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Catalin Mitulescu (writer)
Andreea Valean (writer)
30 août 2006 (France) suite
In the communist era, in Romania, people live with hope of a new life, in freedom. full summary | add synopsis
2 wins suite
A great capture of the communist era plus de (24 total)
| Doroteea Petre | ... | Eva Matei | |
| Timotei Duma | ... | Lalalilu Matei | |
| reste de la distribution par ordre alphabétique: | |||
| Anca Ahrfrescu | |||
| Sergiu Anghel | |||
| Monalisa Basarab | |||
| Ionut Becheru | ... | Alexandru 'Vomicã' | |
| Adrian Bulboaca | |||
| Radu Câmpean | |||
| Jean Constantin | ... | Uncle Floricã | |
| Flaviu Crisan | |||
| Mircea Diaconu | ... | Grigore Matei | |
| Sorin Dinculescu | |||
| Bogdan Dumitrache | ... | Doctor | |
| Gheorghe Farcas | |||
| Grigore Gonta | ... | Ceausicã - Alexandru's father | |
| Grigore Moldovan | |||
| Oxana Moravec | |||
| Adrian Nicolae | |||
| Stellan Nicolae | |||
| Vasile Nicolae | |||
| Cristian Nicolaie | ... | Nucu | |
| Valentin Popescu | ... | Music teacher | |
| Nicolae Praida | ... | Titi | |
| Adrian Rosu | |||
| Arcadio Rusu | ... | Trogar | |
| Marius Stan | ... | Tarzan | |
| Marian Stoica | ... | Silvicã | |
| Corneliu Tigancu | ... | Bulba | |
| Carmen Ungureanu | ... | Maria Matei | |
| Vera Ungureanu | ... | Mama Tarzan | |
| Cristian Vararu | ... | Andrei | |
| Marin Vasile | |||
| Florin Zamfirescu | ... | Highschool principal | |
Réalisé par | |||
| Catalin Mitulescu | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Catalin Mitulescu | writer | |
| Andreea Valean | writer | |
Produit par | |||
| In-Ah Lee | .... | producer | |
| Philippe Martin | .... | producer | |
| Catalin Mitulescu | .... | producer | |
| Daniel Mitulescu | .... | producer | |
| Andrew J. Schorr | .... | co-producer | |
| David Thion | .... | producer | |
Musique originale | |||
| Alexander Balanescu | |||
Image | |||
| Marius Panduru | |||
Montage | |||
| Cristina Ionescu | |||
Distribution des rôles | |||
| Ciprian Panaite | |||
Direction artistique | |||
| Daniel Raduta | |||
Assistant réalisateur | |||
| Mihai Ardelean | .... | second assistant director | |
| Emil Slotea | .... | first assistant director | |
Technicien du son | |||
| Cristian Coroiu | .... | boom operator | |
| Claire-Anne Largeron | .... | sound editor | |
| Yves-Marie Omnes | .... | production sound mixer | |
| Sébastien Pierre | .... | sound editor | |
| Jérôme Rabu | .... | boom operator | |
| Stéphane Thiébaut | .... | sound editor | |
| Stéphane Thiébaut | .... | sound re-recording mixer | |
Effets spéciaux | |||
| Mihai Reti | .... | special effects supervisor | |
Cascadeur | |||
| Ion Carangea | .... | stunts | |
Caméra et Département Electrique | |||
| Alejandro Andrade | .... | still photographer | |
| George Dascalescu | .... | assistant camera | |
Dpartement Editorial | |||
| Cristian Nicolescu | .... | assistant editor | |
Comment j'ai fêté la fin du monde (France)
How I Celebrated the End of the World (International: English title)
The Way I Spent the End of the World (International: English title)
suite
Canada:106 min (Toronto International Film Festival)
Netherlands:AL | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | Sweden:Btl | Argentina:13
Anachronismes: There is a longer scene in the movie showing a bus trying to turn around on muddy soil. The bus is a Rocar bus, which has been produced only after 1990, and it has stickers on its doors, which surely have not been used before 1989. suite
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb Romania section | Add this title to MyMovies |
I have just seen this movie and I loved it. Maybe for the little boy who plays his role very well, maybe for the strange relationship that Eva has with either guys, but especially for how the director managed to capture the communist era in every aspect of the movie. Romanians may understand this better. The revolution took place almost 17 years ago, a new regime was installed since then and almost everything has changed. But this movie brings back even the smallest detail, from the clothes that students wore, music they listened to, even haircuts they had, to the state of the streets, houses, cars. It's amazing, but I had the strong impression that the movie was made many years ago. I would recommend this movie to all Romanians because, in a small detail, it gives a different perspective about the revolution. But also, non-Romanians should watch it just to see how difficult times we have been through.