| Photos (see all 10 | slideshow) | Videos (see all 6) |
| Henry O | ... | Mr. Shi | |
| Pavel Lychnikoff | ... | Boris | |
| Feihong Yu | ... | Yilan | |
| Vida Ghahremani | ... | Madam | |
| reste de la distribution par ordre alphabétique: | |||
| Megan Albertus | ... | Forensics Girl | |
| Wes Deitrick | ... | Antique Owner | |
| Angela Dierdorff Petro | ... | Maggie | |
| Liz Mathews | ... | Business Woman | |
| Ryan Sanson | ... | Plane Passenger | |
| Tracy Schornick | ... | Troy | |
| Trent Sweeney | ... | Boy | |
| Patrick Treadway | ... | Homeless Man | |
| Lonny W. Waddle | ... | City Bus Passenger | |
| Jared Wagner | ... | Airport Greeter | |
Réalisé par | |||
| Wayne Wang | |||
Scénaristes | ||
| Yiyun Li | (novel) | |
| Yiyun Li | stories | |
| Michael Ray | script consultant | |
Produit par | |||
| Rich Cowan | .... | producer | |
| Lee Joo-Ick | .... | executive producer | |
| Yukie Kito | .... | producer | |
| Yasushi Kotani | .... | executive producer | |
| Juan A. Mas | .... | supervising producer | |
| Taizo Son | .... | executive producer | |
| Wayne Wang | .... | producer | |
Musique originale | |||
| Lesley Barber | |||
Image | |||
| Patrick Lindenmaier | |||
Montage | |||
| Deirdre Slevin | |||
Distribution des rôles | |||
| Nike Imoru | |||
| Todd M. Thaler | |||
Création des décors | |||
| Vincent DeFelice | |||
Décorateur de plateau | |||
| Dan Beyer | |||
Création des costumes | |||
| Lisa Caryl | |||
Maquillage | |||
| Trista Jordan | .... | key makeup artist | |
| Mike Meyers | .... | hair stylist | |
| Taci Van Leuven | .... | assistant makeup artist | |
Assistant réalisateur | |||
| Rich Cowan | .... | first assistant director | |
| Lynn Wegenka | .... | second assistant director | |
Art Department | |||
| Amber Grunte | .... | set dresser | |
| Pete Moroz | .... | on-set dresser | |
Technicien du son | |||
| Ryan Collison | .... | foley engineer | |
| Lewis Goldstein | .... | sound re-recording mixer | |
| Lewis Goldstein | .... | supervising sound editor | |
| Heather Gross | .... | sound effects editor | |
| Allen Lau | .... | assistant sound editor | |
| Cate Montana | .... | adr editor | |
| Jay Peck | .... | foley artist | |
| Jac Rubenstein | .... | dialogue editor | |
| Tom Taylor | .... | sound mixer | |
| Rusty Dunn | .... | sound effects editor (uncredited) | |
Casting Department | |||
| Philip Huffman | .... | casting associate | |
| Colin Johnson | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Rebecca Cook | .... | set costumer | |
| Hilary Winkworth | .... | key set costumer | |
Editorial Department | |||
| Jason Mckee | .... | assistant editor | |
| Renannah Weinstein | .... | assistant editor | |
| Jason A. Payne | .... | additional editor (uncredited) | |
Music Department | |||
| Deva Anderson | .... | music supervisor | |
| Lesley Barber | .... | conductor | |
| Lesley Barber | .... | orchestrator | |
| Neil Parfitt | .... | scoring music editor (uncredited) | |
Transportation Department | |||
| Philip Allister Anderson | .... | picture car coordinator | |
| Adam C. Boyd | .... | driver: cast | |
| John Petty | .... | transportation captain | |
Divers | |||
| Craig Binkley | .... | location manager | |
| Adam C. Boyd | .... | production assistant | |
| Cheryl Cowan | .... | script supervisor | |
| Thomas Dineen | .... | assistant production coordinator | |
| Mollie Mraz | .... | production assistant | |
| Gretchen Oyster | .... | key set production assistant | |
| Travis Pell | .... | production assistant | |
| Frederic Perrin | .... | caterer | |
| Kurt Wetherill | .... | production assistant | |
| Ryan Sanson | .... | production intern (uncredited) | |
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| Gone with the Wind | Thirty Seconds Over Tokyo | The Sand Pebbles | The Joy Luck Club | Big Fish |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drame section | IMDb USA section | Add this title to MyMovies |
This movie felt like it lasted over 1,000 years. A really bad soap opera masquerading as a meaningful family "drama" exploring generational and cultural barriers. There is not one genuine moment in its bloated running length. An anamorphic screen image can't disguise what an amateurish production this is the acting is especially laughable. Story in a nutshell: elderly Chinese man comes to The States to visit his daughter. The father is hoping (and pushing) to become a grandfather. Pathos and a lot of moping ensue. Yawn. The void between father & daughter is played out in interminable dinner scenes. The only thing more boring are the excruciating park bench pidgin English dialogue scenes between the father and an Iranian woman he befriends. Daughter's Russian boyfriend is a cardboard cutout of a joke like everyone in this epic. And oh yeah, the most unintentionally hilarious line of the movie, "You were never a rocket scientist."