"The Sopranos" Marco Polo (2004)

Réalisateur:

John Patterson

Scénaristes:

David Chase (creator)
Michael Imperioli (written by)

Série TV:

"The Sopranos" (1999)

Date de diffusion originale:

25 avril 2004 (Saison 5, Episode 8)

Genre:

Crime | Drame | Thriller

Intrigue:

An uncomfortable party leads Tony and Carmela to a partial reconciliation, while cousin Tony gets an offer he decides not to refuse.

Plot Keywords:

Gangster | Psychiatrist | New Jersey | Mafia | Female Nudity

Avis des utilisateurs:

The beginning of the end

Ensemble

James Gandolfini	...	Tony Soprano
Lorraine Bracco	...	Dr. Jennifer Melfi (credit only)
Edie Falco	...	Carmela Soprano
Michael Imperioli	...	Christopher Moltisanti
Dominic Chianese	...	Junior Soprano
Steve Van Zandt	...	Silvio Dante (credit only) (as Steven Van Zandt)
Tony Sirico	...	Paulie 'Walnuts' Gualtieri (credit only)
Robert Iler	...	A.J. Soprano
Jamie-Lynn Sigler	...	Meadow Soprano (as Jamie-Lynn DiScala)
Drea de Matteo	...	Adriana La Cerva
Steve Schirripa	...	Bobby 'Bacala' Baccalieri (as Steven R. Schirripa)
Aida Turturro	...	Janice Soprano (credit only)
Vincent Curatola	...	Johnny 'Sack' Sacramoni
John Ventimiglia	...	Artie Bucco
Kathrine Narducci	...	Charmaine Bucco (as Katherine Narducci)

Pays:

USA

Langue:

Anglais

Couleur:

Couleur

Classification:

Argentina:16

Lieux de tournage:

Silvercup Studios - 4222 22nd Street, Long Island City, Queens, New York City, New York, USA

Société:

Brad Grey Television

Connexions De Film:

figurer La dolce vita (1960)

Bande son:

La Dolce Vita

The beginning of the end

Marco Polo is the fifth and last episode of The Sopranos that was written by actor Michael Imperioli, and in a way it represents a perfect closure for his "arc": the first show he wrote, From Where to Eternity, had a certain poetic beauty married to harrowing violence, and his final 52 minutes of screen writing for the best drama series ever produced combine the same two factors in that unique Sopranos fashion.

The lyrical side of the episode stems from the seeds of what appears to be a reconciliation between Tony and Carmela: after she left the inadequate Robert Wegler and saw her husband put up with a lot of humiliation at a party (Carm's mother was especially eager to show her contempt for the overweight crook), she begins to see him in a different light and wonder if she made the right choice leaving him.

The bloody part of the story, on the other hand, involves Cousin Tony who, disappointed for not rising fast enough in the family ranks, accepts Little Carmine's offer to whack an important associate of Johnny Sack as retaliation for a hit the latter sanctioned on Carmine's loan-shark a few episodes back. Of course, the outcome can't and won't be pretty.

As an actor, Imperioli knows when to be tender or rough, depending on the demands of the specific scene. As a writer, he displays the exact same skills in a gentler way, ensuring viewers will be moved by how the romantic part is taken care of and shocked by Tony B.'s return to crime, also pushing the dark comedy buttons when necessary. Consequently, Marco Polo is both sweet and tough, compelling and repulsive. Just like all things that constitute everyday life.