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Vue d'ensemble
Note Générale:
Réalisateur:
Scénaristes (WGA):
Wes Anderson (written by) &
Roman Coppola (written by) ...
suite
Date de sortie:
26 octobre 2007 (USA) suite
Intrigue:
Three American brothers who have not spoken to each other in a year set off on a train voyage across India with a plan to find themselves and bond with each other -- to become brothers again like they used to be. Their "spiritual quest", however, veers rapidly off-course (due to events involving over-the-counter pain killers, Indian cough syrup, and pepper spray), and they eventually find themselves stranded alone in the middle of the desert with eleven suitcases, a printer, and a laminating machine. At this moment, a new, unplanned journey suddenly begins. full summary | add synopsis
Récompenses:
1 win & 3 nominations suite
Avis des utilisateurs:
A complex and beautiful film plus de (226 total)
Ensemble
(Vue d'ensemble du casting, par ordre d'apparence)| Owen Wilson | ... | Francis | |
| Adrien Brody | ... | Peter | |
| Jason Schwartzman | ... | Jack | |
| Amara Karan | ... | Rita | |
| Wallace Wolodarsky | ... | Brendan (as Wally Wolodarsky) | |
| Waris Ahluwalia | ... | The Chief Steward | |
| Irrfan Khan | ... | The Father | |
| Barbet Schroeder | ... | The Mechanic | |
| Camilla Rutherford | ... | Alice | |
| Bill Murray | ... | The Businessman | |
| Anjelica Huston | ... | Patricia | |
| A.P. Singh | ... | Taxi Driver | |
| Kumar Pallana | ... | Old Man | |
| Dalpat Singh | ... | Waiter | |
| Trudy Matthys | ... | German Lady #1 (as Trudy Mathis) |
Détails supplémentaires
MPAA:
Rated R for language.
Parents Guide:
Durée:
91 min
Pays:
Couleur:
Couleur (Technicolor)
Rapport de forme:
2,35 : 1 suite
Son:
SDDS | Dolby Digital | DTS
Classification:
Singapore:PG | Ireland:15A | Canada:14A (Alberta/Manitoba/Ontario) | UK:15 | Canada:G (Quebec) | Finland:K-11 | Canada:PG (British Columbia) | USA:R (certificate #43707) | South Korea:15 | Brazil:14 | Germany:6 | Sweden:11 | Hong Kong:IIB | Philippines:R-13 (MTRCB) | Portugal:M/12 | Netherlands:12 | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | Argentina:13 | Singapore:NC-16 (DVD rating) | New Zealand:M | Australia:M
Société:
Curiosités
Anecdotes:
In order to achieve a constant limp while filming, Owen Wilson placed a small lime in his shoe. suite
Goofs:
Continuité: When Peter throws the belt at Francis in the train cabin, he has shaving lather on his face. But when Francis retaliates immediately after, the lather is gone. suite
Guillemet:
[first lines]
The Businessman:
That's my train.
suite
Bande son:
Play with Fire suite
foire aux questions
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After three viewings of "The Darjeeling Limited" I find myself quite certain that this is not Wes Anderson's best film in the sense that it's not his best-paced film and it may have some moments that are a little too heavy-handed. However, I find that these little flaws add to the charm of the film because of the way it is constructed and written. It almost feels like one is part of the journey and since no journey of this sort is perfect or fully enjoyable it's almost fitting that this film isn't
I laughed out loud more during "The Darjeeling Limited" than during any other Wes Anderson movie, although "Rushmore" is probably more of an outright comedy. This screenplay wasn't written with Owen Wilson, as Anderson instead chose to team up with Roman Coppola and Jason Schwartzman for this project, presumably due to Wilson being too busy to do it. The result is a slightly inconsistent (and, as mentioned before, heavy-handed) screenplay but one with loads of delicious irony, wit, and dry humor. It's great stuff, really. There is a lot of depth to be found here as well, especially with Anderson's use of recurrent imagery in the film. There is perhaps more maturity and understanding of human nature here than in any previous Wes Anderson films.
The acting is once again top-notch here from Brody, Wilson, and Schwartzman, and Anderson's use of music is again incredibly fitting and beautiful while also being perhaps less frequent and distracting than his other films, allowing less room for accusations detractors frequently make that Anderson is nothing more than a glorified music video director. Also of note while discussing music is the use of various Satyajit Ray compositions in an acknowledgment of one of his cinematic idols and main inspirations, not only for this film but in general.
"The Darjeeling Limited" demands multiple viewings. It is a rich, complex, detailed, and gorgeous film which is a unique and fascinating look at some familiar thematic material recurrent in Anderson's work. It's not a perfect film, but it's definitely one of the best films of the year.