Molière (2007)

Note Générale:

7,3/10   

Réalisateur:

Laurent Tirard

Scénaristes:

Laurent Tirard (scenario)
Grégoire Vigneron (scenario)

Date de sortie:

31 janvier 2007 (Belgium)

Genre:

Comedie | Histoire

Intrigue:

In 1658, playwright/actor Molière, having been given a theater in the capital by the King, is back in...

Plot Keywords:

Prison | Play | Theater | 1640s | Playwright

Récompenses:

2 wins & 5 nominations

Avis des utilisateurs:

Molière in Love

Ensemble

Romain Duris	...	Jean-Baptiste Poquelin
Fabrice Luchini	...	M. Jourdain
Laura Morante	...	Elmire Jourdain
Edouard Baer	...	Dorante
Ludivine Sagnier	...	Célimène
Fanny Valette	...	Henriette Jourdain
Gonzague Montuel	...	Valère
Gilian Petrovski	...	Thomas
Sophie-Charlotte Husson	...	Madeleine Béjart
Anne Suarez	...	Catherine de Brie
Annelise Hesme	...	Marquise du Parc
Luc Tremblais	...	Gros-René
Nicolas Vaude	...	Monsieur
Philippe du Janerand	...	Bonnefoy
Isabelle Caubère	...	Toinette

Durée:

France:120 min | Argentina:120 min

Pays:

France

Langue:

Français

Couleur:

Couleur

Rapport de forme:

2,35 : 1

Son:

DTS | Dolby Digital

Classification:

Switzerland:7 (canton of Geneva) | Switzerland:7 (canton of Vaud) | France:U | Ireland:PG | Netherlands:6 | UK:12A | USA:PG-13 | Argentina:13 | Singapore:NC-16 | Malaysia:U | Sweden:Btl | Australia:PG | Finland:K-3

Lieux de tournage:

Chateau de Versailles, Versailles, Yvelines, France

Société:

Fidélité Productions

Anecdotes:

The plot of "Moliere" was actually loosely based on two of his plays, ‘Le Bourgeois Gentilhomme’ and ‘Tartuffe’.

Guillemet:

Célimène: What angel sent you to make us laugh like this? We're so dreadfully starved for entertainment.
Jean-Baptiste Poquelin: What, madame? I thought the greatest minds jostled their way in here.
Célimène: If you knew what we endured. It's often a draw between boredom and the grotesque. People jostle, yes, only to declare their unwanted passion. Like that poor Mr. Jourdain.
Jean-Baptiste Poquelin: Mr. Jourdain, you say?
Célimène: Imagine a farmyard rooster, disguised as a pheasant, sputtering rhymes in my face a child of eight would no longer dare read. You see my predicament. Then the oaf gazes stupidly at me hoping to be loved in return. As if I could possibly be interested in every uncouth merchant and farmer who aspires to become a marquis.
[...]

Connexions:

Références Molière (1978)

Molière in Love

Molière (2007), co-written and directed by Laurent Tirard, creatively fills a historical gap that exists in the biography of the playwright/actor Molière. Apparently, Molière was released from debtors prison, and did not rejoin his acting company for several months. The movie provides us with a fictional reconstruction of what went on during that time span.

Like many period films, this movie has high production values. The sets and costumes are glorious, and we are spared the usual obligatory images of filth and squalor. Instead, most of the film takes place in the château of the very wealthy M. Jourdain (Fabrice Luchini), and his dutiful--if somewhat bored--wife (Laura Morante). Ludivine Sagnier plays a wealthy young widow, the Marquise Célimène.

The plot revolves around M. Jourdain's worshipful love for the Marquise. The Marquise barely knows he exists and so M. Jourdain proposes to hire Molière to teach him how to make a good impression on the object of his desires. The Marquise is self-centered, vain, and proud, and M. Jourdain is a fool. However, he is a rich fool, and can afford to go where his whims take him. Molière accepts the job, and the film moves forward from there.

Romain Duris is very good as Molière. He reminds me of Johnny Depp, and, like Depp, he overplays his role in a humorous and enjoyable way . Fabrice Luchini is excellent as M. Jourdain--a man who has a wonderful wife but lusts after an unattainable and unlikeable woman. Laura Morante is outstanding as the wife, who lives with luxury but not with love. Ms. Morante is Italian, so it's not clear to me whether her voice was dubbed. In any case, she plays her role with skill and subtlety, and she has a presence that lights up the screen.

This film will remind you of "Shakespeare in Love" and "Becoming Jane." It tries to correlate the artist's experiences--about which we can only speculate--with his or her art, about which we know a great deal. It is obviously unlikely that we will ever learn what led Austen or Shakespeare or Molière to write their masterpieces. Because this vacuum exists, writers and directors are free to speculate about events, and present these speculations to us in the form of movies.

I enjoyed both "Shakespeare in Love" and "Becoming Jane," and I would put "Molière" into this same category--not a great film, but a very good film, and definitely worth seeing.