Capitaine Achab (2007)

Réalisateur:

Philippe Ramos

Scénaristes:

Herman Melville (writer)
Philippe Ramos (writer)

Date de sortie:

13 février 2008 (France)

Genre:

Aventure

Avis des utilisateurs:

Captain Ahab's back-story

Ensemble

Denis Lavant	...	Achab adulte
Jacques Bonnaffé	...	Starbuck
Bernard Blancan	...	Will Adams
Jean-François Stévenin	...	Le père d'Achab
Virgil Leclaire	...	Achab enfant (as Virgile Leclaire)
Philippe Katerine	...	Henry
Dominique Blanc	...	Anna
Carlo Brandt	...	Mulligan
Jean-Christophe Bouvet	...	Le roi d'Angletere
Lou Castel	...	Le docteur Hogganbeck
Jean-Paul Bonnaire	...	Le pasteur
Hande Kodja	...	Louise (as Handé Kodja)
Mona Heftre	...	Rose
Pierre Pellet	...	Jim Larsson
reste de la distribution par ordre alphabétique:
Michael Merikan	...	Church visitor
Jonathan Reyes	...	Le chef de bande des voyoux
Guillaume Verdier

Autre(s) titre(s):

Captain Ahab (International: English title) (festival title)
Kapten Ahab (Sweden)

Pays:

Sweden | France

Langue:

Français

Couleur:

Couleur

Classification:

Sweden:11

Lieux de tournage:

Orust, Västra Götalands län, Sweden

Société:

Arte

Captain Ahab's back-story

*** Ce commentaire peut contenir des spoilers ***

An intriguing, but finally unsatisfactory film, that looks at the background of Captain Ahab in Moby Dick. In five episodes, we see Ahab through the eyes of five people- his father, his aunt, Mulligan, a preacher who helps him, Anna, his lover, and Starbuck, the Pequod's mate. Each episode is interesting, but they don't hold together as a whole. At the end we don't believe that this accumulation- his father's refusal to take him hunting, his father's death, the religiously inspired cruelty of his aunt and her husband, his encounter with a couple of criminals who've come from Huckleberry Finn, his spiritual division between the sea and religion, his affair with the laundress Anna- explains or shows the monomaniac Ahab of Melville emerges from this history. We are shown nothing of Ahab in his days of glory as the greatest whale-killer in Nantucket, only his young childhood and his life after he loses his leg.

It's a stylised film- the characters speak in Melvillean language- not always reflected in the English subtitles- with some extraordinary shots, a good use of noise and music and a wonderful performance by the child who plays the child Ahab, marred by a little obviousness in ostentatious symbolism, a need to show rather than let us infer, some ignorance or nineteenth century new England- the two priests are portrayed as a French-style Roman Catholic village priest and a humane missionary, rather than as the Father Mapple of Moby Dick or the Calvinists who inspired him- unless Mulligan is the same man with his name changed for some reason.