"Gunsmoke" The Search (TV Episode 1962) Poster

(TV Series)

(1962)

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9/10
Much better than other reviewers thought
khristyjeff17 June 2019
I've watched this episode twice now and really feel this is a fine episode to begin season 8. I realize there were no shootings and I enjoy those episodes as much as the next guy, but the episodes written by Katharine Hyatt almost always show heart and deal with how different personalities relate to one another. In my work when I was younger, I dealt with men the age of Cale, and saw men act like this. If I saw it in the late 90's I can only imagine how a twenty-something might have acted in the 1890's. Sometimes they talk in clipped sentences, sometimes they don't reveal. Bottom line, I thought Carl Reindel's performance was believable.

I thoroughly enjoyed this episode. I could feel the father's pain over the loss of his son and the connection he may have felt toward this new brash arrival. And the bonus is that James Arness and Milburn Stone are featured prominently in this episode.
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9/10
SPOCK say it ain't so.
jaimhaas3 January 2024
I couldn't believe it but I'd know those eyes anywhere. Sure enough it's Leonard Nimoy. How'd they make him shorter??? I'm not kidding he's shrunken in this episode. He slouches a lot in the saddle but when he gets off the horse he even looks short. Now that I have seen him on Gunsmoke I can go peacefully to my grave. So glad he did far better at being a productive person on Star Trek. When Matt finally gets his horse back from YET ANOTHER bad guy he forgets to water and feed him. Just what he had accused the bad guy of not doing. I still rank this as a must watch fun episode. How can you not?
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10/10
Heart, honesty and loss
senajoan16 May 2020
I totally agree with everything the viewer posted on June 17th 2019. This episode is excellent. It has everything minus any shoot outside! I've seen this episode at least 6 times, and never tire of it. It deals with concern, loss and relationships. This is an hour worth watching, as are most.
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10/10
Welcome to the "Season of Redemption"
championbc-99-50054 October 2014
Warning: Spoilers
I will confess up front that this is not a review of only one episode, but of an entire season; in fact, this opening episode is not the most exemplary of the season, but the rescue and recovery of Cale after an accident foreshadows what will happen all season. Cale is restored to his health by the end of the episode, and you know things are going to work out okay.

In fact, for the vast majority of these episodes, you are left to your imagination as to the next step for the characters. Sometimes, a character is redeemed at the moment of death with a confession or renewal of a friendship ("Two of a Kind" and "Old York" are excellent examples of this), but most of the episodes are about people whose hearts are changed, who are shown to be worth more than originally thought. Even old drunk Louie gets a chance to shine.

If you like Matt's characteristic "High Noon" showdown on Front Street, be sure to catch it in the opening credits; Matt does very little shooting in this season; and it's often a secondary character or a "bad guy" that gets the person you thought "needed shootin'." The most frustrating of all for me was a truly evil man who, face to face with Matt, is ready to draw, then gets "back-shot" by an abused wife, and Matt, frustrated, just has to holster that little used six-shooter. In this season's episodes, Matt rescues a half-Indian from a life going nowhere, grooms a future deputy, shows a childhood acquaintance that they can still be friends, and I could go on. I apologize if I have "spoiled" any episode for you (but I did warn), but as you watch Season 8, you will see what I mean. This season is about people being more than you thought they could be. It is the "Season of Redemption."
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6/10
OK episode with some inconsistencies
streetlight22 March 2021
Warning: Spoilers
Other reviewers have covered this episode pretty well. However, there are some strange inconsistencies.

Matt finds the runaway horse out in the prairie, but not Cale, the rider. He then brings the horse back to it's owner without searching for Cale. Kind of a waste of time to find what happened to Cale

When Matt finally locates Cale, he doesn't tie his horse to a bush or tree, this during a furious wind storm. There are plenty of bushes around, but the horse runs away. I can't remember Matt ever not tying up his horse in a like circumstance.

Third, after Matt finds the injured Cale and later during a rain storm, they are protected with a water proof tarp. Where did that come from - Matt's horse disappeared with his belongings?
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3/10
Cale Edges Chester for Biggest Imbecile Award
Johnny_West13 June 2020
Carl Reindel, who had all the charm of a bag of rocks, returns as Cale. Apparently Gunsmoke was looking for another recurring character, and Cale looks like he was going to be the character that later became Quint Asper when Burt Reynolds joined the show.

Unfortunately for Carl Reindel, his "rebel without a cause" persona came along in 1962, and the 1950s were over. In all of the roles that I have seen Carl Reindel play, he always had a chip on his shoulder, and a bad attitude. I wonder if that is the only type of character he learned to play in acting school? Carl comes across as arrogant and very anti-social in both episodes where he played Cale.

Doc Adams, Dillon, and Miss Kitty try really hard to build up Cale as the really cool and interesting new guy in town, so it is obvious that the producers had plans for Cale. Fortunately for Gunsmoke, they gave up after this second appearance where Cale is just the rudest jerk on the prairie again.

Ford Rainey plays Tate, a guy whose son died, and he left his son's horse at the livery stable because he did not want the horse to remind him of his dead son. At a dollar a day, keeping a horse at the livery stable for a couple of months was a lot of money in The Old West economy. So of course, the day Rainey decides he wants to pick up his horse, Cale is riding it out on the prairie. Rainey literally goes nuts and runs to see the Marshal and accuse Cale of stealing his horse. Talk about over-reacting?

Rainey usually played a jerk character, and was often in the role of informant, accuser, victim, or a guy trying to take advantage of someone else. He was usually a shady character who could flip into a total weasel at the drop of a hat. A perfect pal for Cale, as we will see.

Cale, like Chester, is dysfunctional in addition to having no social skills. So Cale falls off his horse and hurts his back, and gets a big attitude about it when Marshal Dillon finds him. Dillon loses his horse too, and getting Cale back to Dodge becomes a gigantic mission.

At some point Dillon is looking for help, and he finds Virginia Gregg, whose entire family just died from cholera. Virginia Gregg was never great at inspiring compassion or sympathy, . She usually played cold-hearted characters. However, Dillon does not show her an ounce of compassion, and just walks away. A lot of the time when Dillon, Chester, or Doc Adams deal with the prairie folks, they are incredibly rude to them. The only character that always went out of her way to be nice to everyone was Miss Kitty.

Finally, Dillon, Doc Adams, and Cale all get to the home of Ford Rainey, whose main concern is that his horse came to the farm on its own. Rainey does not want to tend to Cale, who he thinks stole his horse, but Doc Adams yells at him and takes over the guy's house.

After several days of nursing the kid back to health, Rainey breaks down and tells Cale how his son had just died, and he was afraid to get too close to anyone, but offers Cale a job on the farm. Carl Reindel, in what became his only acting style, responds as rudely and nasty as possible. He tells Rainey that Cale is not his son, to get over it, and that he just wants a job, and could care less about Rainey and his dead son. What a great guy Cale is. No wonder that his character never returned to Gunsmoke.

Carl Reindel had no control over the script he was given, except in the manner he delivered the lines, and how he interpreted his character. Some of the guest actors on Gunsmoke could make lemonade out of lemons, but Carl Reindel was not one of them.
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4/10
The Search . . . for Spock?
GaryPeterson6712 December 2018
What a disappointing season eight opener. My guess is this was an unused half-hour show script that was jet-puffed to an hour. The action--using the term loosely--unfolds at a snail's pace, with endless scenes of Matt ambling across the prairie in real time.

And who does Matt come upon in that barren land west of Dodge? Mr. Spock himself, Leonard Nimoy, paying his dues in the years leading up to STAR TREK fame. He plays the loudmouthed leader of a cut-rate outlaw trio. It seems Matt once ran these three amigos out of Dodge (and adding insult to injury, Matt has no recollection of it). They agree to give him a horse if he can best Man Mountain Mickey Morton in a fistfight. It's not a spoiler to say Matt does and that the bad guys welsh on the deal (that's what makes 'em bad guys!).

Guest star Ford Rainey as Tate Gifford enjoys a decent amount of screen time as a broken man who recently lost his son. There's a young drifter in town named Cale who works for blacksmith Hank Patterson and tends to Tate's horse, taking him out for suspiciously long three-hour runs in the mornings. Hmm, that's a detail to file away for later.

When Cale doesn't return with the horse, Tate believes Cale has stolen it. Turns out Matt is one of the few people who can vouch for Cale, but admits abashedly when pressed that he knows virtually nothing about him. It seemed a lapse on Matt's part not even to know from where Cale drifted in. I've seen him interrogate drifters in other shows. Why was Matt content--even complacent--to let Cale stay in his own lane no questions asked?

Matt sets out to find Cale and does in due course, finding him paralyzed from the waist down. When weighing how to get Cale back to Dodge, a crack of thunder sends Matt's horse scampering away. Cale proves himself an unlikeable fellow almost immediately, expressing no gratitude for Matt's rescue, and failing to hold up his end of the conversation in camp that night.

Matt wanders and wanders the countryside in search of a horse, fending off an awkward seduction attempt by an aging alcoholic farmwife who carries the jug with her. Essa's understanding husband suggests she imagines men coming around--make another note of that--as a reaction to their three children all having died from smallpox the previous spring. Matt, looking at the little graves, can't even muster enough sympathy for a polite "I'm sorry." Matt just says goodbye and ambles on. Maybe all these years as marshal have hardened him to the heartbreaking stories of the people living in that "nothing out there" west of Dodge?

Another discordant note was Doc's imperiousness at Tate's home. "It's out of the question" to move Cale into town, Doc declares. Why? Matt dragged Cale on a sledge and he bounced in the back of a buckboard all the way to Tate's. What harm can come from another trip? No, says Doc, Cale's going to be sleeping in your bed a long time--whether Tate likes it or not (and he doesn't). Yes, I can see the writer--a benevolent goddess over the fates of her characters--orchestrating events for everyone's ultimate best interest, but at the time it came across as Doc bullying the hapless Tate, a grieving father deathly afraid of another young man dying in his home.

I disliked Cale from the start but really detested him in the show's final minutes. I have not seen the earlier episode with him, but was relieved to learn the Cale character disappeared after this story. That said, I thought Carl Reindel did a fine job playing the part of a swaggering teenage drifter with a bad attitude and a shadowy past he plays close to the vest.

As the episode drew to a close I was confident that man of the world Matt had enough horse sense not to believe Cale's cock n' bull story about rushing across the prairie to pay back some Colorado-bound settlers. Savvy scripter Kathleen Hite, skirting those censorious sponsors, left it to the audience to connect the dots she set out over the course of the story. Cale had to "ride like the wind," to quote Chester, in order to complete his carnal business with Essa and be well on his way back to Dodge with Tate's horse before Mr. Cutler returned home from his morning hunt.
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4/10
Otherwise good show ruined by poor casting.
kfo949422 November 2012
This episode has references back to the 7th season episode 31. It picks up as Cale is riding Tate Gifford's horse that had been left at the Dodge stable. Mr Tate came for his horse awaiting Cale's return but after some time it appears that Cale is not returning.

Matt sets off looking for Cale after Chester saw him heading west. Matt comes up on his horse but Cale is missing. A storm is coming so Matt takes the horse back to Tate and goes out looking for Cale.

When Matt does find Cale the fall from the horse has left his legs paralyzed. As Matt is getting Cale to shelter, Matt's horse gets spooked and runs off. After the storm Matt sets out walking to find help.

During the walk Matt comes up on a house occupied by a strange woman. Then walks up on three riders who has nothing but disrespect for Matt or his need for assistance. Until finally finding his horse, that will require a fist fight, before returning to take Cale back to Tate's house.

As Matt goes get Doc Adams were begin to learn the history of Tate Gifford. His son died not long ago and he still is not over the hurt. Another dead boy on the farm may be too much for Tate to handle.

As with the show from season 7, the actor that plays Cale, Carl Reindel, is neither entertaining or interesting. He is like watch the half-wit next door neighbor recite Shakespeare. And an otherwise nice show is again ruined by one unbelievable actor. Why they invited him to return for a second episode is beyond comprehension.
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