| Photos (see all 1 | slideshow) |
| Alexander Fehling | ... | Sven Lehnert | |
| Ryszard Ronczewski | ... | Stanislaw Krzeminski | |
| Barbara Wysocka | ... | Ania Lanuszewska | |
| Piotr Rogucki | ... | Krzysztof Lanuszewski | |
| Rainer Sellien | ... | Klaus Herold | |
| Lena Stolze | ... | Andrea Schneider | |
| Lutz Blochberger | ... | Jürgen Dremmler | |
| Willy Rachow | ... | Lehrling Micha | |
| Roman Gancarczyk | ... | Restaurator Karol | |
| Adam Nawojczyk | ... | Restaurator Piotr | |
| Halina Kwiatkowska | ... | Zofia Krzeminska | |
| Joachim Lätsch | ... | Lehrer | |
| reste de la distribution par ordre alphabétique: | |||
| Wolfgang Thalheim | ... | Herr Friedrich | |
Réalisé par | |||
| Robert Thalheim | |||
Scénaristes(in alphabetical order) | ||
| Bernd Lange | collaboration | |
| Hans-Christian Schmid | collaboration | |
| Robert Thalheim | writer | |
Produit par | |||
| Kazimierz Beer | .... | co-producer | |
| Christian Cloos | .... | co-producer: ZDF | |
| Britta Knöller | .... | producer | |
| Hans-Christian Schmid | .... | producer | |
Musique originale | |||
| Uwe Bossenz | |||
Image | |||
| Yoliswa Gärtig | |||
Montage | |||
| Stefan Kobe | |||
Distribution des rôles | |||
| Simone Bär | |||
| Magdalena Szwarcbart | (as Magda Szwarcbart) | ||
Création des décors | |||
| Michal Galinski | |||
| Rita Hallekamp | |||
Création des costumes | |||
| Ewa Krauze | |||
Directeur de production | |||
| Jolanta Jaltuszewska | .... | assistant production manager | |
| Boris Mang | .... | post-production manager | |
| Grazyna Seyfried | .... | production manager | |
| Malgorzata Zacharko | .... | unit manager | |
Art Department | |||
| Petra Schlie | .... | property master | |
Technicien du son | |||
| Uwe Bossenz | .... | sound | |
| Anton Feist | .... | sound | |
| Lars Ginzel | .... | sound re-recording mixer | |
| Detlef A. Schitto | .... | sound designer | |
Visual Effects | |||
| Wolf Bosse | .... | digital intermediate producer | |
| Frieda Oberlin | .... | digital intermediate supervisor | |
| Moritz Peters | .... | digital colorist | |
| Christian Tröger | .... | digital artist | |
| Ralf Wacker | .... | digital intermediate supervisor | |
Casting Department | |||
| Kirstin Plotz | .... | casting assistant | |
Editorial Department | |||
| Vincent Amor | .... | color timer | |
| Nico Hauter | .... | assistant digital colorist | |
Divers | |||
| Sebastian Alten | .... | production intern | |
| Anja Marquardt | .... | intern | |
Thanks | |||
| Jakob Claussen | .... | thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| Mr. Krzeminski's fate (spoiler alert) | jerry4444 |
| I've played in this film :) | emoticonka |
| Music | jg1972 |
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| La tregua | Die Auschwitz-Dialoge | Against the Odds | Europa Europa | Sorstalanság |
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IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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IMDb Note des utilisateurs:
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| Full cast and crew | Company credits | External reviews |
| IMDb Drame section | IMDb Germany section | Add this title to MyMovies |
"Am Ende kommen Touristen" (literally: "In the end it's tourists coming") is more than a film about Auschwitz today. Actually, it is not even a film about Auschwitz. It is a film about how the abyss of the past transcends into the problems of the present. It is a story of trans-generation and trans-national relations that gain extra-dynamics by the presence of the historical weight of the concentration camp of Auschwitz.
In this sense, the film is an amazing piece of story-telling because it catches the hesitations and irritations that we all - especially in my generation - have when dealing with our past knowing that in fact we are handling the questions and relations of today. Additionally, "Am Ende kommen Touristen" has a very subtle way of mixing irony and cynicism, attention and ignorance, anger and joy, closeness and distance without making it feel constructed or misleading. It is not very innovative in terms of film-making or cinematic narrative (therefore 9/10) but it is a very honest story with fondly drawn characters, respect for past and present, and an appropriate ending that is really worth seeing - even more than once!