| Photos (see all 12 | slideshow) | Videos (see all 9) |
| Nadine Labaki | ... | Layale | |
| Yasmine Elmasri | ... | Nisrine (as Yasmine Al Masri) | |
| Joanna Moukarzel | ... | Rima | |
| Gisèle Aouad | ... | Jamale | |
| Adel Karam | ... | Youssef | |
| Sihame Haddad | ... | Rose (as Siham Haddad) | |
| Aziza Semaan | ... | Lili | |
| Fatmeh Safa | ... | Siham | |
| Dimitri Staneofski | ... | Charles | |
| Fadia Stella | ... | Christine | |
| Ismaïl Antar | ... | Bassam | |
| Yousra Karam | ... | Salon client | |
| Victoria Bader | ... | Salon client | |
| reste de la distribution par ordre alphabétique: | |||
| Nancy | ... | Woman in taxi | |
Réalisé par | |||
| Nadine Labaki | |||
Scénaristes(in alphabetical order) | ||
| Rodney El Haddad | writer | |
| Jihad Hojeily | writer | |
| Nadine Labaki | writer | |
Produit par | |||
| Raphael Berdugo | .... | associate producer | |
| Stéphane Riga | .... | line producer | |
| Anne-Dominique Toussaint | .... | producer | |
Musique originale | |||
| Khaled Mouzannar | |||
Image | |||
| Yves Sehnaoui | |||
Montage | |||
| Laure Gardette | |||
Création des décors | |||
| Cynthia Zahar | |||
Création des costumes | |||
| Caroline Labaki | |||
Maquillage | |||
| Nader Sidani | .... | makeup artist | |
Directeur de production | |||
| Matthieu Bled | .... | post-production manager | |
| Jean Mansour | .... | unit production manager | |
| Stéphane Riga | .... | production manager | |
Assistant réalisateur | |||
| Abla Khoury | .... | second assistant director | |
| Elizabeth Marre | .... | first assistant director | |
Technicien du son | |||
| Christophe Bourreau | .... | foley artist | |
| Emmanuel Croset | .... | sound re-recording mixer | |
| Hervé Guyader | .... | sound editor | |
| Pierre-Yves Lavoué | .... | sound | |
| Hubert Teissedre | .... | foley recording engineer | |
Visual Effects | |||
| Bertrand de Saint Seine | .... | digital compositor | |
| Yann Larochette | .... | digital compositor | |
| Christophe Legendre | .... | color grader | |
Camera and Electrical Department | |||
| Mher Keshishian | .... | crane operator | |
| Elie Merhy | .... | electrician | |
| Michel Serhal | .... | electrician | |
Editorial Department | |||
| J.D. Funari | .... | trailer editor | |
Music Department | |||
| Claude Chaloub | .... | musician: solo violin and alto violin (as Claude Chalhoub) | |
| Adnan El Hout | .... | musician: ney | |
| Mounir El Khawi | .... | musician: oud, mandolin and guitar | |
| Marc Ernest | .... | musician: piano | |
| Khaled Mouzannar | .... | musician: piano | |
| Walid Nasser | .... | musician: percussions | |
| Marie-Jeanne Serrero | .... | conductor | |
| Marie-Jeanne Serrero | .... | musician: piano | |
| Jamal Zzatzour | .... | musician: kanoun | |
Transportation Department | |||
| Wissam Sudek | .... | driver | |
Divers | |||
| Laurence Granec | .... | press attache | |
| Marianne Katra | .... | production assistant | |
| Karine Menard | .... | press attache | |
| Florence Mettler | .... | script supervisor | |
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| Cry-Baby | Romeo + Juliet | The Night of the Hunter | La buena vida | The Notebook |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedie section | IMDb France section | Add this title to MyMovies |
This was the official submission of Lebanon for Best Foreign Film in 2007. Though the ones selected appear a bit repetitive (seems to be a war theme; there is no good reason "Four Months, Three Weeks and Two Days" was not selected except for that), this is not really "best film of the year" quality. This might lead to some disappointment for those who thought it was, as a few comments seem to.
But, it is a good movie. It has been compared to "Beauty Shop," which I have not seen, so I don't know. The film, though foreign, is rather universal in many ways all the same -- the cell phone, for instance, is familiar presence. And, the women who work at the shop all seem pretty independent, not as traditional as some members of their family. There is also someone who brought to mind a young Melissa Etheridge (in more ways than one). The older single mom fighting aging and struggling to get acting jobs also seems familiar. One can imagine this film, e.g., taking place in Spain with little altered.
But, from my limited knowledge, Lebanon is fairly cosmopolitan vis-a-vis various other places in the Middle East. And, there are reminders, including the owner of the shop living with her parents, and the problems a young Muslim woman ready to get married has when her finance doesn't know she isn't a virgin. The mixture of Christian and Muslim also takes an added meaning given the setting. This adds foreign flavor to a film that still remains largely universal.
Anyway, as to the film itself. It is an ensemble piece, with the director/star having a slightly superior role, though the older seamstress that must deal with a mentally retarded aunt or whatever also has a lot of screen time. The owner of the shop is having an affair with a married man while a lovelorn traffic cop pines for her. This latter part is touching, and the actor here (as does an older gentleman who favors the seamstress) is charming in his small role. Such touches often make movies, and it helps this one.
Overall, I cared for these people, and thought the performances were good and true to life. Someone noted the film's stories ultimately are a bit thin. This is probably true, but they are good all the same, and in some ways quite touching. I was not wowed or anything, but simply thought it was a good film. Not "best" material, but no need for that to enjoy things.