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Alain Corneau (adaptation)
José Giovanni (dialogue) ...
(suite)
24 octobre 2007 (Belgium) suite
Gu, a famous gangster, has just escaped from jail. All french police is after him. Before leaving the country with Manouche, the woman he loves, Gu needs a final job to get some money. The job works, but a police's scheming makes Gu appear as a traitor to his own accomplices. Gu will do whatever it takes to clean his honor... full summary | add synopsis
4 nominations suite
I expected a better film... plus de (4 total)
Réalisé par | |||
| Alain Corneau | |||
Scénaristes | ||
| Alain Corneau | (adaptation) | |
| José Giovanni | (dialogue) and | |
| Alain Corneau | (dialogue) | |
| José Giovanni | (novel "Un reglement de comptes") | |
Produit par | |||
| Laurent Pétin | .... | producer | |
| Michèle Pétin | .... | producer | |
Musique originale | |||
| Bruno Coulais | |||
Image | |||
| Yves Angelo | |||
Montage | |||
| Marie-Josèphe Yoyotte | |||
Création des décors | |||
| Thierry Flamand | |||
Maquillage | |||
| Frédéric Balmer | .... | special makeup effects artist | |
| Laurent Bozzi | .... | key hair stylist | |
| Bérangère Cortaix | .... | special makeup effects artist | |
| Jacques-Olivier Molon | .... | special makeup effects artist | |
| Pierre Olivier Persin | .... | special makeup effects crew | |
| Pierre-Olivier Thevenin | .... | special makeup effects artist | |
Directeur de production | |||
| Jean-Charles Berlan | .... | assistant unit manager | |
| Guillaume Parent | .... | post-production supervisor | |
Département Art | |||
| Dorothée Baussan | .... | art department assistant | |
| Khadija Ben Mustapha | .... | assistant to set decorator | |
| Michel Doré | .... | storyboard artist | |
| Virginie Hernvann | .... | assistant art director | |
| Sandrine Jarron | .... | assistant art director | |
| François Peyon | .... | assistant art director | |
| Olivier Seiler | .... | props | |
Technicien du son | |||
| Marie Averty | .... | assistant sound | |
| Germain Boulay | .... | sound editor | |
| Bernard Chaumeil | .... | boom operator | |
| Philippe Dongé | .... | sound mix technician | |
| Pierre Gamet | .... | sound | |
| Gérard Lamps | .... | sound | |
| Marion Lorthioir | .... | post-synchronisation | |
| Simon Poupard | .... | assistant adr recordist | |
| Laurent Quaglio | .... | sound | |
Effets spéciaux | |||
| Philippe Hubin | .... | special effects supervisor | |
| Jean-Christophe Magnaud | .... | special effects coordinator | |
Visual Effects | |||
| Vadim Androussoff | .... | digital compositor | |
| Jerome Billet | .... | matte painter | |
| Stephanie Broussaud | .... | Lustre assistant | |
| Alain Carsoux | .... | visual effects director | |
| Matthieu Chatelier | .... | digital compositor | |
| Jean-Nicolas Costa | .... | additional roto artist | |
| Alexia Cui | .... | digital compositor | |
| Nicolas Daniel | .... | data manager | |
| Séverine De Wever | .... | visual effects coordinator | |
| Stephane Dittoo | .... | visual effects supervisor | |
| Elayaraja | .... | production coordinator: visual effects | |
| Élodie Ichter | .... | Lustre assistant | |
| Abdel Ali Kassou | .... | technical manager | |
| Nicolas Kermel | .... | digital artist | |
| Guillaume Le Gouez | .... | digital compositor | |
| Alexis Peraste | .... | digital compositor | |
| Christian Tomikowski | .... | digital compositor | |
| Georges Tornero | .... | visual effects supervisor | |
| Edouard Valton | .... | visual effects producer | |
Cascadeur | |||
| Jérôme Gaspard | .... | stunt performer | |
| Christophe Marsaud | .... | stunt performer | |
Caméra et Département Electrique | |||
| Bastien Blum | .... | electrician | |
| Arnaud Carney | .... | camera trainee | |
| Julien Cottret | .... | grip | |
| Pierre Hugues Galien | .... | first assistant camera | |
| Pierre Hugues Galien | .... | second camera operator | |
| Rachid Madaoui | .... | gaffer | |
| Valentin Monge | .... | Steadicam operator | |
| Valentin Monge | .... | camera operator | |
| Jérôme Prébois | .... | still photographer | |
| Samuel Renollet | .... | second assistant camera | |
| Benjamin Speyer | .... | crane technician | |
Département Casting | |||
| Claire Coulange | .... | casting assistant | |
| Tristan Ravasco | .... | extras casting | |
Département Costume et garde-Robe | |||
| Nathalie Chesnais | .... | costume supervisor | |
| Anne-Sophie Gledhill | .... | costumer | |
| Louise Rapp | .... | costumer | |
| Aurélie Morille | .... | trainee (uncredited) | |
Dpartement Editorial | |||
| Serge Anthony | .... | colorist | |
Département Musique | |||
| The City of Prague Philharmonic Orchestra | .... | orchestra | |
| Laurent Petitgirard | .... | conductor | |
Divers | |||
| Aude Lemercier | .... | location scout | |
The Second Wind (International: English title)
suite
France:155 min
2,35 : 1 suite
Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | Japan:R-15 | France:U (with warning) | UK:18
Monica Bellucci decided to bleach her hair blonde for her role to give her role more of a "gangster" feel to it. suite
Anachronismes: When Gu is traveling by bus from Paris to Marseille, a modern day car can be seen through the window. suite
version de Le deuxième souffle (1966) suite
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| Le deuxième souffle | L'accompagnatrice | De battre mon coeur s'est arrêté | The Fugitive | Classe tous risques |
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Crime section | IMDb France section | Add this title to MyMovies |
Good plot with great actors, but they seem to act like beginners! This movie is a bad copy of Michel Audiard style dialogs, no where near as funny.
The actors seem board stiff. Did they need cash that bad?!
I haven't seen the original movie with Lino Ventura, but I'm keen on watching it to be able to compare.
The picture is fuzzy and the sound bad (I didn't understand all the dialogs), but perhaps this was due to the cinema, which is a local one (250 seats, one film at a time, but really cheap entry!).
This movie is just not worth it.