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Overview

Note des utilisateurs:
5.4/10   106 votes
MOVIEmeter: ?
Up 2% in popularity this week. See rank & trends on IMDbPro.
Réalisateur:
Bernard Jeanjean
Scénariste:
Bernard Jeanjean (writer)
Contact:
View company contact information for J'veux pas que tu t'en ailles on IMDbPro.
Release Date:
25 avril 2007 (Belgium) suite
Genre:
Romance suite
Avis des utilisateurs:
Good comedy, bad ending but enjoyable overall. suite

Ensemble

  (in credits order)
Richard Berry ... Paul
Judith Godrèche ... Carla
Julien Boisselier ... Raphaël
Martine Fontaine ... Emma

Eric Laugérias ... Marc
Céline Samie ... Florence
Morgan Rouchy ... Lukas
Dany Benedito ... Betty
Karin Bernfeld ... La patiente anorexique
Philippe Beauchamp ... Le cuistot
Bernard Jeanjean ... Le policier municipal
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Réalisé par
Bernard Jeanjean 
 
Scénaristes
(in alphabetical order)
Bernard Jeanjean  writer

Produit par
Caroline Adrian .... producer
Fabrice Goldstein .... producer
Antoine Rein .... producer
 
Musique originale
Christophe Julien 
 
Image
Eric Guichard 
 
Montage
Nathalie Hubert 
 
Distribution des rôles
Richard Rousseau 
 
Création des décors
Bettina von den Steinen 
 
Décorateur de plateau
Sébastien Monteux-Halleur 
 
Création des costumes
Juliette Chanaud 
 
Maquillage
Judith Gayo .... key makeup artist
Linda Hidra .... key hair stylist
 
Directeur de production
Pascal Bonnet .... production manager
Bertrand Girard .... unit manager
Guillaume Sion .... assistant production manager
 
Assistant réalisateur
Yann Chemin .... third assistant director
Aurélia Michon .... second assistant director
Sylvie Peyre .... first assistant director
 
Art Department
Martine Fontaine .... art collaboration
 
Technicien du son
Emmanuel Augeard .... sound editor
Kamal Ouazene .... sound
Gérard Rousseau .... sound mixer
 
Effets spéciaux
Clement Zveguintzoff .... special effects coordinator
 
Camera and Electrical Department
Laurent Bourgeat .... electrician
Matthieu-David Cournot .... video assistant
Nicolas Dollander .... Steadicam operator
 
Casting Department
Amélie Covillard .... extras casting
 
Editorial Department
Guillaume Lauras .... assistant editor
 
Music Department
Bruno Mercere .... music mixer
 
Divers
Pauline Jardel .... production assistant
Matthieu Ploteau .... location scout
Charles Redon .... production assistant
Agathe Sallabery .... script supervisor
 

Production CompaniesDistributors
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Additional Details

Autre(s) titre(s):
Please Don't Go (International: English title)
suite
Durée:
Germany:95 min (European Film Market)
Pays:
France
Langue:
Français
Couleur:
Couleur
Aspect Ratio:
2.35 : 1 suite
Company:
Delante Films suite

foire aux questions

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1 out of 1 people found the following comment useful:-
Good comedy, bad ending but enjoyable overall., 9 May 2009
7/10
Author: Ralph Ignacio Litardo (lancaster@fibertel.com.ar) de Capital, Buenos Aires, Argentina

The plot is trite, but the way it's been carried out makes it funny. Specially if you are doing psychoanalysis :)!

Richard Berry is obviously a great actor, he carries the film on his shoulders. On the claws of a, say, Billy Crystal, it'd be a succession of tics, whereas Berry is believable. Even his smiles are done without much movement, like a sloth's. It reminds me of his even better "Karim Hamida" -the savvy undercover cop- at the great commercial film L'union sacrée (1989). Judith Godrèche is nice but I'm afraid something goes wrong in her role here (see later). Julien Boisselier's Raphaël is probably the most difficulty role. He's the playboy who easily drags women but, we take time to realize, fights loneliness. He gives his role the adequate mix of shallowness, experience with women, some vulnerabilities, and enough presence and intelligence given he's been used by who was, presumably, his healer.

Marc is fine in a supporting role. His face and allure made him born for the role. Lukas, their son, is a great child actor (very unusual).

I just can't believe "Carla" is the same actress of one of the best French films of all history, "Ridicule". Mathilde de Bellegarde was a fresh beauty, now she seems dull, hysterical, without anything to offer. I suppose the direction, plot or ... went very wrong, she's proved she's good at conveying emotions.

It's a pity funny and intelligent comedies like "48 heures par jour" and this one, start out right and end up following bourgeoise Diktat: "Marriage above all". Out of a sudden, they get along fine. Or so it seems. Were it an American film, we'd all trash it. As it's European, we may indulge into thinking it comes with the genre: "comedie". Enjoy!

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