| Videos (see all 3) |
| Edward Burtynsky | ... | Himself |
Réalisé par | |||
| Jennifer Baichwal | |||
Produit par | |||
| Jennifer Baichwal | .... | producer | |
| Shana Collier | .... | associate producer: Foundry Films | |
| Richard Hughes | .... | assistant producer | |
| Richard Hughes | .... | field producer | |
| Daniel Iron | .... | producer | |
| Lucas Lackner | .... | associate producer | |
| Nick de Pencier | .... | producer | |
| Jeff Powis | .... | associate producer | |
| Paul Scherzer | .... | line producer | |
| Noah Weinzweig | .... | line producer: China | |
Musique originale | |||
| Dan Driscoll | |||
Image | |||
| Peter Mettler | |||
Montage | |||
| Roland Schlimme | |||
Directeur de production | |||
| Noura Kevorkian | .... | production manager: Los Angeles | |
| Marcus Schubert | .... | production manager | |
Technicien du son | |||
| Dan Driscoll | .... | sound | |
| Steve Hammond | .... | foley artist | |
| Mandy Ley | .... | assistant re-recording mixer | |
| Sanjay Mehta | .... | location sound recordist | |
| Peter Mettler | .... | sound | |
| David Rose | .... | sound re-recording mixer | |
| David Rose | .... | supervising sound editor | |
| Roland Schlimme | .... | sound | |
| Lou Solakofski | .... | sound re-recording mixer | |
| Jane Tattersall | .... | sound | |
Caméra et Département Electrique | |||
| John Price | .... | assistant camera | |
| Noah Weinzweig | .... | cinematographer: aerial footage | |
Dpartement Editorial | |||
| Cort Bremner | .... | dailies assistant editor | |
| Louis Casado | .... | film timer | |
| Chanda Chevannes | .... | post-production coordinator | |
| Ross Cole | .... | telecine transferer | |
| Joseph Doane | .... | dailies assistant editor | |
| Ed Ham | .... | on-line editor | |
| Avril Jacobson | .... | assistant editor | |
| Colin Moore | .... | colorist | |
| Brian Reid | .... | on-line editor | |
| Trevor Risbridger | .... | on-line editor | |
Divers | |||
| Jeannie Baxter | .... | general manager: Edward Buetynsky | |
| Malcolm Brown | .... | title designer | |
| Sarah Christie | .... | production coordinator | |
| Kerryn Ciracovitch | .... | daily production coordinator | |
| Stephanie Dudley | .... | motion designer | |
| Brooke Hanson | .... | production assistant | |
| Christine Hobson | .... | office manager: Mercury Films | |
| Ted Hobson | .... | production assistant | |
| Luo Li | .... | translator | |
| Karen Machtinger | .... | arts administrator | |
| Jennifer Maund | .... | bookkeeper: Mercury Films | |
| Chelsea McMullan | .... | research assistant | |
| Ryan J. Noth | .... | production assistant | |
| Stephen Paniccia | .... | production accountant | |
| Maggie Tang | .... | production coordinator (as Xiaobin Tang) | |
| Longyu Tong | .... | translator | |
| Catherine Xiaowen Xu | .... | translator | |
| Lanny Dong Zhi Ying | .... | translator | |
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| Shanghai Gloaming | Hotaru no haka | Willy Wonka & the Chocolate Factory | Empire of the Sun | The 400 Million |
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| Casting et équipe complète | Remerciements de la Société | Revues externes |
| IMDb Documentaire section | IMDb Canada section | Add this title to MyMovies |
This film follows Canadian photographer Edward Burtynsky to China where he documented the grim scale of Chinese industry and it's impact on the... landscape, obviously! Burtynsky's fascinating photos of industrial activity and waste have been exhibited widely, I saw the local exhibition at the Art Gallery of Ontario two years ago and came home with both the exhibition book of the same name and one of his framed 'quarry' prints. Now I've seen Jennifer Baichwal's film on the same topic. I think they've covered the media bases. Perhaps a role-playing game for PS3? So, thumbs up or down? Well, a thumb in each direction I think. The film gave visual context to Burtynsky's photos, which was helpful because sometimes you just can't believe that his images come from the real world. It also expanded them by capturing more of the human presence, which is often incidental in his photos. The film opened with a five minute tracking shot (shades of Robert Altman) along rows of bustling manual assembly lines. The scene showed both the monumental scale of China's industries and the massive and repetitive human activity that makes it possible. Watching a worker assemble a small electrical component at lightning speed and then later watching peasants tapping the metal off of computer chips for recycling reminded me that industry grinds down people as well as landscapes.
There were some clever juxtapositions that highlighted the economic divide in China. The remark "this is an open kitchen", for example, started while we watched a peasant's medieval outdoor stove in use but concluded while we watched the speaker, a Shanghai Realtor, show off her open-concept luxury kitchen.
The down side? Well, the film kind of dragged on (how many slow tracking shots can we sit through in a night?) and the sound track was excessively "industrial" and often grating.
Still, Manufactured Landscapes is a mind-expanding film that illuminates and expands on Edward Burtynsky vision and trusts the viewer to interpret it.