Saibogujiman kwenchana (2006)

Note des utilisateurs:

7.1/10   

Réalisateur:

Chan-wook Park

Writers:

Seo-Gyeong Jeong (writer)
Chan-wook Park (writer)

Release Date:

7 décembre 2006 (South Korea)

Genre:

Comedie | Drame | Romance

Plot:

A girl who thinks she is a combat cyborg checks into a mental hospital, where she encounters other psychotics. Eventually, she falls for a man who thinks he can steal people's souls.

Plot Keywords:

Mental Hospital | Cyborg | Mental Institution | Electric Shock Therapy | Blue Hair

Awards:

5 wins & 4 nominations

Avis des utilisateurs:

Namsan nightmares

Ensemble

Su-jeong Lim	...	Cha Young-goon
Rain	...	Park Il-sun
reste de la distribution par ordre alphabétique:
Hie-jin Choi	...	Choi Seul-gi
Byeong-ok Kim	...	Judge
Yong-nyeo Lee	...	Young-goon's mother
Dal-su Oh	...	Shin Duk-cheon
Ho-jeong Yu	...	Il-sun's mother

Autre(s) titre(s):

I'm a Cyborg, But That's OK (International: English title) (USA)
Je suis un cyborg (France) [fr]

Durée:

South Korea:105 min

Pays:

South Korea

Langue:

Coréen

Couleur:

Couleur

Aspect Ratio:

1.85 : 1

Classification:

Singapore:NC-16 | Hong Kong:IIA | South Korea:12 | Germany:12 | France:Unrated | UK:15 | Sweden:11 | Finland:K-13

Company:

Moho Films

Anecdotes:

Su-jeong Lim had to get her weight down to just 39 kg to shoot this film.

Namsan nightmares

Like all good movies, "I'm a Cyborg" is more than the sum of its plot points. So don't be put off by the synopsis. Normally, the minute I'm hearing "modern fairy tale", "touching love story", or "poetic images", I'll turn tail and run. But when I found out this is by the guy who made "Old Boy", I knew it had to be different. And it is. Think "Angels of the Universe" meets "Twelve Monkeys", packed with visual thrills. The opening sequence is one of the biggest kicks of its kind.Wheels are spinning are gears are grinding in pale translucent green, vaguely reminiscent of x-ray images. It turns out we are observing a Cyborg's inner life, cleverly interwoven with the opening scenes of the actual feature. Before we really understand how Cha (cover girl Su-Jeong Lim) ended up on the funny farm, the camera is gliding downstairs in an impossible dolly shot, smoothly passing through closed doors, down to the asylum's mysterious sub-basement with its candy-colored pipework. In the course of the movie's 105 minutes, Chan-Wook Park takes us from Seoul to the Swiss alps and back again. I say, forget Bollywood. South Korea is the new Hollywood.