| Photos (see all 8 | slideshow) |
Réalisé par | |||
| Baltasar Kormákur | |||
Scénaristes(in alphabetical order) | ||
| Arnaldur Indriðason | novel | |
| Baltasar Kormákur | screenplay | |
Produit par | |||
| Oliver Huzly | .... | co-producer | |
| Agnes Johansen | .... | producer | |
| Reinhard Klooss | .... | co-producer | |
| Baltasar Kormákur | .... | producer | |
| Kim Magnusson | .... | executive producer | |
| Lilja Pálmadóttir | .... | producer | |
Musique originale | |||
| Mugison | |||
Image | |||
| Bergsteinn Björgúlfsson | |||
Montage | |||
| Elísabet Ronaldsdóttir | |||
Création des décors | |||
| Atli Geir Grétarsson | |||
Création des costumes | |||
| Harpa Einarsdottir | |||
Maquillage | |||
| Ragna Fossberg | .... | makeup artist | |
Assistant réalisateur | |||
| Lísa Kristjánsdóttir | .... | first assistant director | |
| Davíd Óskar Ólafsson | .... | second assistant director | |
Art Department | |||
| Erik Hirt | .... | property master | |
Technicien du son | |||
| Steingrímur E. Guðmundsson | .... | sound re-recording mixer | |
| Kjartan Kjartansson | .... | sound designer | |
| Kjartan Kjartansson | .... | sound mixer | |
| Ingvar Lundberg | .... | sound editor | |
| Ingvar Lundberg | .... | sound re-recording mixer | |
| Guðrún Ragna Sigurjónsdóttir | .... | sound assistant | |
Effets spéciaux | |||
| Stefan Jorgen | .... | special effects makeup | |
| Eggert Ketilsson | .... | special effects | |
Visual Effects | |||
| Anders Bloch-Rose | .... | colorist (as Anders Bloch-Jensen) | |
| Michael Holm | .... | digital compositor | |
Editorial Department | |||
| Ejvind Bording | .... | film color timer | |
| Mette Høst Hansen | .... | post-production coordinator | |
| Marta R. Traustadóttir | .... | assistant editor | |
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| Cry of the City | Twisted | Chuen jik sat sau | Mystic River | Living with the Dead |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb Iceland section | Add this title to MyMovies |
This is a well made, enjoyable crime thriller that manages to sustain tension and interest throughout its run time and marries this with some well handled comic moments. The main character, Erlunder, is a multi-layered and believable, ageing, seen-it-all-before cop, while the scenes involving discovery of dead bodies are skin-crawlingly well acted and nauseously realistic.
However, given the kind of budgets and talent available to producers of TV crime series these days, Jar City suffers from the fact that the plot really could form an episode of CSI:Rejkjavik or, dare I say it Taggart (a old British crime series). There are no huge surprises or twists in the tail - it is, essentially, a standard, old fashioned who/why dunnit.
However, what sets Jar City apart from CSI and its ilk is the cinematography. Obviously I've seen images of Iceland before - but I've never seen it captured in such a bleak, but beautiful fashion. Iceland itself is centrally important to the character of this film (and might even be said to be one of the characters) and its strangely picturesque scenery and, in some cases, downright weirdness, make Jar City worth watching just for this alone.