| Brendan Gleeson | ... | Liam O'Leary | |
| Kim Cattrall | ... | Jane O'Leary | |
| Ciarán Hinds | ... | Father Andy | |
| Sinéad Cusack | ... | Oona O'Leary | |
| Sean McGinley | ... | Declan Murray | |
| reste de la distribution par ordre alphabétique: | |||
| Angeline Ball | ... | Ursula | |
| Cathy Belton | ... | Sally | |
| Denis Conway | ... | Bertie Brennan | |
| Moira Deady | ... | Maeve - Liam's Mother | |
| Ned Dennehy | ... | Felim | |
| Michael FitzGerald | ... | Male nurse | |
| Briain Gleeson | ... | Connor O'Leary | |
| David Herlihy | ... | Paul | |
| John Kavanagh | ... | Harry | |
| Mark Lambert | ... | District Judge | |
| Ruth Lawlor | ... | Larry's Secretary | |
| Nigel Linden | ... | Samantha's Boyfriend | |
| Eanna MacLiam | ... | The Beggar | |
| Sean Markey | ... | Drinker | |
| Aonghus Og McAnally | ... | Garda #2 (as Aonghus Óg McAnally) | |
| Ruth McCabe | ... | Large Woman | |
| Michael McElhatton | ... | Dr. Alex Loden | |
| Charlene McKenna | ... | Samantha | |
| Geoff Minogue | ... | Ambulance Driver | |
| Conor Mullen | ... | MC | |
| Martin Murphy | ... | Garda #1 | |
| Regan O'Brien | ... | Nurse | |
| Philip O'Sullivan | ... | Assistant Governor | |
| Derry Power | ... | Eddie | |
| Stanley Townsend | ... | Jim Brady - The Banker | |
| Paolo Tullio | ... | Patrick Le Say | |
| Tom Vaughan-Lawlor | ... | Larry Cooney (as Tom Vaughan Lawlor) | |
| Mary Woods | ... | Prostitute | |
| Conor Flannery | ... | Extra in Bar & Disco (uncredited) | |
Réalisé par | |||
| John Boorman | |||
Scénaristes(in alphabetical order) | ||
| John Boorman | writer | |
Produit par | |||
| Kevan Barker | .... | line producer | |
| John Boorman | .... | producer | |
| John Buchanan | .... | producer | |
| Kieran Corrigan | .... | producer | |
| John McDonnell | .... | co-producer | |
Musique originale | |||
| Stephen McKeon | |||
Image | |||
| Seamus Deasy | |||
Montage | |||
| Ron Davis | |||
Création des costumes | |||
| Maeve Paterson | |||
Maquillage | |||
| Martina Byrne | .... | assistant makeup artist | |
| Martina McCarthy | .... | hair stylist | |
| Denise Watson | .... | makeup artist | |
Assistant réalisateur | |||
| Kevan Barker | .... | assistant director | |
| Paul Barnes | .... | second assistant director | |
| Conor Gibbons | .... | assistant director | |
| Eoin Heaney | .... | trainee assistant director | |
| Brian 'Joker' Mulvey | .... | third assistant director | |
Art Department | |||
| Darren Kearney | .... | painter | |
| Rene Knol | .... | chargehand dressing props | |
| Eamonn O'Higgins | .... | property master | |
Technicien du son | |||
| Ed Colyer | .... | adr mixer | |
| Tom Davis | .... | assistant sound editor | |
| Brendan Deasy | .... | sound | |
| Glen Gathard | .... | assistant foley/ADR mixer | |
| Robin O'Donoghue | .... | sound re-recording mixer | |
| Grahame Peters | .... | sound editor | |
| Eddie Quinn | .... | boom operator | |
| Esther Smith | .... | assistant sound re-recording mixer | |
| Richard Street | .... | sound re-recording mixer | |
| Andy Walker | .... | foley editor | |
Visual Effects | |||
| Ben Baker | .... | head of digital lab: Framestore CFC DI | |
| Andy Burrow | .... | scanning and recording manager: Framestore CFC | |
| Jan Hogevold | .... | production executive: Framestore-CFC | |
| John Kennedy | .... | digital compositor | |
| Brian Krijgsman | .... | colourist: Framestore CFC | |
| Kevin Lowery | .... | high definition engineer | |
| Maria Stroka | .... | producer: Framestore CFC | |
| Annabel Wright | .... | digital grading assistant: Framestore CFC | |
Cascadeur | |||
| Giedrius Nagys | .... | stunts | |
| Donal O'Farrell | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Daniele Massaccesi | .... | steadicam operator | |
Costume and Wardrobe Department | |||
| T.K. Lang | .... | wardrobe supervisor (as Ken Lang) | |
Editorial Department | |||
| Ben Baker | .... | head of digital lab: Framestore CFC DI | |
| Andy Burrow | .... | recording manager: Framestore CFC | |
| Brian Krijgsman | .... | colorist: Framestore CFC | |
| Kevin Lowery | .... | high definition engineer | |
| James Turpin | .... | assistant film editor | |
| Annabel Wright | .... | digital grading assistant: Framestore CFC | |
Music Department | |||
| Mark Tucker | .... | music score recording engineer | |
Transportation Department | |||
| Arthur Dunne | .... | transportation captain | |
| Paul Kelly | .... | unit driver | |
Divers | |||
| Dermot Cleary | .... | location manager | |
| Steven Davenport | .... | assistant location manager | |
| Cathy Griffin | .... | extras coordinator | |
| Eoin Heaney | .... | stand-in | |
| Jan Hogevold | .... | production executive: Framestore-CFC | |
| John McKenna | .... | armorer | |
| Poll Moussoulides | .... | dialogue coach | |
| Barry Newman | .... | location assistant | |
| Paula Wright | .... | production assistant | |
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| The Tailor of Panama | Intrus, L' | Little Miss Sunshine | The Prodigal | Meglio gioventù, La |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drame section | IMDb Ireland section | Add this title to MyMovies |
I was an extra on this movie, in the Awards Dinner scene near the beginning, and I looked forward to the finished product with some trepidation because the dialog seemed quite poor. However, i have been pleasantly surprised. This is a good movie, and maybe I'm stupid but I didn't see the ending coming; It thought it was a very good resolution, and I don't understand why one reviewer says it leaves numerous threads hanging. I thought all of the production values the music and everything were very good. My criticisms would be the same for most Irish movies; the relatively poor acting of the more junior actors (I refer in particular to the drunken girlfriend we first encounter in the Temple Bar nightclub. There were other weaknesses, things that could have been much better handled such as the first appearance of the doplleganger, and O'Leary getting coshed in the toilets (again, bad acting by the other actors there). Some things were just stupid, like the statement that the more houses O'Leary builds the more homeless there are; Boorman should stick to the directing and leave the economics to others. Kim shouldn't have attempted the Oirish (sic) accent. It would have been quite believable for O'Leary to have married an American, and better, even.
It gives a reasonably good insight into middle-class Ireland, and a glimpse of the world of the down-and-out (which is the same everywhere, I suppose). I stayed until the very end of the credits.