| Paulus Manker | ... | Kallmann | |
| August Diehl | ... | Sebastian | |
| Michael Ostrowski | ... | Alex | |
| Pia Hierzegger | ... | Pia | |
| Maria Bill | ... | Herta | |
| Martina Zinner | ... | Marianne | |
| Brigitte Kren | ... | Sonja | |
| Loretta Pflaum | ... | Hippiemädchen | |
| Martina Poel | ... | Krista | |
| Andreas Kiendl | ... | Andreas | |
| Petra Bernhardt | ... | Rothaariges Mädchen | |
| Kathrin Resetarits | ... | Elegante Frau | |
| Caro Kuchwalek | ... | Vera | |
| Nina Petz | ... | Johanna | |
| Nina Sieberer | ... | Frau mit Zopf im Lokal | |
| Markus Schleinzer | ... | Gast im Lokal | |
| Elisabeth Scharang | ... | Gast im Lokal | |
| Alexander Tschernek | ... | Gast im Lokal | |
| Nik Kerssenbrock | ... | Gast im Lokal | |
| Yue-Zong Tsai | ... | Koreaner | |
| Dragana Mirkovic | ... | Sängerin Lepa Brena | |
| Klaus Blauensteiner | ... | Geburtstagsrunde | |
| Judith Freund | ... | Geburtstagsrunde | |
| Deniz Raunig | ... | Geburtstagsrunde | |
| Valentin Pfeifer | ... | Geburtstagsrunde | |
| Christian Kohlhofer | ... | Geburtstagsrunde | |
| Alfred Schauer | ... | Mann mit Puppe | |
| Lorenz Kabas | ... | Hagerer Mann | |
| Hatice Doganay | ... | Jasmine | |
| Oliver Zechmeister | ... | Dicker Bub | |
| Peter Budil | ... | Kontrollor | |
| Peter Dutz | ... | Autofahrer | |
| Eva Reitererova | ... | Bäuerin | |
| Lucia Vráblicová | ... | Bäuerin | |
| Zdenka Kecliková | ... | Bäuerin | |
| Tereza Liskova | ... | Bäuerin | |
| Josef Hervert | ... | Grenzbeamter | |
| Jirí Novotny | ... | Kleiner Mann in Znaim (as Jiri-Datel Novotny) | |
| Olga Vohryzková | ... | Dicke Frau in Znaim | |
| Milan Chalmovsky | ... | Beamter in Znaim | |
| Gerald Sendra Sugara | ... | Mann beim Jaipong | |
| Ian Bahtiar | ... | Mann beim Jaipong (as Ian Bantiar) |
Réalisé par | |||
| Michael Glawogger | |||
Scénaristes(in alphabetical order) | ||
| Barbara Albert | writer | |
| Michael Glawogger | writer | |
Produit par | |||
| Martin Gschlacht | .... | co-producer | |
| Erich Lackner | .... | producer | |
| Susann Rüdlinger | .... | co-producer | |
| Peter Wirthensohn | .... | producer | |
Musique originale | |||
| Walter W. Cikan | |||
| Daniel Jakob | |||
| Peter von Siebenthal | |||
| Till Wyler | |||
Image | |||
| Martin Gschlacht | |||
Montage | |||
| Christof Schertenleib | |||
Distribution des rôles | |||
| Markus Schleinzer | |||
| Nina Sieberer | |||
Création des décors | |||
| Maria Gruber | |||
Création des costumes | |||
| Martina List | |||
Maquillage | |||
| Michaela Oppl | .... | makeup artist | |
Directeur de production | |||
| Marian Mlynek | .... | unit production manager | |
| Gilbert Petutschnig | .... | production manager | |
Assistant réalisateur | |||
| Hanus Polak Jr. | .... | first assistant director | |
Technicien du son | |||
| Normann Büttner | .... | foley recordist | |
| Pierre Collodin | .... | boom operator | |
| Luc Yersin | .... | sound mixer | |
Camera and Electrical Department | |||
| Riccardo Brunner | .... | steadicam operator | |
| Nino Volpe | .... | first assistant camera | |
| Andreas Winter | .... | video operator (as Andi Winter) | |
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| Central do Brasil | Lost in Translation | Le fabuleux destin d'Amélie Poulain | L'homme du train | Männer wie wir |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedie section | IMDb Autriche section | Add this title to MyMovies |
I think it's brilliant that we don't get to know Sebastian that much. It focuses our attention to what is, what's going on and so on. We get to know Sebastian here and now. And that way kind of who he really is. For example, he dose not show his true self when he is chat dating, he never tells them what he does. He dose not say anything, really. So sort of we do get to know him better than most others.
This film totally flipped me over by the end of it. It was exciting to follow the whole time, but it was the end of it that impressed me. It's got the sneaky result of the development of the persons. It's hard to comment without ruining for others who has not watched it yet. But I can say it's the connection between the voice in the beginning and the voice at the end of the film, that really got to me. It's got a beautiful connection between two persons who we thought were so unlike..