There are some oddities in the plotting of this show, and Elisha Cook is, in some way, an even odder choice to play a high-society lawyer...but the visual/stylistic power of the episode..especially the 2nd half....is superb.. With every additional compelling episode of "Johnny Staccato", it seems a bigger shame that the series lasted only a single season.
In the second half, the use of the SPACE...essentially a black room with a couple of lighting sources to highlight the intensity of the scene... is masterful; the visual counterpoint of the three characters is fascinating to watch, especially the way in which it enhances and drives the dialogue. Staccato's hesitancy/doubt about his role as potential perjuror quickly changes once he begins questioning the woman, and Cassavetes' superb, courtroom-style delivery and command is impressive indeed, ESPECIALLY as highlighted by his nearly-Expressionistic camera movements and low-key, sinister lighting design.
It's like watching an avant-garde, black-box theater production...right there on your own 1960 TV screen. Worth multiple viewings. LR.
In the second half, the use of the SPACE...essentially a black room with a couple of lighting sources to highlight the intensity of the scene... is masterful; the visual counterpoint of the three characters is fascinating to watch, especially the way in which it enhances and drives the dialogue. Staccato's hesitancy/doubt about his role as potential perjuror quickly changes once he begins questioning the woman, and Cassavetes' superb, courtroom-style delivery and command is impressive indeed, ESPECIALLY as highlighted by his nearly-Expressionistic camera movements and low-key, sinister lighting design.
It's like watching an avant-garde, black-box theater production...right there on your own 1960 TV screen. Worth multiple viewings. LR.