Moyoco Anno (comic)
Yuki Tanada (screenplay)
24 février 2007 (Japan) suite
4 nominations suite
This ain't no artsy-fartsy geisha movie... plus de (9 total)
| Anna Tsuchiya | ... | Kiyoha | |
| Kippei Shiina | ... | Kuranosuke | |
| Yoshino Kimura | ... | Takao | |
| Hiroki Narimiya | ... | Sojiro | |
| Miho Kanno | ... | Shohi | |
| Masatoshi Nagase | ... | Mitsunobu | |
| reste de la distribution par ordre alphabétique: | |||
| Masanobu Ando | ... | Seiji | |
| Kayoko Aoyagi | |||
| Ken'ichi Endô | ... | Sakaguchi | |
| Yasushi Higuchi | |||
| Akiko Hoshino | |||
| Yuki Hyôdô | |||
| Sadanji Ichikawa IV | ... | Retired man | |
| Renji Ishibashi | ... | Owner | |
| Kyôko Koizumi | ... | Oran | |
| Narumi Konno | ... | Yukiji | |
| Minami | ... | Wakagiku | |
| Keishi Nagatsuka | |||
| Yuri Nakamura | |||
| Mari Natsuki | ... | Mother | |
| Miho Ninagawa | ... | Momoka | |
| Shun Oguri | ... | Florist | |
| Kenji Takama | |||
| Hiroyuki Tanaka | ... | Patron (as Sabu) | |
| Ai Yamaguchi | ... | Shigeji | |
Réalisé par | |||
| Mika Ninagawa | |||
Scénaristes | ||
| Moyoco Anno | (comic) | |
| Yuki Tanada | (screenplay) | |
Produit par | |||
| Yoshinori Fujita | .... | producer | |
| Chikako Nakabayashi | .... | line producer | |
| Tamotsu Shiina | .... | executive producer | |
| Masayuki Tanishima | .... | associate producer | |
| Masao Teshima | .... | chief producer | |
| Mitsuru Uda | .... | producer | |
Musique originale | |||
| Ringo Shiina | |||
Image | |||
| Takuro Ishizaka | |||
Montage | |||
| Hiroaki Morishita | |||
Création des décors | |||
| Namiko Iwaki | |||
Maquillage | |||
| Etsuko Egawa | .... | special makeup effects artist | |
| Daisuke Iga | .... | stylist | |
| Yuko Sugiyama | .... | stylist | |
Directeur de production | |||
| Masahiro Motofuji | .... | unit production manager | |
Assistant réalisateur | |||
| Toru Yamamoto | .... | first assistant director | |
Département Art | |||
| Toshiharu Aida | .... | set dresser | |
Technicien du son | |||
| Showa Matsumoto | .... | sound recordist | |
Visual Effects | |||
| Mitsuaki Hashimoto | .... | visual effects supervisor | |
Caméra et Département Electrique | |||
| Hideo Kumagai | .... | gaffer | |
Département Musique | |||
| Teru Yasui | .... | music supervisor | |
Divers | |||
| Atsumi Koizumi | .... | script supervisor | |
Germany:111 min (Berlin International Film Festival)
1,85 : 1 suite
Germany:12 | South Korea:18 | Taiwan:R-12 | Japan:PG-12 | UK:15
Shohi: The more a girl is given things, the more the others hate her. Since nobody likes you, it's perfect. suite
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| Megumi | Kewaishi | Rurôni Kenshin: Ishin shishi e no Requiem | Ninja bugei-cho | Always san-chôme no yûhi |
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb Japan section | Add this title to MyMovies |
If you pick up "Sakuran" with the intention of enjoying another artsy, sensitive depiction of geisha life, you're dead wrong. "Sakuran" is a movie about *oiran* life (for those who do not know: geisha are entertainers, and oiran are prostitutes). As such, you're not going to watch a bunch of well-behaved and manicured women. Here, you'll see bitch-slaps, coarse language, and a hard-ass main character with a rather modern view of life who can't really fit in with her peers. In other words, despite the fact that its setting is in the past, it's a fitting movie for the modern woman to relate to.
"Sakuran" is based on a Japanese manga series, so many scenes in the movie are shown with many colors. It's beautiful in its own way, though movie purists aren't going to like it. It also has a lot of pop music in it, which purists are going to find jarring and dissonant with the period depicted. However, the target audience is clearly not them, and the movie will treat them with the same disdain that the main character (herself played by a pop star turned actress) shows toward the high-class, privileged lords and samurai.
The movie makes many statements about the Japanese class system and politics, too, but it doesn't exactly shove them down your throat, either. In the end, the movie is about the freedom to choose love in spite of the expectations of class and vocation. Don't take it too seriously, and enjoy the ride.