| Marc Labrèche | ... | Jean-Marc Leblanc | |
| Diane Kruger | ... | Véronica Star | |
| Sylvie Léonard | ... | Sylvie Cormier-LeBlanc | |
| Caroline Néron | ... | Carole Bigras-Bourque | |
| Rufus Wainwright | ... | Le jeune prince / Le prince chantant | |
| Macha Grenon | ... | Béatrice de Savoie | |
| Emma de Caunes | ... | Karine Tendance | |
| Didier Lucien | ... | William Chérubin | |
| Rosalie Julien | ... | Laurence Métivier | |
| Jean-René Ouellet | ... | Policier / St-Bernard de Clairvaux | |
| André Robitaille | ... | Gilles Sansregret | |
| Hugo Giroux | ... | Thorvald | |
| Christian Bégin | ... | Le motivateur par le rire | |
| Pierre Curzi | ... | Pierre | |
| Gilles Pelletier | ... | Raymond Leclerc | |
| Johanne-Marie Tremblay | ... | Constance Lazure | |
| Michel Rivard | ... | Le curé | |
| reste de la distribution par ordre alphabétique: | |||
| Denys Arcand | |||
| Thierry Ardisson | ... | Himself | |
| Laurent Baffie | ... | Himself | |
| Paule Baillargeon | ... | Dame à la minerve | |
| Eugénie Beaudry | ... | Furie No. 3 | |
| Jean-Robert Bourdage | ... | (voice) | |
| Benoît Brière | ... | Médecin | |
| Marie-Chantal Cadieux | ... | Valkyrie #1 | |
| Jean Antoine Charest | ... | Employé pompe funèbre | |
| Violette Chauveau | ... | Dame au banquet | |
| Monia Chokri | ... | Aziza | |
| Véronique Cloutier | ... | Line | |
| René Richard Cyr | ... | Metteur en scène | |
| Evelyne de la Chenelière | ... | Guylaine | |
| Marie-Michèle Desrosiers | ... | Dame de choeur | |
| Karen Elkin | ... | Furie No. 2 | |
| Danielle Fichaud | ... | Dame du train 2e | |
| Claude Gauthier | ... | Viking #1 | |
| Danny Gilmore | ... | Ecuyer du Prince noir No.1 | |
| Michel Olivier Girard | ... | Photographe | |
| Françoise Graton | ... | Madame Leblanc | |
| Natalie Hamel-Roy | ... | Paule | |
| Chantal Lacroix | ... | Lucie | |
| Jacques Lavallée | ... | Romaric | |
| Gaston Lepage | ... | Gardien de sécurité | |
| Elizabeth Lesieur | ... | Nicole Pâquet-Plourde | |
| Pauline Martin | ... | Mme. Sigouin-Wong | |
| Kesnamelly Neff | ... | Nancy Toupin | |
| Silvio Orvieto | ... | Monsieur Gallucio | |
| Bernard Pivot | ... | Himself / L'homme qui remet le Goncourt | |
| Luc Proulx | ... | Homme à l'hospice | |
| Camille Léonard Rioux | ... | Mégane Cormier-Leblanc | |
| Isabelle Roy | ... | Louise | |
| Lise Roy | ... | Voisine alcoolique | |
| Nicholas Simard | ... | Viking #2 | |
| Rychard Thériault | ... | Albert Mondoux | |
| Gisèle Trépanier | ... | Directrice de l'hospice | |
Réalisé par | |||
| Denys Arcand | |||
Scénaristes(in alphabetical order) | ||
| Denys Arcand | writer | |
Produit par | |||
| Dominique Besnehard | .... | co-producer | |
| Philippe Carcassonne | .... | co-producer | |
| Daniel Louis | .... | producer | |
| Denise Robert | .... | producer | |
Musique originale | |||
| Philippe Miller | |||
Image | |||
| Guy Dufaux | |||
Montage | |||
| Isabelle Dedieu | |||
Distribution des rôles | |||
| Lucie Robitaille | |||
Création des décors | |||
| François Séguin | |||
Décorateur de plateau | |||
| Suzanne Cloutier | |||
| Sylvie Desmarais | |||
Création des costumes | |||
| Judy Jonker | |||
Maquillage | |||
| Evelyne Byot | .... | key makeup artist | |
| Adrien Morot | .... | special makeup effects supervisor | |
| Sabin Paradis | .... | key hair stylist | |
| Diane Simard | .... | key makeup artist | |
Directeur de production | |||
| Michel Chauvin | .... | production manager | |
| Hélène Grimard | .... | production supervisor | |
| George Jardon | .... | post-production supervisor | |
| Pierre Lapointe | .... | unit manager | |
| Jose Uria | .... | assistant unit manager | |
Assistant réalisateur | |||
| Fabrice Barrilliet | .... | first assistant director: second unit | |
| Emilie Malo | .... | third assistant director | |
Art Department | |||
| Ian Lavoie | .... | property master | |
Technicien du son | |||
| Philippe Amouroux | .... | sound re-recording mixer | |
| Jocelyn Caron | .... | sound recordist | |
| Edouard d'Heucqueville | .... | sound mix technician | |
| Marie-Claude Gagné | .... | sound | |
| Cyril Holtz | .... | sound re-recording mixer | |
| Paul Lainé | .... | sound recordist | |
| Stéphane Soye | .... | boom operator | |
Effets spéciaux | |||
| Simon Martineau | .... | special effects assistant | |
| Guillaume Murray | .... | special effects supervisor | |
| Sebastien Roussel | .... | special effects | |
| Martin Williams | .... | special effects rigger | |
Visual Effects | |||
| Thierry Delattre | .... | visual effects supervisor | |
| Jean-Francois Houde | .... | digital compositor: Hybride | |
| Ara Khanikian | .... | digital compositor: Hybride | |
| Richard Martin | .... | visual effects supervisor: Hybride | |
| Benjamin Ribière | .... | digital compositor | |
| Laurent Spillemaecker | .... | compositor | |
| Peter Toufidis | .... | matte painter: Hybride | |
Cascadeur | |||
| Mike Chute | .... | stunt coordinator | |
| Jean Frenette | .... | stunt driver | |
| François Gauthier | .... | stunts | |
| Yves Langlois | .... | stunt coordinator (Medieval Re-enactment) | |
| Stéphane Lefebvre | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Pierre Beaulieu | .... | best boy | |
| Pierre Beaulieu | .... | electrician | |
| Charles Beetz | .... | rigging gaffer | |
| Stephane Boisvert | .... | generator operator | |
| Sarah Couvelaire | .... | assistant camera | |
| François Daignault | .... | camera operator | |
| Amelie Duceppe | .... | third assistant camera | |
| Vincent Gallot | .... | daily focus puller | |
| Francois Gamache | .... | second assistant camera: second unit | |
| David Giasson | .... | grip | |
| Eric Lefèbvre | .... | electrician | |
| Marion Mailhot | .... | best boy grip | |
| Dany Racine | .... | first assistant camera: "a" camera | |
| Jan Thijs | .... | still photographer | |
| Paul Viau | .... | gaffer | |
Casting Department | |||
| Carole Dionne | .... | extras casting | |
Costume and Wardrobe Department | |||
| Richard Brunet | .... | dresser | |
| Pauline Fortin | .... | wardrobe coordinator | |
| Christine Grenier | .... | wardrobe mistress | |
| Art Reasonover | .... | key set costumer | |
Editorial Department | |||
| Stéfanie Guadagnino | .... | assistant editor | |
| Arthur Montreuil | .... | film timer | |
Divers | |||
| Guillaume Beaudoin-Aubin | .... | production assistant | |
| Guillaume Beaudoin-Aubin | .... | set runner | |
| Sandrine Boulet | .... | production assistant | |
| Marie-Christine D'Amours | .... | production secretary | |
| Maxime Delauney | .... | production assistant | |
| Laure Flammarion | .... | production assistant | |
| Marie La Haye | .... | script supervisor | |
| Sylvie Laurin | .... | production accountant | |
| Serge Lavigueur | .... | armor coordinator | |
| Denis Paquette | .... | location manager | |
| Marjolaine Perron | .... | assistant production accountant | |
| Lyne Pomerleau | .... | production coordinator | |
| Paolo Quintans | .... | set production assistant | |
| Martine Rochette | .... | assistant location manager | |
| Marin Valois | .... | production assistant | |
| Full cast and crew | Company credits | External reviews |
| IMDb Comedie section | IMDb Canada section | Add this title to MyMovies |
By mid eighties, living in South America, I attended a showing of "The Decline of the American Empire" in a long (festival) cut. There were a lot of buzz about this Canadian movie; it was serious Oscar contender, had won in Cannes and so on. For about two hours, I witnesses four women talking about sex, four men talking about sex and the eight together talking about sex. All of them a bunch of intellectual college professors (with some socialist political tendencies). Against all odds and expectations, it was one of the most funny and interesting movies I ever saw.
Twenty years later, the same eight characters came back for a follow up with a few new ones. It was called "The Barbarian Invasions". This time, sex was not the subject but the social environment and changes. People had matured and political tendencies too. Aside from winning the Oscar this time, it was no better but a perfect companion to the first one. Now, few years later comes "L' Age des Tenebres" (in English "The age of ignorance" or "The Time of Darkness"). It was labeled as the third part of a trilogy but it has no relation with the other two aside from one character briefly appearance.
This time, we follow the story of Jean-Marc Leblanc. An underachiever public servant; married to an ambitious real estate broker who ignores him (well, mutually). Jean Marc survives his frustrations on fantasies (some of them sexual with four gorgeous women he has some kind of relation. When his wife leaves him on a job opportunity, he falls down a tries to get a grip of the real word, however things are not that easy. If you think it looks like "American Beauty" you are not completely wrong but this movie goes further and not as PC as "American Beauty" did. Well, at least there is no need to kill the main character. "L' Age des Tenebres" is coming of age (or a coming to terms) comedy about people facing reality a little too late.
It falls short compared to the other two parts; even when it is probably more commercial and accessible but compared to similar attempts from other directors is really a masterpiece.