Writing Credits (in alphabetical order)
| Nick Thiel | ... | (creator) |
Cast (in credits order)
Produced by
| Dan E. Fesman | ... | producer |
| Heather Locklear | ... | producer |
| Ed Milkovich | ... | producer |
Music by
| Deane Ogden | ||
Cinematography by
| Uta Briesewitz | ... | director of photography |
Production Design by
| Derek R. Hill | ||
Costume Design by
| Ane Crabtree | ||
Production Management
| Jake Aust | ... | post-production supervisor |
| Peter Burrell | ... | unit production manager |
Art Department
| Chris Clark | ... | set dresser |
| Damon Green | ... | propmaker |
| John Richardson | ... | construction coordinator |
| Kevin Shaw | ... | assistant property master |
| James Tsvetkofski | ... | set dresser |
| Robert Vukasovich | ... | assistant art director (as Bob Vukasovich) |
| Pete Washburn | ... | leadman |
| Dennis Winters | ... | on-set dresser |
Sound Department
| Michael Aretsky | ... | adr trailer/PNC Engineering |
| Russell C. Fager | ... | sound mixer |
| Michael Lyle | ... | foley artist |
| Von Varga | ... | boom operator |
| Harry Woolway | ... | sound effects editor |
Camera and Electrical Department
| Adam Cowan | ... | camera loader |
| Christopher Crivier | ... | key rigging grip |
| David Darwin | ... | set lighting technician |
| Moose Enright | ... | electric best boy: second unit (as Thomas Enright) |
| Christopher Glasgow | ... | a camera: dolly grip |
| Danny Horne | ... | second assistant camera |
| Shane D. Kelly | ... | electrician |
| Chris Lindsay | ... | dolly grip |
| David Sammons | ... | camera operator: "b" camera |
Costume and Wardrobe Department
| Yvette Ammon | ... | key costumer |
| Hossein Namdar | ... | tailor |
Location Management
| Duffy Taylor | ... | key assistant location manager |
Additional Crew
| Jennifer Cobb | ... | assistant accountant |
| Ingrid Coree | ... | body double |
| Heath Howard | ... | assistant production coordinator |
| Jasmine McCaig | ... | production controller |
| LouAnn Wu | ... | set production assistant |
