Cradle of Lies (2006)
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- TV-14
- 1h 30min
- Drama, Thriller
- 15 May 2006 (USA)
- TV Movie
Following a whirlwind romance, a woman begins to unravel the dark secrets of her husband's past when his obsession to produce a male heir turns deadly.
Director:
Writers:
Stars:
Photos and Videos
Cast
| Dylan Neal | ... |
Jack Collins
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| Shannon Sturges | ... |
Haley Collins
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| Natalie Brown | ... |
Michelle Fox
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| Martin Roach | ... |
Detective Buck
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R.D. Reid | ... |
Arnold Golding
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| Philip Craig | ... |
Franklin Devon
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Daveed Louza | ... |
Detective Jensen
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| Tara Spencer-Nairn | ... |
Lisa
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| Landy Cannon | ... |
Roy Miller
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| Naomi Snieckus | ... |
Betty
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Eve Crawford | ... |
Herriet Devon
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Norm Spencer | ... |
Arthur Whitney
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Trent McMullen | ... |
Kinard
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Brett Reason | ... |
Deck Manager
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| A.C. Peterson | ... |
Johnny Smith
(as Alan C. Peterson)
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| Anastasia Phillips | ... |
Snippy Sales Girl
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Jennifer Foster | ... |
Dr. Rosen
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| Chad Allen | ... |
Process Server
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Elodie Gillett | ... |
Sales Lady Lucy
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| Karen Robinson | ... |
Bank Teller
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| Chris Gillett | ... |
Partner #1
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Spike Adamson | ... |
Security Guard #1
(as Spike 'Abdul' Adamson)
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| Arwen Humphreys | ... |
Waitress
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| Randy Butcher | ... |
Hit Man
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Directed by
| Oley Sassone | ||
Written by
| David DuBos | ... | () |
| Oley Sassone | ... | () |
Produced by
| Suzanne Berger | ... | producer (as Suzanne L. Berger) |
| Tracey Boulton | ... | producer |
| Kelly Garrett | ... | co-executive producer |
| Noreen Halpern | ... | executive producer |
| John Morayniss | ... | executive producer |
| Ira Pincus | ... | executive producer |
Music by
| David Christal | ||
Cinematography by
| Malcolm Cross | ||
Editing by
| Stephen Lawrence | ||
Editorial Department
| Colin Campbell | ... | on-line editor |
| Jeffrey Collins | ... | first assistant editor |
| Lorraine Grant | ... | colorist |
Casting By
| Brian Levy | ||
Set Decoration by
| Elizabeth Calderhead | ||
Costume Design by
| Marie Grogan Hales | ... | (as Marie Hales) |
| Joyce Schure | ||
Makeup Department
| Sid Armour | ... | key makeup artist |
| Stephanie Ingram | ... | key hair stylist |
| Jasmine Jalali | ... | assistant makeup artist |
| James O'Reilly | ... | hair stylist |
Production Management
| Jesse D. Ikeman | ... | executive in charge of production finance (as Jesse Ikeman) |
| Helene C. Valinsky | ... | production manager |
Second Unit Director or Assistant Director
| Megan Banning | ... | first assistant director |
| Gregory Besky | ... | third assistant director |
| Stephen Bélanger | ... | second assistant director |
| Stephen J. Donkers | ... | trainee assistant director |
| Fatima Palhetas | ... | trainee assistant director |
Art Department
| Paul Dallin | ... | property master |
| Andrew Fraser | ... | assistant property master |
| Craig Grant | ... | property buyer |
| John Hazel | ... | swing |
| Helen Kaneva | ... | property buyer |
| Sara Mukherjee | ... | graphic artist |
Sound Department
| Fred Brennan | ... | dialogue and adr editor / supervising sound editor |
| Steve Copley | ... | foley recordist |
| Sue Fawcett | ... | assistant sound editor |
| Garrett Kerr | ... | sound effects editor |
| Urmas Rosin | ... | sound mixer |
| John Sievert | ... | foley artist (as John Seivert) |
| Brad Thornton | ... | re-recording mixer |
| Zenon Waschuk | ... | boom operator |
| Randy Wilson | ... | foley recordist |
Stunts
| Randy Butcher | ... | stunt coordinator |
Camera and Electrical Department
| Tim Barg | ... | best boy |
| Roger Bate | ... | generator operator |
| Nicholas Brooks | ... | key grip |
| Adam Craig | ... | camera trainee |
| Dean Ford | ... | grip |
| Mark Hewson | ... | gaffer |
| Sean Jordan | ... | electrician |
| Tim Kneeshaw | ... | second assistant camera |
| Kaelin McCowan | ... | first assistant camera |
| Todd Moores | ... | best boy |
| Dana Perry | ... | grip |
Casting Department
| Kay Rogers | ... | extras casting |
| Melissa Skoff | ... | casting: US |
Costume and Wardrobe Department
| Marie Grogan Hales | ... | assistant costume designer (as Marie Hales) |
| Jody Orsini | ... | wardrobe truck |
| Elizabeth Westgate | ... | set costume supervisor |
Location Management
| Robin Brinsmead | ... | location manager |
| Malcolm McCulloch | ... | assistant location manager |
| Donnie Saville | ... | location production assistant |
Script and Continuity Department
| Nancy Markle | ... | script supervisor |
Transportation Department
| Rob French | ... | transportation captain |
| Elsa Scruton | ... | transportation coordinator (as Elsa 'Dee Dee' Scruton) |
Additional Crew
| Kim Altbaum | ... | assistant production coordinator |
| James Burton | ... | craft service |
| Amanda Cameron | ... | production coordinator |
| Stephen J. Donkers | ... | production assistant |
| Kimberly Killam | ... | production accountant (as Kim Killam) |
| Leslie Richardson | ... | stand-in |
| Anna Salim | ... | assistant: John Morayniss |
| Jimi Shlag | ... | production assistant (as Jimi Schlag) |
| Dan Sudek | ... | stand-in |
| Denise P. Taylor | ... | assistant accountant (as Denise Taylor) |
| Stacey Tenenbaum | ... | assistant: Noreen Halpern |
| Ray Young | ... | craft service |
Production Companies
Distributors
- Blueprint Entertainment (2006) (Canada)
- Lifetime Television (2006) (United States) (tv)
Special Effects
Other Companies
Storyline
| Plot Summary |
Quickly marrying successful lawyer Jack Roemer after a whirlwind romance, Haley is certain she's found the man of her dreams. They are both excited to start a family, but when Haley finds out she's pregnant with a girl, Jack is anything but pleased. Haley soon discovers Jack's secret: in order to inherit his family's huge fortune, he must have a son - and he has to do it soon or lose everything. The clock is ticking and Jack will stop at nothing to collect his inheritance - Haley must fight to save her own life and the life of her unborn child. Written by Anonymous |
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Additional Details
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Box Office
| Budget | CAD2,000,000 (estimated) |
Did You Know?
| Goofs | Both the husband are wife are arrested on separate occasions but in both cases the charges are dropped. This is bought up against them later that they now have a "police record". Nobody has a "record" until convicted in a court of law. That is a fundamental tenet of the Western justice system. See more » |