I first became aware of "Joshua" on the IMDb message board for "Blair Witch Project" when a user mistook it for a sequel to the ailing franchise. Out of curiosity I scouted out the website for the indie venture and found the following proclamation:
"Our mission is clear: reinventing one of the oldest film genres known to man: the horror movie.
Horror is the release for the everyday person who needs an outlet into the dark and twisted. Fear is the most honest emotion anyone can experience, which is the reason we all enjoy a good scare now and then. That's why Drexel Box Productions is hard at work on its first feature film, joshua.
In the last few years, horror has suffered from an onslaught of bad scripts, poor acting and unimaginative directing. We at Drexel Box are committed to resurrecting truly terrifying movies. Our hope is that even adults will once again check under their beds, close their closet doors and plug in the nightlight before going to bed. We want to reach into the audience members' soul and hold it for the duration of the film, so that every breath they take in the darkened theatre feels like their last.
Joshua, promises to exercise the dark corners of your mind, and tap into fears you never knew you had. You have two options:
1. Run away from this movie as fast as your fear-engulfed legs will allow. 2. Live the nightmare."
I thought the statement was pretentious and, well, boring. It's one long, misinformed boast, that is just begging to be proved wrong. The fact is, innovative horror is nowhere near as extinct as these guys suggest; one need only look outside of Hollywood -- and often the US market -- to find well written, well acted, well directed, and well crafted horror.
So, are they as good as they think they are?
Joshua has a great underlying concept. Some kids find an abandoned baby and raise it in an abandoned cabin. As time goes on, the baby becomes their play-thing and their sadistic natures begin to evolve. As years of torturing and abusing the child pass, they begin to form a plan for their subject: he will become a soldier of Satan. The story is told by flash-back as one of the kids, Kelby, returns to town to face down the remnants of his actions, and the people he left behind.
"Joshua" is at its best when dealing the tortured souls captive to the memories of their actions. How could you live with the horror of what has happened? What has become of those who stayed put in the town? Close to the core of insanity, reminded day after day of what they did.
Technically, "Joshua" is severely lacking visually and mechanically. Lighting is often over-bearing with little aural quality. The camera work, while sometimes unique, is text book at best. The looping is a painful mix of onset sound and punch ins with no normalization and no attention to consistency. The editing, well, therein lays the problem. If I were to guess, I'd bet that "Joshua" has an outstanding screenplay. The dialogue, at times, is laughably pretentious and could have used a polish, but broken down to its elements there is a good story here; lacking are the skills to tell it well.
For all it promised as a departure from the cookie-cutter mentality dominant on the big screen of today, "Joshua" emulates the same old "spiraling towards revelation" twist-based formula that is SO overdone today. In the end, that revelation is really not powerful enough to close a story with as much potential as "Joshua".
Technically immature. Poorly executed. "Joshua" is not the reinvention of the horror genre.
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