"Law & Order" Prisoner of Love (TV Episode 1990) Poster

(TV Series)

(1990)

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7/10
Dominant love
TheLittleSongbird4 September 2019
All the previous 'Law and Order' episodes ranged from pretty good ("Everybody's Favourite Bagman") to brilliant ("Indifference"), with most being very good. Which is a good position to be in for so early on, even with an understandable finding feet feel. It is very easy to overlook the very early seasons of the show, with the Briscoe and post-Briscoe episodes being aired much more, but they are well worth the watch and should be seen more.

"Prisoner of Love" is one of the pretty good episodes of the first season, though far from being amongst the season's best episodes. It has a lot of great things, which is true for all the early seasons episode and for a vast majority of 'Law and Order', but it feels a little on the bland side as well, with the previous covering more challenging subjects and with more depth. It is also a bit of a let down after the brilliant previous episode "Indifference", a season high-point. Again, this is not disparaging it, just in comparison to before.

Do prefer 'Law and Order' episodes where there is more of characters having conflicts and moral dilemmas. Also ones that tackle difficult themes, subjects and social issues and the "taking influence from a real life case" ones, those kinds of episodes provoked more thought and connected with me more emotionally.

The case here is interesting and twisty enough, with both the procedural and law aspects being well handled (even if other episodes balanced them a little more equally), but fairly standard. If you've seen the later 'Law and Order' before seeing, it may feel a little on the familiar side.

However, it has always been of great fascination seeing how the detectives work and solve their cases and what work goes into preparing defence and especially prosecution. The script entertains and provokes thought, with some nice hard-boiled dialogue for both Greevey and Logan. Stone's dryness has not lost its juice.

Production values are suitably slick and gritty and the music is a good fit tonally and in placement. The acting is good, though it did get much better later when everybody became more comfortable. George Dzundza and Chris Noth are solid leads, with their chemistry gelling enough, and Michael Moriarty again makes the most out of Stone.

Overall, pretty good but not great. 7/10
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7/10
Dominant love
TheLittleSongbird5 September 2019
All the previous 'Law and Order' episodes ranged from pretty good ("Everybody's Favourite Bagman") to brilliant ("Indifference"), with most being very good. Which is a good position to be in for so early on, even with an understandable finding feet feel. It is very easy to overlook the very early seasons of the show, with the Briscoe and post-Briscoe episodes being aired much more, but they are well worth the watch and should be seen more.

"Prisoner of Love" is one of the pretty good episodes of the first season, though far from being amongst the season's best episodes. It has a lot of great things, which is true for all the early seasons episode and for a vast majority of 'Law and Order', but it feels a little on the bland side as well, with the previous covering more challenging subjects and with more depth. It is also a bit of a let down after the brilliant previous episode "Indifference", a season high-point. Again, this is not disparaging it, just in comparison to before.

Do prefer 'Law and Order' episodes where there is more of characters having conflicts and moral dilemmas. Also ones that tackle difficult themes, subjects and social issues and the "taking influence from a real life case" ones, those kinds of episodes provoked more thought and connected with me more emotionally.

The case here is interesting and twisty enough, with both the procedural and law aspects being well handled (even if other episodes balanced them a little more equally), but fairly standard. If you've seen the later 'Law and Order' before seeing, it may feel a little on the familiar side.

However, it has always been of great fascination seeing how the detectives work and solve their cases and what work goes into preparing defence and especially prosecution. The script entertains and provokes thought, with some nice hard-boiled dialogue for both Greevey and Logan. Stone's dryness has not lost its juice.

Production values are suitably slick and gritty and the music is a good fit tonally and in placement. The acting is good, though it did get much better later when everybody became more comfortable. George Dzundza and Chris Noth are solid leads, with their chemistry gelling enough, and Michael Moriaty again makes the most out of Stone.

Overall, pretty good but not great. 7/10
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7/10
Tainted love
safenoe20 March 2023
Warning: Spoilers
I quite like the early episodes of Law and Order (although I think a Friends episode parodied the title wondering why the Order shouldn't come first because of the police) as there is the gritty feel of New York like The French Connection and Popeye Doyle. Anyway, here it's S&M that's on display, and Frances Conroy should have won an Emmy Award for her role.

It's hard to believe Frances was in Six Feet Under over a decade later.

Here the dominatrix dominates for sure, and the ending was quite sad, with a top NYC official being found in his office. The grand jury proceedings were quite tense for sure.
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6/10
A Kink Episode
claudio_carvalho9 October 2022
When the artist and photographer Victor Moore is found hanged in his studio in an apparently suicide, Detectives Greevey and Logan are assigned by Captain Donald 'Don' Cragen to investigate the case. They lean that Moore was bisexual and Catholic, and he would never commit suicide. Their investigation lead them to Henry Rothman, a powerful man that approves municipal funds for arts. Stone and Robinette conclude that the wealthy and powerful Elizabeth Hendrick is involved in the bizarre case. But how to reach her?

"Prisoner of Love" is a kink episode of "Law & Order". The plot is hard to be followed by people that does not belong to the S&M world. The loyalty of Henry Rothman to Elizabeth Hendrick is hard to believe. My vote is six.

Title (Brazil): "Prisioneiro do Amor" ("Prisoner of the Love")
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5/10
Catholicism Kicks In
bkoganbing26 January 2013
George Dzundza and Chris Noth go into the world of S&M when they investigate what looks like a suicide of a man in all kind of leather gear who is found hanging in his studio. But the toxicology reveals someone who had a lot downer type drugs in his system which sure would have weakened any resistance.

The investigation leads to a city commissioner who was happily married to the public, but led a secret life as a slave to dominatrix Frances Conroy. Larry Keith is the hapless slave who because of the dynamics of the relationship, Michael Moriarty and Richard Brooks are having a hard time getting to roll over on Conroy.

It all gets too much for Dzundza whose Catholicism kicks in with all the kinky alternative sex he has to wade through in this case. He wants off, but Dann Florek who later when he commander of the SVU unit says in the very first episode, 'we don't pick the vic'.

This might have made a great SVU episode, too bad Benson and Stabler weren't on TV yet.
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