | .... | assistant director | |
| Eoin Heaney | .... | trainee assistant director | |
| Brian 'Joker' Mulvey | .... | third assistant director | |
Art Department | |||
| Darren Kearney | .... | painter | |
| Rene Knol | .... | chargehand dressing props | |
| Eamonn O'Higgins | .... | property master | |
Technicien du son | |||
| Ed Colyer | .... | adr mixer | |
| Tom Davis | .... | assistant sound editor | |
| Brendan Deasy | .... | sound | |
| Glen Gathard | .... | assistant foley/ADR mixer | |
| Robin O'Donoghue | .... | sound re-recording mixer | |
| Grahame Peters | .... | sound editor | |
| Eddie Quinn | .... | boom operator | |
| Esther Smith | .... | assistant sound re-recording mixer | |
| Richard Street | .... | sound re-recording mixer | |
| Andy Walker | .... | foley editor | |
Visual Effects | |||
| Ben Baker | .... | head of digital lab: Framestore CFC DI | |
| Andy Burrow | .... | scanning and recording manager: Framestore CFC | |
| Jan Hogevold | .... | production executive: Framestore-CFC | |
| John Kennedy | .... | digital compositor | |
| Brian Krijgsman | .... | colourist: Framestore CFC | |
| Kevin Lowery | .... | high definition engineer | |
| Maria Stroka | .... | producer: Framestore CFC | |
| Annabel Wright | .... | digital grading assistant: Framestore CFC | |
Cascadeur | |||
| Giedrius Nagys | .... | stunts | |
| Donal O'Farrell | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Brian Dungan | .... | camera trainee | |
| Daniele Massaccesi | .... | Steadicam operator | |
Costume and Wardrobe Department | |||
| T.K. Lang | .... | wardrobe supervisor (as Ken Lang) | |
| Ciara McArdle | .... | costumer: Kim Cattrall | |
Editorial Department | |||
| Ben Baker | .... | head of digital lab: Framestore CFC DI | |
| Andy Burrow | .... | recording manager: Framestore CFC | |
| Brian Krijgsman | .... | colorist: Framestore CFC | |
| Kevin Lowery | .... | high definition engineer | |
| James Turpin | .... | assistant film editor | |
| Annabel Wright | .... | digital grading assistant: Framestore CFC | |
Music Department | |||
| Mark Armstrong | .... | orchestrator: conductor | |
| Mark Tucker | .... | music score recording engineer | |
Transportation Department | |||
| Arthur Dunne | .... | transportation captain | |
| Paul Kelly | .... | unit driver | |
| Brendan King | .... | unit driver | |
Divers | |||
| Dermot Cleary | .... | location manager | |
| Steven Davenport | .... | assistant location manager | |
| Cathy Griffin | .... | extras coordinator | |
| Eoin Heaney | .... | stand-in | |
| Jan Hogevold | .... | production executive: Framestore-CFC | |
| John McKenna | .... | armorer | |
| Poll Moussoulides | .... | dialogue coach | |
| Barry Newman | .... | location assistant | |
| Paula Wright | .... | production assistant | |
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| Les invasions barbares | Mies vailla menneisyyttä | Nueve reinas | The Tailor of Panama | Cassandra's Dream |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedie section | IMDb Ireland section | Add this title to MyMovies |
I have read some of the different opinions here and I concede that some of the points made could be relevant to this film. Most modern films do very little for me (I've been filmgoing since the 1950's) but I really enjoyed this film immensely with the possible exception of the way the "situation" was resolved in the end. However, most people could probably think of a hundred ways to end this one so I accept the one chosen. The acting was first class, Seamus Deasy's photography was spot on and Stephen McKeon's wonderful score raised it all a notch or two. What a refreshing break from the ear-bashing, grossly offensive noise that passes for film music these days. I give it 7 because, quite simply, I enjoyed it and that's what counts in the end, not who didn't speak very well, who was or wasn't liked in it and how bad Irish society is today.