| Photos (Voir toutes les 30 | Diaporama) | Videos (see all 12) |
| Jess Weixler | ... | Dawn O'Keefe | |
| John Hensley | ... | Brad | |
| Josh Pais | ... | Dr. Godfrey | |
| Hale Appleman | ... | Tobey | |
| Lenny von Dohlen | ... | Bill | |
| Vivienne Benesch | ... | Kim | |
| Ashley Springer | ... | Ryan | |
| Julia Garro | ... | Gwen | |
| Nicole Swahn | ... | Melanie | |
| Adam Wagner | ... | Phil | |
| Hunter Ulvog | ... | Little Brad | |
| Ava Ryen Plumb | ... | Little Dawn | |
| Trent Moore | ... | Mr. Vincent | |
| Mike Yager | ... | Elliot | |
| Nathan Parsons | ... | Soda Spritzer | |
| Paul Galvan | ... | Taunting Boy | |
| Kasey Kitzmiller | ... | Taunting Girl | |
| Taylor Sheppard | ... | Sex Ed Teacher | |
| Denia Ridley | ... | Biology Teacher | |
| Kiri Weatherby | ... | Curious Student | |
| Michael Swanner | ... | Police Detective | |
| Tom Byrne | ... | Surgeon | |
| Andra Millian | ... | O.R. Nurse | |
| Frank G. Curcio | ... | Coroner (as Frank Curcio) | |
| Lana Dieterich | ... | Admitting Nurse | |
| Doyle Carter | ... | Old Man | |
| reste de la distribution par ordre alphabétique: | |||
| Leslie Dawn Forsyth | ... | Nurse (uncredited) | |
| Isaac Rodriguez | ... | Student in hallway (uncredited) | |
| Trevor Stevenson | ... | Paramedic (uncredited) | |
| Jordan Strassner | ... | Purity Ring Wearer (uncredited) | |
| Debbi Tucker | ... | O.R. Nurse #2 (uncredited) | |
Réalisé par | |||
| Mitchell Lichtenstein | |||
Scénaristes(WGA) | ||
| Mitchell Lichtenstein | (written by) | |
Produit par | |||
| Richard E. Chapla Jr. | .... | line producer (as Rich Chapla) | |
| Mitchell Lichtenstein | .... | producer | |
| Richard Lormand | .... | associate producer | |
| Joyce M. Pierpoline | .... | producer (as Joyce Pierpoline) | |
Musique originale | |||
| Robert Miller | |||
Image | |||
| Wolfgang Held | |||
Montage | |||
| Joe Landauer | |||
Distribution des rôles | |||
| Kerry Barden | |||
| Billy Hopkins | |||
| Paul Schnee | |||
| Suzanne Smith | (as Suzanne Smith Crowley) | ||
Création des décors | |||
| Paul Avery | |||
Direction artistique | |||
| Tom Cole | |||
Décorateur de plateau | |||
| Sally Nicholaou Hamilton | (as Sally Hamilton) | ||
Création des costumes | |||
| Rita Ryack | |||
Maquillage | |||
| Meredith Johns | .... | hair stylist | |
| Meredith Johns | .... | makeup artist | |
| Marlene D. Whiton | .... | head hair stylist | |
| Marlene D. Whiton | .... | makeup department head | |
| Sammy Harte | .... | special makeup effects artist (uncredited) | |
Directeur de production | |||
| Richard E. Chapla Jr. | .... | unit production manager (as Rich Chapla) | |
Assistant réalisateur | |||
| Doug Carter | .... | second second assistant director (as Douglas Carter) | |
| Cleta Elaine Ellington | .... | key second second assistant director | |
| Katie Tull | .... | first assistant director (as Kathleen Tull) | |
Département Art | |||
| Jesus Carrera | .... | construction coordinator | |
| Lazario V. Carrera | .... | construction production assistant (as Lazaro V. Carrera) | |
| Raul Carrera | .... | carpenter | |
| Lawrence Glass | .... | on-set dresser | |
| James Hall | .... | graphic artist | |
| Jeff Hinds | .... | set dresser | |
| Jay F. McCuin | .... | first property assistant | |
| Shay Miller | .... | scenic painter (as R. Shay Miller) | |
| Jorge Paris | .... | additional graphics | |
| Jonathan Shaffer | .... | set dresser | |
| Suzanne Stover | .... | art department coordinator | |
| Stefan Wilcox | .... | prop master | |
Technicien du son | |||
| David Briggs | .... | supervising sound editor | |
| Ryan Collison | .... | foley engineer | |
| Rusty Dunn | .... | sound designer | |
| Rusty Dunn | .... | sound effects editor | |
| Lewis Goldstein | .... | sound re-recording mixer | |
| Lewis Goldstein | .... | supervising sound editor | |
| Ben Lazard | .... | boom operator | |
| Benjamin Lowry | .... | sound mixer | |
| Michael Miller | .... | adr mixer | |
| Jay Peck | .... | foley artist | |
| Gopal Bidari | .... | additional boom operator (uncredited) | |
Visual Effects | |||
| Cris Andrei | .... | visual effects production manager | |
| Janet Falcon | .... | digital film colorist | |
| Kevin Fanning | .... | visual effects animator: opening credit sequence | |
| Mark O. Forker | .... | visual effects supervisor: DIVE (as Marko Forker) | |
| Craig Needelman | .... | director of photography | |
| Robert Pyle | .... | digital intermediate engineer | |
| Ken Rogers | .... | CG artist | |
| Nik Rogers | .... | visual effects artist | |
| Jack Swern | .... | gaffer | |
| Gary Walker | .... | visual effects supervisor | |
| Andy Williams | .... | visual effects | |
Cascadeur | |||
| Jeff Schwan | .... | stunt coordinator | |
Caméra et Département Electrique | |||
| Ryan Abrams | .... | camera production assistant | |
| Josh Cary | .... | electrician | |
| Patrick B. Coate | .... | additional second assistant camera | |
| Matt Cowan | .... | dolly grip | |
| Eric Cunningham | .... | electrician | |
| Theda Cunningham | .... | first assistant camera (as Theda Streetman) | |
| Ted Davis | .... | key grip | |
| Wes Dixon | .... | electrician | |
| Anthony Duran | .... | still photographer | |
| Ian Ellis | .... | camera operator | |
| Jess Haas | .... | rigging electrician | |
| Damon Lemay | .... | assistant camera: additional scenes | |
| Mark Manthey | .... | gaffer | |
| Edward A. Navarro | .... | grip | |
| Trevor Nelson | .... | camera loader (as Trevor D. Nelson) | |
| Clayton Null | .... | best boy grip | |
| Eric Pickett | .... | additional rigging electric | |
| Brandon Roberts | .... | best boy electric | |
| Wes Turner | .... | second assistant camera | |
| Jesse Wolter | .... | grip | |
| Thomas Young | .... | second assistant camera (as Thomas Young III) | |
Departement Animation | |||
| Kevin Fanning | .... | animator: main title animation | |
Département Casting | |||
| Victoria Acosta | .... | casting: Texas | |
| Jennifer Ricchiazzi | .... | casting assistant | |
| Marny Smith | .... | casting assistant | |
| Amy Soto | .... | casting assistant: extras | |
Département Costume et garde-Robe | |||
| Paula Elins | .... | assistant costume designer (as Paula M. Elins) | |
| Erika Henderson | .... | costume production assistant | |
| Leeann Radeka | .... | costume supervisor (as LeeAnn Radeka) | |
| Taylor Rierden | .... | costume production assistant | |
| Stephanie A. Steel | .... | key costumer | |
Dpartement Editorial | |||
| David Diperstein | .... | post-production assistant | |
| Aaron Marshall | .... | assembly editor | |
| Alyson Peters | .... | post-production coordinator | |
| Andrew W. Schwertfeger | .... | post-production coordinator | |
| John-Michael Trojan | .... | digital intermediate producer | |
| Andy Williams | .... | digital intermediate | |
Département Musique | |||
| Elena Barere | .... | musician: violin | |
| Virgil Blackwell | .... | musician: bass clarinet | |
| Eva Burmeister | .... | musician: violin | |
| David Chan | .... | musician: violin | |
| Desiree Elsevier | .... | musician: viola | |
| Katherine Fong | .... | musician: violin | |
| Toni Glickman | .... | musician: violin | |
| Tony Kadlack | .... | musician: trumpet (as Tony Kadleck) | |
| David Krauss | .... | musician: trumpet | |
| Gail Kruvand | .... | musician: bass | |
| Ann Leathers | .... | musician: violin | |
| Leanne LeBlanc | .... | musician: cello | |
| Vincent Lionti | .... | musician: viola | |
| Katherine Livolsi | .... | musician: violin | |
| Richard Locker | .... | musician: cello | |
| Robert Miller | .... | musician: piano, assorted synths | |
| Beth Rosenblatt | .... | music supervisor | |
| David Taylor | .... | musician: bass trombone | |
| Glen Velez | .... | musician: assorted frame drums | |
| Heather Weisberg | .... | musician: choral voices | |
| David Weiss | .... | musician: bass pan flutes | |
Département Transport | |||
| Thomas Bunker | .... | driver | |
| Francisco De La Fuente | .... | driver | |
| Bobby Nelson | .... | transportation coordinator (as Bob Nelson) | |
| Paul Salard III | .... | driver | |
| Wilburn White | .... | transportation captain (as Wilburn W. White) | |
Merci | |||
| Michael A. De Leon | .... | acknowledgment: photographs provided by | |
| Andre DesRochers | .... | thanks | |
| Maria Machado | .... | special thanks | |
| Sarah Oh | .... | special thanks | |
| Chuck Prophet | .... | special thanks | |
| Bill Sage | .... | special thanks | |
| Vincent Sanchez | .... | special thanks | |
| Hilary Stabb | .... | thanks | |
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| Mysterious Skin | Lolita | Boy A | Calendar Girl | A History of Violence |
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IMDb Note Générale:
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Comedie section | IMDb USA section | Add this title to MyMovies |
"Teeth" is a coming-of-age tale done in the spirit of "Carrie" (1976) in that it carefully examines a young girl becoming a woman. But "Carrie" had a twist: the protagonist Carrie White developed psychic powers, which she then used against the classmates who persistently tormented her. "Teeth" has a similar premise, one that's likely to instill castration anxiety in any oversexed male who watches it.
"Teeth" introduces the concept - for a wider audience - of "vagina dentata" (when translated from Latin, literally means "toothed vagina," as in females having a nifty set of teeth between their legs), the same vagina dentata of ancient mythology given to women as a physical advantage during sexual intercourse and is meant to ward off men from having sex with strange women and instill harsh feelings of castration anxiety in those oversexed men. Writer/director Mitchell Lichtenstein takes his cues from "Carrie" and that ancient mythology to form the basis of his directorial debut; many may not know that "Teeth" is itself a remake of a small Japanese film called "Sexual Parasite: Killer Pussy" (2004) (I actually had to laugh at that title).
As a 22-year-old male virgin, some of what I saw in this picture is quite shocking and had me squirming in my seat on more than one occasion, trying to hold on to my manhood (so to speak) and enjoy a well-crafted coming-of-age horror-comedy. But the movie isn't about male-bashing, nor is it really about female empowerment. If you look hard enough, the movie is really about sexual violence, that is violence perpetrated by men upon women and vice versa. In this cinematic battle of the sexes, no one is really favored to win, although it's obvious that most men, young and old, will think twice about having sex with the film's female protagonist by the time the credits begin to roll.
The young heroine of "Teeth" is Dawn (Sundance Award-winner for Best Actress and - who some have called - Meryl Streep-in-training, Jess Weixler), a "pretty but prim" high school virgin who is hanging on to her sexual purity for dear life. In a tightly-knit Midwestern community that has ominous smoke stacks from the local chemical plant looming in the background, Dawn is the shining Christian example of abstinence at her school, where young men and women alike face all sorts of pressures to explore each others' bodies and let go of their virginity. In sex education courses, textbooks are featured that have taped-over diagrams of female genitalia but not male genitalia (a sexist double-standard?).
Things aren't much better at home. The film opens with a rather disturbing childhood incident between Dawn and her step-brother Brad that renders him without the tip of one of his fingers. Now an adult, the psychotic and heavily tattooed Brad (John Hensley) spends his days doing his girlfriend in his bedroom while harboring incestuous feelings toward Dawn.
Dawn only feels the sexual urges to let go of chastity getting stronger when she begins dating the like-minded Tobey (Hale Appleman), who eventually confesses to her that he's not a virgin; she isn't put off by the news, however. One thing leads to another and the two wind up in the sack, but when she rejects him, he forces himself upon her and - chomp! - no more Mr. Willy-Willy for Tobey. It is at this point that any males in the audience are likely to start squirming in their seats when they realize that Dawn has been gifted - or cursed? - with the Toothed Vagina of ancient mythology, and she then begins to use this new physical ability to her advantage against the horny young men who try to get in her pants without her express permission.
"Teeth" is not a particularly well-written first feature, since it can't decide what it wants to be - a horror film, a comedy, or a mix of both - and this is the film's only really big weakness. So, we have to take it for what it is: a horror-comedy. Jess Weixler is phenomenal; I'm not sure if she's really a young Meryl Streep-in-training, but she is a young actress to keep an eye out for and her Sundance award for Best Actress was well-deserved. Like Carrie, you sympathize with the heroine, even as she comes to terms with her new physical ability and blossoming sexuality, and uses them both against her tormentors. I've already pointed out the parallels to Carrie White, but it is pretty clear Lichtenstein is familiar with that story to at least draw some distinctions from that and "Killer Pussy."
The film never really explores the extent of Dawn's Toothed Vagina or how she even achieved it, although there are a few clues here and there. It can be inferred that the vagina dentata are perhaps the next stage in the evolution of the female body (as explained in biology class). Or, are they simply a mutation caused by exposure to harmful chemicals put in the air by the local chemical plant? It's never really explained, and that's a good thing. Lastly, "Teeth" also has a lot of exposed flesh - male and female - and some pretty gruesome special effects sequences (though, weirdly enough, we never actually see Dawn's gift) that'll have any oversexed guys out there thinking twice about asking that pretty but strange new girl out for a date.
10/10