12:00 a.m.-1:00 a.m.
- Episode aired Nov 6, 2001
- TV-14
- 1h
Jack Bauer is called to his office because there's a threat on the life of a US Senator who's running for President; Jack also discovers that his daughter has skipped out her bedroom window.Jack Bauer is called to his office because there's a threat on the life of a US Senator who's running for President; Jack also discovers that his daughter has skipped out her bedroom window.Jack Bauer is called to his office because there's a threat on the life of a US Senator who's running for President; Jack also discovers that his daughter has skipped out her bedroom window.
- Maureen Kingsley
- (as Devika Perikh)
- (credit only)
Storyline
Did you know
- TriviaSarah Clarke was cast as Nina Myers on the morning filming for the pilot episode was to begin. The costume department did not have time to fit her, so she wore her own outfit for the entire season.
- GoofsThe show changed production designers after the pilot episode was filmed, resulting in a different appearance for CTU HQ in from the second hour onwards.
- Quotes
Jack Bauer: You can look the other way once, and it's no big deal, except it makes it easier for you to compromise the next time, and pretty soon that's all you're doing; compromising, because that's the way you think things are done. You know those guys I busted? You think they were the bad guys? Because they weren't, they weren't bad guys, they were just like you and me. Except they compromised... Once.
- ConnectionsEdited from Enemy of the State (1998)
- SoundtracksIt's All Good
(uncredited)
by Fearless Freep
An episode whose events unfolded over the course of a single day was a trademark of NYPD Blue (and, more recently, Deadwood); having an entire season of a new series last 24 hours, one per ep (the actual running time is 41 minutes; the remaining 19 are occupied by commercials when the show airs on telly), was the most groundbreaking idea in mainstream television since Hill Street Blues introduced non-linear storytelling (a mandatory element nowadays). And it truly paid off.
Ironically enough, the original plan for the series was to make it revolve around a wedding (fortunately, creators Joel Surnow and Robert Cochran realized the format was more suitable for a conspiracy thriller), which is probably the reason the first glimpse we get of the hero suggests a cheerful atmosphere: looking extremely relaxed, Jack Bauer (Kiefer Sutherland) is enjoying a game of chess with his daughter Kimberly (Elisha Cuthbert) and, minutes later, being tender with Teri (Leslie Hope), the wife with whom he has just reconciled. As in The Sopranos, though, something unexpected and shocking is just behind the corner: not only has Kim snuck out of her room, Jack also receives a phone call urging him to get to work immediately. At midnight? I'm afraid so: Bauer is a CTU (Counter Terrorist Unit) agent, and his boss has acquired reliable intel about a possible hit on the life of David Palmer (Dennis Haysbert), an African-American Presidential candidate who will be in Los Angeles for the whole day (oh, right, I almost forgot: events occur on the day of the California Presidential Primary). No time for napping, then: Jack has to spend the next 24 hours working on the case. Unfortunately, he has a tendency to ignore protocol, and that doesn't sit well with George Mason (Xander Berkeley), a slimy man from Division who has been asked to interfere with the operation.
The plot is very dense, making the show hard to recommend for those with a short attention span, but anyone willing to take a look will be rewarded instantly: the writing is sharp and precise, the attention to detail unsurpassed, and the suspense is consistently sky-high, mainly thanks to the real-time trickery which considerably enhances the adrenaline level.
Another great quality of this pilot is the characterization: most genre shows (sci-fi and thriller) tend to simply introduce the key players and then define them later on (a textbook example is CSI, where character development is minimal, but then again that matches the show's unique style), whereas the series debut of 24 offers a rich array of fully rounded people, among whom Jack (Sutherland's best role - ever!) and Palmer (the real revelation of the show) stand out for being perfectly described after one episode only (the former divided between job and family, reckless but humane, the latter honorable and endowed with great integrity). A couple of supporting parts border on stereotype (Mason and Tony Almeida especially), but two factors ought to be taken into account: a) this is the first episode; b) there's so much going on most viewers won't even complain about a "flaw" or two. After all, how many network programs manage to begin with a conspiracy, a missing teenager AND a huge explosion - and still have equally satisfying material for the rest of the season?
Tick, tock, tick, tock...
- MaxBorg89
- Dec 2, 2007