Star Trek: The Next Generation (TV Series)
Elementary, Dear Data (1988)
Reference View | Change View
- TV-PG
- 46min
- Action, Adventure
- 05 Dec 1988
- TV Episode
Photos and Videos
Complete, Cast awaiting verification
Patrick Stewart | ... |
Captain Jean-Luc Picard
|
|
Jonathan Frakes | ... |
Commander William Thomas 'Will' Riker
|
|
LeVar Burton | ... |
Lieutenant Geordi La Forge
|
|
Michael Dorn | ... |
Lieutenant Worf
|
|
Marina Sirtis | ... |
Counselor Deanna Troi
|
|
Brent Spiner | ... |
Lieutenant Commander Data
|
|
Wil Wheaton | ... |
Wesley Crusher (creditOnly)
|
|
Diana Muldaur | ... |
Doctor Katherine Pulaski
|
|
Daniel Davis | ... |
Professor James Moriarty
|
|
Alan Shearman | ... |
Inspector Lestrade
|
|
Biff Manard | ... |
Ruffian
|
|
Diz White | ... |
Prostitute
|
|
Anne Ramsay | ... |
Ensign Clancy
(as Anne Elizabeth Ramsay)
|
|
Richard Merson | ... |
Pie Man
|
|
Rest of cast listed alphabetically: | |||
Rosemarie Baio | ... |
Holographic Widow (uncredited)
|
|
Majel Barrett | ... |
Enterprise Computer (uncredited) (voice)
|
|
Michael Braveheart | ... |
Crewman Martinez (uncredited)
|
|
Jeffrey Deacon | ... |
Command Division Officer (uncredited)
|
|
Guy Vardaman | ... |
Darien Wallace (uncredited)
|
|
Mark Wilson | ... |
Holodeck Character (uncredited)
|
Directed by
Rob Bowman |
Written by
Gene Roddenberry | ... | (created by) (creator) |
Brian Alan Lane | ... | (written by) |
Arthur Conan Doyle | ... | (based upon certain characters) (uncredited) |
Produced by
Burton Armus | ... | producer |
Rick Berman | ... | co-executive producer |
Mike Gray | ... | producer |
Maurice Hurley | ... | co-executive producer (showrunner) |
Peter Lauritson | ... | associate producer |
David Livingston | ... | line producer |
John Mason | ... | producer |
Gene Roddenberry | ... | executive producer |
Music by
Dennis McCarthy |
Cinematography by
Edward R. Brown | ... | director of photography |
Editing by
Robert Lederman | ... | (as Bob Lederman) |
Editorial Department
Andrew Drapkin | ... | colorist |
Casting By
Junie Lowry-Johnson |
Production Design by
Richard D. James |
Set Decoration by
Jim Mees |
Costume Design by
William Ware Theiss | ... | (original costumes) |
Durinda Wood | ... | (as Durinda Rice Wood) |
Makeup Department
Sue Forrest Chambers | ... | makeup artist |
Carolyn Ferguson | ... | hair stylist |
Nancy J. Hvasta Leonardi | ... | makeup artist |
Michael Mills | ... | prosthetic makeup artist |
Gerald Quist | ... | makeup artist |
Richard Sabre | ... | hair designer |
Michael Westmore | ... | makeup supervisor |
Production Management
Sam Freedle | ... | unit production manager |
Wendy Neuss | ... | post-production supervisor |
Second Unit Director or Assistant Director
Les Landau | ... | first assistant director |
Robert J. Metoyer | ... | second assistant director |
Art Department
Joe Longo | ... | property master |
Richard McKenzie | ... | set designer |
Michael Okuda | ... | scenic artist |
Charles Peter Russo | ... | assistant property master (as Charles Russo) |
Al Smutko | ... | construction coordinator |
Rick Sternbach | ... | senior illustrator |
Herman F. Zimmerman | ... | original set designer (as Herman Zimmerman) |
Michael W. Moore | ... | props (uncredited) |
Sound Department
Alan Bernard | ... | sound mixer |
Wilson Dyer | ... | sound editor |
Alfred T. Ferrante | ... | adr/foley mixer |
Mace Matiosian | ... | sound editor |
Bill Wistrom | ... | supervising sound editor |
James Wolvington | ... | sound editor |
Special Effects by
Dick Brownfield | ... | special effects |
Visual Effects by
John Basset | ... | visual effects coordinator |
Max Gabl | ... | lead matte artist |
Jordan Hassay | ... | visual effects editor: remastered version |
Robert Legato | ... | visual effects supervisor |
Matthew Mullarkey | ... | visual effects artist |
Michael Van Fleet | ... | systems administrator: remastered version |
Gregory Jein | ... | model maker (uncredited) |
Camera and Electrical Department
John Earl Burnett | ... | first assistant camera: Additional Photography/VFX Unit |
Richard Cronn | ... | chief lighting technician |
Brian Mills | ... | first company grip |
Lowell Peterson | ... | camera operator (uncredited) |
Casting Department
Elisa Goodman | ... | casting associate |
Helen Mossler | ... | casting executive |
Costume and Wardrobe Department
Cha Blevins | ... | key costumer |
Janet Stout | ... | costume supervisor |
Music Department
Alexander Courage | ... | composer: main title theme |
Jerry Goldsmith | ... | composer: main title theme |
Gerry Sackman | ... | music editor |
Alan Vavrin | ... | musician - percussion |
Script and Continuity Department
Cosmo Genovese | ... | script supervisor |
Joyce Heftel | ... | script supervisor: pretiming |
Transportation Department
Alan Kaminsky | ... | driver generator operator (uncredited) |
Additional Crew
Mark Miller | ... | technical director: Unitel |
Diane Overdiek | ... | production coordinator |
Susan Sackett | ... | production associate |
Tracy Tormé | ... | creative consultant |
Eric A. Stillwell | ... | production assistant (uncredited) |
Production Companies
Distributors
- ATV2 (2011) (Austria) (tv)
- Joyn (2021) (Germany) (video) (VoD)
- Kabel Eins (2003) (Germany) (tv)
- MagentaTV (2018) (Germany) (tv)
- Netflix (2016) (Germany) (video) (VoD)
- ORF 1 (1998) (Austria) (tv)
- Paramount Pictures (1987) (United States) (tv)
- Paramount+ (2022) (Germany) (video) (VoD)
- Premiere Serie (2002) (Germany) (tv)
- Premiere Start (2002) (Germany) (tv)
- RTL+ (2021) (Germany) (video) (VoD)
- Sat.1 (1993) (Germany) (tv) (VoD)
- SyFy (2004) (Germany) (tv)
- Tele 5 TM-TV (2011) (Germany) (tv)
- Tele 5 (2011) (Germany) (tv)
- Zweites Deutsches Fernsehen (ZDF) (1990) (West Germany) (tv)
- Zweites Deutsches Fernsehen (ZDF) (1991) (Germany) (tv)
- Österreichischer Rundfunk (ORF) (1998) (Austria) (tv)
Special Effects
Other Companies
Storyline
Plot Summary |
When the Enterprise arrives a few days early at its rendezvous point to meet the USS Victory, the crew have a bit of leisure time on their hands. For Data and Geordi Laforge, it means a trip to the holodeck and 221B Baker St. With Data in the role of Holmes and Laforge as Dr. Watson, they take on a challenge from Dr. Pulaski that Data couldn't solve a genuine mystery. Data has a bit of time adjusting to a real mystery - as opposed to one for which he knows the outcome. In giving the holodeck computer its instructions however, Geordi's specifications for an opponent results in a far superior creation than expected putting them and the entire ship in danger. Written by garykmcd |
Plot Keywords | |
Genres | |
Parents Guide | View content advisory » |
Certification |
Additional Details
Runtime |
|
Official Sites | |
Country | |
Language | |
Color | |
Aspect Ratio |
|
Sound Mix | |
Filming Locations |
Did You Know?
Trivia | Picard utters "Merde", the French word for "shit". As it was said in a foreign language, it passed the TV censors. Merde is sometimes translated as "damn" in subtitles. This is not euphemism but reflects common usage in French. French conversation is relaxed about the use of swearwords with sexual connotations, whose literal translations would be considered very strong or taboo in English. For example, "Je m'en fous" literally means "I don't give a f***" but is used by the French in the same way as the milder "I don't care." See more » |
Goofs | Moriarty hands Data a piece of paper upon which is a sketch of the Enterprise. Data immediately storms off the holodeck, and shows the paper to La Forge. As the paper was holographic, it should have vanished the moment it was removed from the holodeck. However, other episodes have established that some objects (such as food) are actually replicated within the holodeck, and thus are "real" (i.e. not holographic), depending on the needs of the program and its user (as well as the plot of the individual show). See more » |
Movie Connections | Featured in Holodeck und Hologramme (2006). See more » |
Soundtracks | Star Trek: The Next Generation Main Title See more » |
Quotes |
Moriarty:
Is the definition of life "Cogito ergo sum" - I think, therefore I am? Captain Jean-Luc Picard: Yes, that is one possible definition. Moriarty: It is the most important one - and for me, the only one that matters. See more » |