Directed by
| Philip Leacock | ||
Writing Credits (in alphabetical order)
| Eileen Pollock | ... | (story) |
| Robert Pollock | ... | (story) |
| Michael Russnow | ... | (teleplay) |
| Esther Shapiro | ... | (creator) |
| Richard Alan Shapiro | ... | (creator) (as Richard Shapiro) |
| Dennis Turner | ... | (teleplay) |
Cast (in credits order)
Produced by
| Ursula Alexander | ... | assistant producer |
| Douglas S. Cramer | ... | executive producer |
| John B. Moranville | ... | associate producer |
| Elaine Rich | ... | line producer |
| Esther Shapiro | ... | executive producer |
| Richard Alan Shapiro | ... | executive producer (as Richard Shapiro) |
| Aaron Spelling | ... | executive producer |
| E. Duke Vincent | ... | supervising producer |
Music by
| Peter T. Myers | ... | (as Peter Myers) |
Cinematography by
| Richard L. Rawlings | ... | director of photography |
Editing by
| Dick Darling | ||
Casting By
| Marc Schwartz | ||
| Gary Shaffer | ||
Art Direction by
| Tom Trimble | ||
Set Decoration by
| Brock Broughton | ||
Costume Design by
| Nolan Miller | ||
Makeup Department
| Cherie | ... | hair stylist (as Cherié) |
| Jack Freeman | ... | makeup artist |
| Gus Le Pre | ... | hair stylist |
| Melanie Levitt | ... | makeup artist |
| Linda Leiter Sharp | ... | hair stylist (as Linda Sharp) |
Production Management
| Joseph Dervin Jr. | ... | executive in charge of post-production |
| Flora M. Gordon | ... | unit production manager |
| Norman Henry | ... | executive production manager |
| Al Kraus | ... | supervising production manager |
Second Unit Director or Assistant Director
| Carol D. Bonnefil | ... | dga trainee |
| Carl Dubliclay | ... | second assistant director |
| Robert Jones | ... | first assistant director |
Art Department
| Gordon Kirschbaum | ... | supervising construction manager |
| John Sutton | ... | construction coordinator |
| Anthony C. Thorpe | ... | property master |
| Joe Olsen | ... | prop man (uncredited) |
Sound Department
| Andrew Gilmore | ... | sound mixer (as Andy Gilmore) |
| Daniele Masini | ... | foley artist |
| Robert Nichols II | ... | sound recordist (uncredited) |
Special Effects by
| Frank Van Leeuwen | ... | special effects |
Camera and Electrical Department
| Robert E. Dawes Jr. | ... | camera operator (uncredited) |
| Marty Dobkousky | ... | grip (uncredited) |
| Scott Hamilton | ... | still photographer: publicity stills (uncredited) |
| Ernie Reed | ... | camera operator: second camera (uncredited) |
Casting Department
| Barbara Baldavin | ... | casting assistant |
Costume and Wardrobe Department
| Breezie Brooks | ... | costumer: women |
| Jay Caplan | ... | costumer: men |
Editorial Department
| John Woodcock | ... | supervising editor (as John M. Woodcock) |
Location Management
| John Farrow | ... | location manager (uncredited) |
Music Department
| Bill Conti | ... | composer: theme music |
| Rocky Moriana | ... | music supervisor |
Script and Continuity Department
| Edward DeBlasio | ... | executive script editor (as Edward De Blasio) |
| Joe Gannon | ... | script supervisor |
Additional Crew
| Bret Garwood | ... | executive coordinator (as J. Bret Garwood) |
| Daniel Margosis | ... | executive assistant: to Aaron Spelling |
| Phill Norman | ... | title designer |
| Eileen Pollock | ... | executive story editor |
| Robert Pollock | ... | executive story editor |
| Richard Ostlund | ... | dialogue director (uncredited) |
