| Christian Clavier | ... | Jean-Pierre Ménard | |
| Nathalie Baye | ... | Odile Ménard | |
| Gérard Lanvin | ... | Richard | |
| Géraldine Pailhas | ... | Caroline | |
| Patrick Chesnais | ... | Grégoire | |
| Anaïs Demoustier | ... | Justine Ménard | |
| Maud Buquet | ... | La prostituée | |
| Francis Leplay | ... | Agent immobilier | |
| Jean-François Robin | ... | Homme immobilier | |
| Josselin de Tonquedec |
Réalisé par | |||
| Alexandra Leclère | |||
Scénaristes(in alphabetical order) | ||
| Alexandra Leclère | writer | |
Produit par | |||
| Jean-Yves Asselin | .... | executive producer | |
| Philippe Godeau | .... | producer | |
Musique originale | |||
| Philippe Eidel | |||
Image | |||
| Jean-François Robin | |||
Création des décors | |||
| Dominique André | |||
| Carlos Conti | |||
Décorateur de plateau | |||
| Sébastien Monteux-Halleur | |||
Création des costumes | |||
| Catherine Bouchard | |||
Directeur de production | |||
| Jean-Yves Asselin | .... | executive in charge of production | |
| Daniel Baschieri | .... | production manager | |
| François Menny | .... | unit manager | |
Assistant réalisateur | |||
| Olivier Coutard | .... | first assistant director | |
| Anne Gilles | .... | second assistant director | |
Art Department | |||
| Franck Gies | .... | carpenter | |
| Edouard Pallardy | .... | chief painter | |
Technicien du son | |||
| Mélanie Blouin | .... | assistant sound re-recording mixer | |
| Sophie Chiabaut | .... | boom operator | |
| Michel Klochendler | .... | sound editor | |
| Gérard Lamps | .... | sound mixer | |
| Armelle Mahé | .... | assistant sound mixer | |
| Jean Umansky | .... | sound | |
Visual Effects | |||
| Matthieu Chatelier | .... | digital artist | |
| Séverine De Wever | .... | visual effects coordinator | |
Cascadeur | |||
| Yoni Roch | .... | stunt coordinator | |
| Yoni Roch | .... | stunt double | |
Camera and Electrical Department | |||
| Alexis Lambotte | .... | second assistant camera | |
| Nicolas Pernot | .... | first assistant camera | |
| Jérôme Prébois | .... | still photographer | |
Casting Department | |||
| Catherine Deserbais | .... | extras casting | |
Divers | |||
| Pilar Billiet | .... | script supervisor | |
| Guy Courtecuisse | .... | post-production manager | |
| Manuel Pouet | .... | location scout | |
| Pierre Selinger | .... | legal services | |
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| Chica de Río | Haasil | Broken Flowers | Devdas | Nettoyage à sec |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedie section | IMDb France section | Add this title to MyMovies |
*** This comment may contain spoilers ***
Alexandra Leclere is clearly going to become yet another French female director to reckon with; she followed the Short Bouche a bouche with the full-length Les Soeurs fachees for which she secured the services of Isabelle Huppert, Catherine Frot and Francois Berleand and did them all proud with a fine light comedy. For her second full-length entry she has cast Nathalie Baye and Christian Clavier - who knows a thing or two about writing and directing himself if anyone asks you - as an affluent husband and wife, complemented by Gerard Lanvin and Geraldine Pailhas as their working-class - Lanvin is Clavier's chauffeur, Pailhas a shop assistant - counterparts. It turns out that both husbands have the same problem; neither is getting any. Clavier's immediate solution is to withdraw Baye's Gold Credit Card but all that buys him is a reluctant statue. The two men bond after a fashion and Clavier moves into the front seat, takes Lanvin to five-star restaurants for lunch and invites the chauffeur and his wife to dinner without informing Baye. There's a lot of product placement going on which helps enhance the values that Baye lives by (sorry about that); Ferragamo and Dior are both shown via their bags and also the establishments whilst Pailhas is a salesperson at Galleries Lafeyette - when Baye is browsing there Pailhas accosts her and they play a long scene outside a sign saying Galleries Lafzyette Staff Entrance whilst for good measure Pailhas has the store's logo on her uniform. Another fine actor, Patrick Chesnais also turns up around the middle as 'other man' material for Baye and it all ends happily as films of this sort should do. A worthy successor to Les Soeurs fachees and highly recommend.