The Twilight Zone (TV Series)
Passage on the Lady Anne (1963)
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- TV-14
- 51min
- Drama, Fantasy
- 09 May 1963
- TV Episode
Photos and Videos
Complete, Cast awaiting verification
Gladys Cooper | ... |
Millie McKenzie
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Wilfrid Hyde-White | ... |
Toby McKenzie
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Cecil Kellaway | ... |
Burgess
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Lee Philips | ... |
Alan Ransome
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Joyce Van Patten | ... |
Eileen Ransome
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Alan Napier | ... |
Capt. Protheroe
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Cyril Delevanti | ... |
Officer
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Jack Raine | ... |
Officer
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Colin Campbell | ... |
Addicott
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Don Keefer | ... |
Spierto
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Rest of cast listed alphabetically: | |||
Frank Baker | ... |
Otto Champion (uncredited)
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Sam Harris | ... |
Mersia Jones (uncredited)
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Freda Jones | ... |
Ship Passenger (uncredited)
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Colin Kenny | ... |
Ship Passenger (uncredited)
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Carl M. Leviness | ... |
Ship Passenger (uncredited)
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Scott Seaton | ... |
Ship Passenger (uncredited)
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Rod Serling | ... |
Narrator / Self - Host (uncredited)
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Arthur Tovey | ... |
Ship's Greeter (uncredited)
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Directed by
Lamont Johnson |
Written by
Charles Beaumont | ... | (written by) |
Rod Serling | ... | (created by) (creator) |
Produced by
Bert Granet | ... | producer |
Music by
René Garriguenc | ... | (as Rene Garriguenc) |
Cinematography by
Robert Pittack | ... | director of photography |
Editing by
Everett Dodd |
Art Direction by
George W. Davis | ||
Paul Groesse |
Set Decoration by
Henry Grace | ||
Frank R. McKelvy |
Production Management
Ralph W. Nelson | ... | production manager |
Second Unit Director or Assistant Director
Ray DeCamp | ... | assistant director (as Ray De Camp) |
Sound Department
Joe Edmondson | ... | sound |
Franklin Milton | ... | sound |
Camera and Electrical Department
James V. King | ... | camera operator (uncredited) |
Music Department
Lud Gluskin | ... | conductor |
Marius Constant | ... | composer: theme music (uncredited) |
Additional Crew
John Conwell | ... | assistant to producer |
Production Companies
Distributors
- CBS (1963) (United States) (tv)
- Image Entertainment (2011) (United States) (Blu-ray)
- Image Entertainment (2011) (United States) (DVD)
- YouTube (United States) (video) (VOD)
Special Effects
Other Companies
- Eagle Clothes (Mr. Serling's wardrobe)
Storyline
Plot Summary |
Eileen and Alan Ransome's marriage is going through a bad patch and they decide to go on a holiday to London. Eileen insists on traveling by ship and they book passage on the Lady Anne, an old ship that is not recommended by the travel agent but is leaving quite soon. When they arrive at the port terminal another passenger, Mr. McKenzie, insists strenuously that the young couple has made a mistake and tries to discourage them from coming along on what is a "private cruise". Mrs. McKenzie keeps her own counsel but clearly shares her husband's sentiments. Another passenger, Burgess, tries to warn them off as well. He and McKenzie offer them money, eventually $10,000, to leave immediately. The Ransomes take umbrage and refuse. The couple finds that all of the other passengers are quite elderly but unsurprisingly have a good deal of wisdom to dispense to the young couple. Alan and Eileen are just beginning to really enjoy the trip when the captain suddenly puts them off the ship at gunpoint with provisions and a promise to notify the authorities of their location. They are rescued but as for the Lady Anne and her other passengers -- well, there's the rub. Written by garykmcd |
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Parents Guide | Add content advisory for parents » |
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Did You Know?
Trivia | Because of the large number of well-known actors in this episode, the closing theme featured a credit roll of cast names instead of the usual still frames. The remaining non-cast credits were then done with standard still frames. This was the only episode of the series to ever use a credit roll. See more » |
Movie Connections | Featured in Passage on the Lady Anne (2023). See more » |
Soundtracks | Twilight Zone Theme See more » |
Quotes |
Millie McKenzie:
Love has its own particular point of view. It sees everything larger than life. Nothing is too ornate, too fanciful, too dramatic. Love demands the theatrical, and then transfigures it. It turns the grotesque into the lovely, as a child does. With it, we can see what we wish to see in other people. Without it, we can't see anything at all. We can search forever, and never find. See more » |