Although the ending is never in doubt (follows close enough to the Dennis Weaver original TZ in terms of eventual results), Peter Coyote and the cast are so damn good (as is Paul Lynch's direction) they grip you anyway. Coyote is sentenced to die by hanging but he insists the courtroom verdict and sentencing, the trip to jail, the waiting for the execution, the visit to him by the opposing counsel, and the eventual execution itself are all a nightmare looping over and over, with the people in the dream often in different parts (Janet Eiber is his defense and then later the judge, William Smith is a grinning, abusive guard one time, and the opposing counsel the next, William Schallert is the priest and the jurist reading Coyote's verdict the next time) with the same outcome over and over. Coyote states his case to anyone who will listen. His description of the green mile until the execution while two of the other death row inmates listen on is quite chilling. I love how when the others talk, you can see Coyote mouthing what they're saying as they say it
it is those little things that make Coyote such a pro. There's Eiber talking it over with opposing counsel, Guy Boyd, over how memories seem vacant and oddly there is no press or audience in the court room. Coyote, expecting Boyd (or someone representing the prosecution), knows that he will be too late, convincing him through things his "wife" (Deborah May) says when they are along that the nightmare scenario has merit. Schallert's priest is actually Coyote's father while May is his sister (Schallert died and Coyote believes his presence is one to bring guilt while May and him hated each other so she's always the character that wants him dead), which testifies to the validity of his dream theory
that and how this trial and execution always results right back where it started. What an anchor Coyote is: he was everywhere in the 80s, too. Though based on the same story shown in the 60s series, still this 80s update was compelling despite that.7/10
Dying daughter, Sydney Penny (regular on multiple soaps), uses a wish beholden to her to grant her talented mother a chance to go forward in time to witness her operatic success, watching herself perform before an audience. If you are interested in time travel wrapped within a sad story of death and embracing your talent instead of lingering in woe then here you go. Not my cup of tea. 5/10
Dying daughter, Sydney Penny (regular on multiple soaps), uses a wish beholden to her to grant her talented mother a chance to go forward in time to witness her operatic success, watching herself perform before an audience. If you are interested in time travel wrapped within a sad story of death and embracing your talent instead of lingering in woe then here you go. Not my cup of tea. 5/10