| Photos (see all 8 | slideshow) | Videos |
| Frédéric van den Driessche | ... | François | |
| Maroussia Dubreuil | ... | Charlotte | |
| Lise Bellynck | ... | Julie | |
| Marie Allan | ... | Stéphanie | |
| Sophie Bonnet | ... | La femme de François | |
| Raphaële Godin | ... | Apparition 1 / Rebecca | |
| Margaret Zenou | ... | Apparition 2 | |
| Jeanne Cellard | ... | La grand-mère | |
| Virginie Legeay | ... | Virginie | |
| Estelle Galarme | ... | Olivia | |
| Marine Danaux | ... | Agnès | |
| Apolline Louis | ... | Céline | |
| François Négret | ... | L'ami de Stéphane | |
| Christophe Maillard | ... | Le producteur | |
| Françoise Bonnet | ... | La voisine escalier | |
| Olivier Perrot | ... | Le gendarme | |
| reste de la distribution par ordre alphabétique: | |||
| Jean-Claude Brisseau | ... | Un assistant tournage (uncredited) | |
| María Luisa García | ... | La maquilleuse (uncredited) | |
| Aymeric Petit | ... | Un machino (uncredited) | |
| Georges Prat | ... | L'ingénieur du son (uncredited) | |
Réalisé par | |||
| Jean-Claude Brisseau | |||
Scénaristes(in alphabetical order) | ||
| Jean-Claude Brisseau | writer | |
Produit par | |||
| Lise Bellynck | .... | associate producer | |
| Milena Poylo | .... | producer | |
| Gilles Sacuto | .... | producer | |
Musique originale | |||
| Jean Musy | |||
Image | |||
| Wilfrid Sempé | |||
Montage | |||
| María Luisa García | |||
Création des décors | |||
| María Luisa García | |||
Création des costumes | |||
| María Luisa García | |||
Maquillage | |||
| Betty Beauchamp | .... | makeup artist | |
| Stéphanie Selva | .... | key makeup artist | |
Directeur de production | |||
| Virginie Audouard | .... | unit manager | |
| Christophe Desenclos | .... | production manager (as Christophe Désenclos) | |
| Bruno Duron | .... | unit production manager | |
| Nicolas Houlot | .... | assistant unit manager | |
| Camille Rochette | .... | assistant unit manager | |
Assistant réalisateur | |||
| Virginie Legeay | .... | assistant director | |
| Mathilde Profit | .... | assistant director | |
Art Department | |||
| Quentin Charrois | .... | set builder | |
| Julia Echevarria y Figueroa | .... | second assistant art director | |
| Eric Lingansch | .... | first assistant art director | |
Technicien du son | |||
| Frédéric Cattoni | .... | sound consultant: DTS | |
| Jacques Descomps | .... | sound recordist | |
| Patrick Egreteau | .... | foley artist | |
| Cyril Jegou | .... | sound editor (as Cyril Jégou) | |
| Emmanuel Le Gall | .... | assistant sound | |
| Bernard Le Roux | .... | sound mixer | |
| Georges Prat | .... | sound | |
Camera and Electrical Department | |||
| Philippe Brindejonc | .... | additional electrician | |
| David Chambille | .... | trainee assistant camera | |
| Sébastien Courtain | .... | additional electrician | |
| David Grinberg | .... | first assistant camera | |
| Didier Larate | .... | additional electrician (as Didier Laratte) | |
| Guillaume Leturgie | .... | electrician (as Guillaume Léturgie) | |
| Aurore Lossouarn | .... | trainee electrician | |
| Aymeric Petit | .... | trainee grip | |
| Fabrice Rosaz | .... | additional electrician | |
| Olivier Sargatal | .... | gaffer | |
Editorial Department | |||
| Jean-Marc Grégois | .... | color timer (as Jean-Marc Grégeois) | |
| Gwenaëlle Hubert | .... | assistant editor | |
Divers | |||
| Alice Ormières | .... | production assistant | |
| Cécile Rémi-Boutang | .... | administrator (as Cécile Rémy-Boutang) | |
Thanks | |||
| Christiane Lack | .... | thanks | |
| Rebecca Zlotowski | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
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This film is nothing like as meaningful as I am sure the makers would have wished but neither is it tosh. Brisseau tells of a director who sets out to capture the beauty of the female nude during orgasm. Not interested in the porn actresses' rehearsed turns he seeks young women not used to performing the act so that he might thereby capture the 'mystical moments'. He also proposes that if she transgresses the norm she will more likely reach the maximum sensations. Hence, we get masturbation in a restaurant, in a hotel room with the door open, with other girls etc. I do not particularly take issue with any of this but I just don't think it's particularly profound. It is a slight theory which if proved does not really lead us anywhere. Where it does lead us of course is to the frank and pretty explicit presentation of some pretty erotic scenes. Not all bad then! Simple enough to start with this gradually turns into a melodrama involving the director's wife, the girls' partners and even the police and the ghost of his grandmother. Gradually we seem to loose sight of what seemed the film's only premise, but who knows maybe Brisseau really was making a film about the nature of love and how men and women are affected so differently.