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Emmanuel Benbihy (concept)
Tristan Carné (premise)
(suite)
16 octobre 2009 (Spain) suite
every moment another story begins
An anthology film joining several love stories set in one of the most loved cities of the world, New York. full summary | add synopsis
1 nomination suite
definition of a tune-in-tune-out movie plus de (11 total)
| Natalie Portman | ... | Rifka (segment "Mira Nair") | |
| Shia LaBeouf | ... | Jacob (segment "Shekhar Kapur") | |
| Bradley Cooper | ... | Gus (segment "Allen Hughes") | |
| Blake Lively | ... | Girlfriend (segment "Brett Ratner") | |
| Hayden Christensen | ... | Ben (segment "Jiang Wen") | |
| Robin Wright Penn | ... | Anna (segment "Yvan Attal") | |
| Christina Ricci | ... | Camille (segment "Shunji Iwai") | |
| Orlando Bloom | ... | David (segment "Shunji Iwai") | |
| Ethan Hawke | ... | Writer (segment "Yvan Attal") | |
| Justin Bartha | ... | Sarah's Boyfriend (Transitions) | |
| Rachel Bilson | ... | Molly (segment "Jiang Wen") | |
| Anton Yelchin | ... | Boy in the Park (segment "Brett Ratner") | |
| Eva Amurri | ... | Sarah (Transitions) | |
| John Hurt | ... | Waiter (segment "Shekhar Kapur") | |
| Chris Cooper | ... | Alex (segment "Yvan Attal") | |
| Maggie Q | ... | Call Girl (segment "Yvan Attal") | |
| James Caan | ... | Mr. Riccoli (segment "Brett Ratner") | |
| Drea de Matteo | ... | Lydia (segment "Allen Hughes") | |
| Olivia Thirlby | ... | Actress (segment "Brett Ratner") | |
| Andy Garcia | ... | Garry (segment "Jiang Wen") | |
| Cloris Leachman | ... | Mitzie (segment "Joshua Marston") | |
| Eli Wallach | ... | Abe (segment "Joshua Marston") | |
| Julie Christie | ... | Isabelle (segment "Shekhar Kapur") | |
| Jacinda Barrett | ... | Maggie | |
| Qi Shu | ... | Chinese Herbalist (segment "Fatih Akin") | |
| Burt Young | ... | Landlord (segment "Fatih Akin") | |
| Irrfan Khan | ... | Mansuhkhbai (segment "Mira Nair") | |
| Emilie Ohana | ... | Zoe - the Video Artist | |
| Ugur Yücel | ... | Painter (segment "Fatih Akin") | |
| Sinsu Co | ... | Mystery Bar Girl (segment "Jiang Wen") | |
| Taylor Geare | ... | Teya (segment "Natalie Portman") | |
| Ashley Klein | ... | Prom girl (segment "Brett Ratner") | |
| Cesar De León | ... | Dominican (segment "Natalie Portman") | |
| Eliezer Meyer | ... | Grand Rabbi Elli (segment "Mira Nair") | |
| Richard Chang | ... | Mr. Su (Transitions) | |
| Jordann Beal | ... | Prom girl (segment "Brett Ratner") | |
| Gary Cherkassky | ... | Skater Punk (segment "Joshua Marston") | |
| Amy Raudenbush | ... | Mom #1 (segment "Natalie Portman") | |
| Carlos Acosta | ... | Dante (segment "Natalie Portman") | |
| Gurdeep Singh | ... | Badal (Transitions) | |
| Juri Henley-Cohn | ... | Ali (Transitions) | |
| Eddie D'vir | ... | Rabbi (segment "Mira Nair") | |
| Jeff Chena | ... | Bartender (segment "Jiang Wen") | |
| Vedant Gokhale | ... | Cab Driver (Transitions) | |
| Loukas Papas | ... | Pizza Patron - Transitions | |
| Robert d Scott | ... | Du-Rag (Transitions) | |
| Adam Moreno | ... | DJ Blue (segment "Brett Ratner") | |
| Andy Karl | ... | Evan (Transitions) | |
| Simon Dasher | ... | Guitarist (Transitions) | |
| Duane Nakia Cooper | ... | Haitian Cab Driver - Transitions | |
| Adam S. Phillips | ... | Jogger - Transitions | |
| Aron Charach | ... | Young Hasid (segment "Mira Nair") | |
| Himad Beg | ... | Indian Man (Transitions) | |
| Brad Naprixas | ... | Hassid in Wedding (segment "Mira Nair") | |
| Youri Cho | ... | Korean Bride (uncredited) | |
| Emory Cohen | ... | Prom Date (segment "Brett Ratner") (uncredited) | |
| Kimberly Dorsey | ... | West Village Hip Chick (segment "Yvan Attal") (uncredited) | |
| Tanzeel Kayani | ... | Indian Man (uncredited) | |
| Rebecca Merle | ... | Hasidic Waitress (segment "Mira Nair") (uncredited) | |
| Liza Petrosyan | ... | Prom Guest (uncredited) | |
| Max Robkoff | ... | Prom Boy (segment "Brett Ratner") (uncredited) | |
| Harry L. Seddon | ... | Boardwalk Jogger (uncredited) |
Réalisé par | |||
| Fatih Akin | |||
| Yvan Attal | |||
| Allen Hughes | |||
| Shunji Iwai | |||
| Wen Jiang | |||
| Joshua Marston | |||
| Mira Nair | |||
| Natalie Portman | |||
| Brett Ratner | |||
| Randall Balsmeyer | (director of the transitions) | ||
| Shekhar Kapur | (segment "Hotel Suite") | ||
Scénaristes | ||
| Emmanuel Benbihy | (concept) | |
| Tristan Carné | (premise) | |
| Hall Powell | (transitions written by) and | |
| Israel Horovitz | (transitions written by) & | |
| James C. Strouse | (transitions written by) (as James Strouse) | |
| Shunji Iwai | (segment "Shunji Iwai") (written by) | |
| Israel Horovitz | (adaptation) (segment "Shunji Iwai") | |
| Hu Hong | (segment "Jiang Wen") (written by) and | |
| Yao Meng | (segment "Jiang Wen") (written by) | |
| Israel Horovitz | (adaptation) (segment "Jiang Wen") | |
| Scarlett Johansson | (segment "Scarlett Johansson") (written by) | |
| Joshua Marston | (segment "Joshua Marston") (written by) | |
| Alexandra Cassavetes | (segment "Allen Hughes") (written by) (as Xan Cassavetes) and | |
| Stephen Winter | (segment "Allen Hughes") (written by) | |
| Jeff Nathanson | (segment "Brett Ratner") (written by) | |
| Anthony Minghella | (segment "Shekhar Kapur") (written by) | |
| Natalie Portman | (segment "Natalie Portman") (written by) | |
| Fatih Akin | writer | |
| Yvan Attal | writer | |
| Olivier Lécot | writer | |
| Suketu Mehta | writer | |
Produit par | |||
| Pierre Asseo | .... | associate producer | |
| Steffen Aumueller | .... | executive producer | |
| Michael Benaroya | .... | executive producer | |
| Emmanuel Benbihy | .... | producer | |
| Parker C. Bennett | .... | co-producer | |
| Susanne Bohnet | .... | executive producer | |
| Laurent Constanty | .... | associate producer | |
| Oliver Dungey | .... | assistant producer | |
| Rose Ganguzza | .... | executive producer | |
| Warren T. Goz | .... | associate producer | |
| Marina Grasic | .... | producer | |
| Pamela Hirsch | .... | executive producer | |
| Taylor Kephart | .... | executive producer | |
| Jan Korbelin | .... | executive producer | |
| Marianne Maddalena | .... | executive producer | |
| Stewart McMichael | .... | associate producer | |
| Celine Rattray | .... | executive producer | |
| Bradford W. Smith | .... | executive producer | |
| Glenn M. Stewart | .... | executive producer | |
Musique originale | |||
| Tonino Baliardo | (segment "Jiang Wen") | ||
| Nicholas Britell | (segment "Natalie Portman") | ||
| Paul Cantelon | (segment "Shekhar Kapur") | ||
| Mychael Danna | (segment "Mira Nair") | ||
| Ilhan Ersahin | (segment "Fatih Akin") | ||
| Jack Livesey | (Transitions) | ||
| Shoji Mitsui | (segment "Shunji Iwai") | ||
| Mark Mothersbaugh | (segment "Brett Ratner") | ||
| Peter Nashel | (Transitions) | ||
| Atticus Ross | (segment "Allen Hughes") | ||
| Leopold Ross | (segment "Allen Hughes") | ||
| Claudia Sarne | (segment "Allen Hughes") | ||
| Marcelo Zarvos | (segment "Joshua Marston") | ||
Image | |||
| Benoît Debie | (segment "Shekhar Kapur") | ||
| Pawel Edelman | (segment "Brett Ratner") | ||
| Michael McDonough | (transitions) | ||
| Declan Quinn | (segment "Mira Nair") | ||
| Mauricio Rubinstein | (segment "Fatih Akin") | ||
Montage | |||
| Jacob Craycroft | |||
| Affonso Gonçalves | |||
| Mark Helfrich | |||
| Allyson C. Johnson | |||
| Craig McKay | |||
Distribution des rôles | |||
| Kerry Barden | |||
| Paul Schnee | |||
Création des décors | |||
| Teresa Mastropierro | |||
Direction artistique | |||
| Katya DeBear | |||
Décorateur de plateau | |||
| Sheila Bock | |||
Création des costumes | |||
| Victoria Farrell | |||
Maquillage | |||
| Bert Reo Anderson | .... | assistant hair stylist | |
| Qodi Armstrong | .... | hair stylist | |
| Colleen Callaghan | .... | hair department head | |
| Fabian Garcia | .... | key hair stylist | |
| Stephen Kelley | .... | key makeup artist | |
| Jason Shur | .... | hair stylist | |
Directeur de production | |||
| Lola Belsito | .... | production supervisor: original preparation | |
| Riva Marker | .... | post-production supervisor | |
| Peter Pastorelli | .... | production supervisor | |
Département Art | |||
| Shannon de Zeeuw | .... | art department assistant | |
| Andrea DiCenzo | .... | art department assistant | |
| Kathryn Freund | .... | set dresser | |
| James Gilliar | .... | prop assistant | |
| Danielle Giovanniello | .... | prop assistant | |
| Tom LaVecchia | .... | on-set dresser | |
| Alan J. Lawson | .... | charge scenic artist | |
| Michael Leather | .... | leadman | |
| Anya Lebow | .... | set dresser | |
| Teresa Mastropierro | .... | set designer | |
| Alyssa Motschwiller | .... | art department coordinator | |
| John Raffaele | .... | set dresser | |
| Daniel Ritchel | .... | prop assistant | |
| Jessie Walker | .... | camera scenic artist | |
| Bryan Walsh | .... | second set dresser | |
| Sabrina Wright | .... | property master | |
Technicien du son | |||
| Shaun Brennan | .... | foley artist | |
| David Briggs | .... | supervising dialogue adr editor | |
| Rachel Chancey | .... | foley artist | |
| Rachel Chancey | .... | foley editor | |
| Rusty Dunn | .... | sound designer | |
| Rusty Dunn | .... | sound effects editor | |
| Judah Getz | .... | adr mixer | |
| Lewis Goldstein | .... | sound re-recording mixer | |
| Lewis Goldstein | .... | supervising sound editor | |
| Matthew Gough | .... | sound re-recording mixer | |
| Anguibe Guindo | .... | boom operator | |
| Neil Hillman | .... | adr mixer | |
| Ken Ishii | .... | production sound mixer | |
| Allen Lau | .... | assistant sound editor | |
| Nathan Lindsey | .... | sound editing apprentice | |
| John Robert Mariani | .... | boom operator | |
| Andrew Morgado | .... | adr mixer | |
| Joe Origlieri | .... | utility sound | |
| Tom Ryan | .... | apprentice sound editor | |
| Michael Suarez | .... | sound technician | |
| Thomas Varga | .... | sound mixer | |
Visual Effects | |||
| John Bair | .... | visual effects supervisor: Guerilla FX | |
| Jason Crump | .... | digital intermediate colorist: Joshua Marston segment | |
| Jason Crump | .... | digital intermediate colorist: Wen Jiang segment | |
| Jason Crump | .... | digital intermediate colorist: transitions | |
| Morgan Miller | .... | digital fixes and clean-up | |
| David Piombino | .... | digital compositor | |
| Michael Smollin | .... | digital intermediate colorist | |
| Scott Winston | .... | digital compositor | |
Cascadeur | |||
| Mike Burke | .... | stunt driver | |
| Chris Colombo | .... | stunt rigger | |
| Manny Siverio | .... | stunt coordinator | |
Département Casting | |||
| Meredith Jacobson | .... | extras casting | |
| Eliezer Meyer | .... | extras casting: Hasidic Background | |
| Adam Vincentz | .... | extras casting associate | |
Département Costume et garde-Robe | |||
| Amy R. Burt | .... | wardrobe supervisor | |
| Clare Cardoni | .... | costume assistant | |
| Mei Lai Hippisley Coxe | .... | key costumer | |
| Meghan Kasperik | .... | shopper | |
| Katie Madonna Lee | .... | wardrobe intern | |
| Katie Novello | .... | assistant costume designer | |
Dpartement Editorial | |||
| Anthony Brandonisio | .... | apprentice editor/Post-Production Coordinator | |
| Ron Dulin | .... | assistant editor | |
| Peggy Eghbalian | .... | additional editor | |
| Erica Freed | .... | assistant editor | |
| Claudia Odiaka | .... | assistant editor | |
| Divya Pathak | .... | editorial intern | |
| Stefan Sonnenfeld | .... | colorist | |
| Rob Doolittle | .... | senior on-line editor (uncredited) | |
| Ian Turpen | .... | digital intermediate scanner: Company 3 (uncredited) | |
Département Musique | |||
| Ed Gerrard | .... | music supervisor | |
| Janice Ginsberg | .... | music consultant | |
| Eric V. Hachikian | .... | musician: piano | |
| Eric V. Hachikian | .... | orchestrator | |
| Sherry Beth Mounce | .... | music licensing | |
Merci | |||
| Scott Berrie | .... | special thanks | |
| Fabrizia Dal Farra | .... | thanks | |
| Sydney Levine | .... | acknowledgment | |
New York, je t'aime (France) (literal title)
suite
Rated R for language and sexual content.
103 min
1,85 : 1 suite
USA:R (certificate #45093) | South Korea:15 | Netherlands:12 | Portugal:M/12 (Qualidade) | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud)
In March 2008, Abraham Karpen, a 25-year-old member of the insular Williamsburg, New York, Hasidic (ultra-Orthodox Jewish) community, dropped out of filming on the orders of his community's rabbis. Karpen had been playing the role of the husband of Natalie Portman's character. Their segment had most probably already been shot, since Natalie's site contains a photo gallery from two days of shooting (12 and 13 March 2008) and the filming was supposed to take two days. Abraham's face is now closed with a picture of Keira Knightley's face in the photo gallery. suite
figure dans "Siskel & Ebert & the Movies: (2009-10-17)" (2009) suite
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| Paris, je t'aime | Definitely, Maybe | August Rush | Longtime Companion | Sleepless in Seattle |
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IMDb Note Générale:
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Drame section | IMDb France section | Add this title to MyMovies |
New York, I Love You, or rather should-be-titled Manhattan, I Love Looking At Your People In Sometimes Love, is a precise example of the difference between telling a story and telling a situation. Case in point, look at two of the segments in the film, one where Ethan Hawke lights a cigarette for a woman on a street and proceeds to chat her up with obnoxious sexy-talk, and another with Orlando Bloom trying to score a movie with an incredulous demand from his director to read two Dostoyevsky books. While the latter isn't a great story by any stretch, it's at least something that has a beginning, middle and end, as the composer tries to score, gets Dostoyevky dumped in his lap, and in the end gets some help (and maybe something more) from a girl he's been talking to as a liaison between him and the director. The Ethan Hawke scene, however, is like nothing, and feels like it, like a fluke added in or directed by a filmmaker phoning it in (or, for that matter, Hawke with a combo of Before Sunrise and Reality Bites).
What's irksome about the film overall is seeing the few stories that do work really well go up against the one or two possible 'stories' and then the rest of the situations that unfold that are made to connect or overlap with one another (i.e. bits involving Bradley Cooper, Drea DeMatteo, Hayden Christensen, Andy Garcia, James Caan, Natalie Portman, etc). It's not even so much that the film- set practically always in *Manhattan* and not the New York of Queens or Staten Island or the Bronx (not even, say, Harlem or Washington Heights)- lacks a good deal of diversity, since there is some. It's the lack of imagination that one found in spades, for better or worse, in Paris J'taime. It's mostly got little to do with New York, except for passing references, and at its worst (the Julie Christie/Shia LaBeouf segment) it's incomprehensible on a level that is appalling.
So, basically, wait for TV, and do your best to dip in and out of the film - in, that is, for three scenes: the aforementioned Bloom/Christina Ricci segment which is charming; the Brett Ratner directed segment (yes, X-Men 3 Brett Ratner) with a very funny story of a teen taking a girl in a wheelchair to the prom only to come upon a great big twist; and Eli Wallach and Cloris Leachman as an adorable quite old couple walking along in Brooklyn on their 67th wedding anniversary. Everything else can be missed, even Natalie Portman's directorial debut, and the return of a Hughes brother (only one, Allan) to the screen. A mixed bag is putting it lightly: it's like having to search through a bag of mixed nuts full of crappy peanuts to find the few almonds left.