| Isabelle Carré | ... | Anna M. | |
| Gilbert Melki | ... | Dr. André Zanevsky | |
| Anne Consigny | ... | Marie Zanevsky | |
| Gaëlle Bona | ... | Éléonore | |
| Geneviève Mnich | ... | La mère d'Anna | |
| Francis Renaud | ... | Albert | |
| François Loriquet | ... | Le psychiatre | |
| Samir Guesmi | ... | Le receptionnste | |
| Eric Savin | ... | Le père des fillettes | |
| Pascal Bongard | ... | L'inspecteur | |
| Raphaelle Doyle | ... | Juliette | |
| Fenella Woodgate | ... | Marion | |
| Julie Brochen | ... | L'antiquaire | |
| Geordy Monfils | ... | L'adolescent | |
| Daniel San Pedro | ... | Le serrurier | |
| Delphine Zingg | ... | Hospital Secretary | |
| Valérie Kéruzoré | ... | L'infirmière psychiatrique | |
| Catherine Epars | ... | La femme de la Gare du Nord | |
| reste de la distribution par ordre alphabétique: | |||
| Juliette Baille | ... | La copine | |
| Olivier Leroux | ... | Le voix à la radio | |
| Caroline Maillet | ... | L'interne de l'hôpital | |
| Abel Malek | ... | Couple de passants | |
| Laurence Marques | ... | Couple de passants | |
Réalisé par | |||
| Michel Spinosa | |||
Scénaristes(dans l'ordre alphabétique) | ||
| Michel Spinosa | writer | |
Produit par | |||
| Patrick Sobelman | .... | producer | |
Image | |||
| Alain Duplantier | |||
Montage | |||
| Chantal Hymans | |||
Distribution des rôles | |||
| Antoinette Boulat | |||
Création des décors | |||
| Thierry François | |||
Décorateur de plateau | |||
| Catherine Jarrier-Prieur | |||
Création des costumes | |||
| Nathalie Raoul | |||
Maquillage | |||
| Olivier Afonso | .... | special makeup effects artist | |
| Maud Baron | .... | key makeup artist | |
| Diane Mahmoudi | .... | key hair stylist | |
Directeur de production | |||
| Jérémie Chevret | .... | unit production manager | |
| Sabine Chevrier | .... | production secretary | |
| Laurent Coppola | .... | assistant unit manager | |
| Marie-Frédérique Lauriot dit Prévost | .... | production manager | |
| Karine Raphaël | .... | unit production manager | |
| Xavier Vincens | .... | assistant unit manager | |
Assistant réalisateur | |||
| Alexis Charrier | .... | second assistant director | |
| Olivier Fernandez | .... | second assistant director | |
| Christophe Marillier | .... | first assistant director | |
Département Art | |||
| Stéphanie Cordet-Acbard | .... | assistant art director (as Stéphanie Cordet) | |
| Denis Gautelier | .... | assistant art director | |
| Julien Tesseraud | .... | art department | |
Technicien du son | |||
| Valérie Deloof | .... | sound editor | |
| Pascal Jasmes | .... | boom operator | |
| Fred Mays | .... | post-synchronization | |
| Pierre Mertens | .... | sound | |
| Agnes Ravez | .... | dialog editor | |
| Stéphane Thiébaut | .... | sound mixer | |
Effets spéciaux | |||
| Guillaume Castagné | .... | special effects makeup | |
| Frédéric Lainé | .... | special effects makeup | |
| Jean-Christophe Magnaud | .... | special effects technician | |
Visual Effects | |||
| Lucie Bories | .... | digital compositor | |
Cascadeur | |||
| Karim Hocini | .... | stunt coordinator | |
Divers | |||
| Marie-Christine Damiens | .... | press attache | |
| Bosco Justine | .... | press assistant | |
| Fabien Pondevaux | .... | location scout | |
| Élodie Van Beuren | .... | script supervisor | |
|
|
|
|
|
| Mr. Klein | À la folie... pas du tout | 37°2 le matin | Ceux qui m'aiment prendront le train | Ma femme est une actrice |
|
IMDb Note Générale:
|
IMDb Note Générale:
|
IMDb Note Générale:
|
IMDb Note Générale:
|
IMDb Note Générale:
|
| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb France section | Add this title to MyMovies |
...then you have to back-up and start watching some Michael Haneke films. His work is brilliant, and makes Spinoza's film seem like a generic French thriller that pales in comparison.
This film requires an immense degree of suspended disbelief which makes it unwatchable in my opinion. Am I supposed to believe the events that transpire in the film? Seriously? This film is really far fetched and the lead actress' performance is grating because of its one-dimensiality. Her obsession is just too much. And it cannot carry the film. No one is that obsessed in this world (okay, almost no one), certainly not over a Doctor??? Come on. Get serious.
If they would have examined her relationship to her mother (like Haneke did in The Piano teacher) in a more thorough manner then it might have helped out in terms of the character development, but these characters just develop in such narrow terms.
I take French Cinema very seriously, but I must admit that this is just average fare. Mediocre at best.